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India banned Pakistani film 'Waar'. Now Pakistan banned Indian film 'Children of War'. Film is getting positive reviews in India and Bangladesh.

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Controversial Film on Bangladesh war Opens in India


Pakistan’s censor board says Children of War will be banned in Pakistan if it denigrates the country’s armed forces.
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A Bollywood film that spotlights atrocities committed during Bangladesh’s 1971 war of independence releases across India on Friday, with the production likely to spark controversy in Pakistan.

Children of War revolves around civilians caught in the nine-month conflict that pitted Bangladeshi independence fighters against Pakistani forces. “The film looks at human stories and personal stories of how they suffered and how they came out victorious. It is a largely fictional film made up of true stories,” said director Mrityunjay Devvrat. He said that the film “focused on the weapons Pakistan used in 1971, which were not just guns and tanks but also rape and religion.”

The director says in the film that three million people were killed in the war—a figure also cited by the current Bangladeshi government—although independent researchers put the death toll at between 300,000 and 500,000 people. The conflict forced as many as 10 million refugees to flee to India, according to UNHCR, the U.N. refugee agency.


The film, initially called The Bastard Child but changed on advice of India’s censor board, shows women tumbling out of the back of a truck into a rape camp. In another scene, an orphaned child cries beside a river of blood.


“Not many people know much about Bangladesh or care about it,” said Devvrat, who grew up partly in Bangladesh while his parents were working there. “The aim of Children of War is to change that and make people understand, among other things, why there are so many Bangladeshis in India,” he said.


Under the partitioning of the subcontinent which followed the end of British rule, the Muslim-majority area now known as Bangladesh emerged as East Pakistan and was twinned with West Pakistan. India entered the Bangladesh independence war during the final days in 1971, siding with forces under nationalist leader Sheikh Mujibur Rahman.

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The film has already sparked anger in Pakistan, where it is likely to be banned. In an article in January, the English-language daily The Nation said the film was being released “to tarnish the image of Pakistan and its armed forces around the world.”


An official from the Central Board of Film Censors in Islamabad said that no request to show the film had been received—but that no one would dare try to screen an anti-Pakistan movie in any cinema in the country. “We will not allow its screening in Pakistan if it is against Pakistan and its armed forces,” he said. “I think no one has the courage to show such a film in Pakistan. How could we approve a film which is based on one-sided Indian propaganda?”


Devvrat defended the movie, saying it was not meant to blame the Pakistani people. “Our aim has never been to attack Pakistan or belittle their people, and nor have we said that the people of Pakistan are responsible for what happened,” he said. “What happened was the work of power centers, it was not endorsed by the people.”


In 2010, Bangladesh’s government set up a special tribunal to try those accused of murder, torture, rape and arson during the conflict. Most of those on trial are allegedly members of pro-Pakistan militias who fought alongside Pakistani forces against the country’s independence.


Controversial Film on Bangladesh Opens in India ‹ Newsweek Pakistan

The Bastard Child / Children of War - Theatrical Trailer

 
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Trailer dekh kar ankh bhar aayi :cray:Yeh film toh pakki dekhni

India banned Pakistani film 'Waar'. Now Pakistan banned Indian film 'Children of War'. Film is getting positive reviews in India and Bangladesh.

..........................

Controversial Film on Bangladesh war Opens in India


Pakistan’s censor board says Children of War will be banned in Pakistan if it denigrates the country’s armed forces.
cmovie-640.gif


A Bollywood film that spotlights atrocities committed during Bangladesh’s 1971 war of independence releases across India on Friday, with the production likely to spark controversy in Pakistan.

Children of War revolves around civilians caught in the nine-month conflict that pitted Bangladeshi independence fighters against Pakistani forces. “The film looks at human stories and personal stories of how they suffered and how they came out victorious. It is a largely fictional film made up of true stories,” said director Mrityunjay Devvrat. He said that the film “focused on the weapons Pakistan used in 1971, which were not just guns and tanks but also rape and religion.”
The director says in the film that three million people were killed in the war—a figure also cited by the current Bangladeshi government—although independent researchers put the death toll at between 300,000 and 500,000 people. The conflict forced as many as 10 million refugees to flee to India, according to UNHCR, the U.N. refugee agency.
The film, initially called The Bastard Child but changed on advice of India’s censor board, shows women tumbling out of the back of a truck into a rape camp. In another scene, an orphaned child cries beside a river of blood.
“Not many people know much about Bangladesh or care about it,” said Devvrat, who grew up partly in Bangladesh while his parents were working there. “The aim of Children of War is to change that and make people understand, among other things, why there are so many Bangladeshis in India,” he said.
Under the partitioning of the subcontinent which followed the end of British rule, the Muslim-majority area now known as Bangladesh emerged as East Pakistan and was twinned with West Pakistan. India entered the Bangladesh independence war during the final days in 1971, siding with forces under nationalist leader Sheikh Mujibur Rahman.
B1.jpg


The film has already sparked anger in Pakistan, where it is likely to be banned. In an article in January, the English-language daily The Nation said the film was being released “to tarnish the image of Pakistan and its armed forces around the world.”

An official from the Central Board of Film Censors in Islamabad said that no request to show the film had been received—but that no one would dare try to screen an anti-Pakistan movie in any cinema in the country. “We will not allow its screening in Pakistan if it is against Pakistan and its armed forces,” he said. “I think no one has the courage to show such a film in Pakistan. How could we approve a film which is based on one-sided Indian propaganda?”
Devvrat defended the movie, saying it was not meant to blame the Pakistani people. “Our aim has never been to attack Pakistan or belittle their people, and nor have we said that the people of Pakistan are responsible for what happened,” he said. “What happened was the work of power centers, it was not endorsed by the people.”
In 2010, Bangladesh’s government set up a special tribunal to try those accused of murder, torture, rape and arson during the conflict. Most of those on trial are allegedly members of pro-Pakistan militias who fought alongside Pakistani forces against the country’s independence.

Controversial Film on Bangladesh Opens in India ‹ Newsweek Pakistan

The Bastard Child / Children of War - Theatrical Trailer

 
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Nice Trailer ................................... Truth per bani movie.... Must watch
 
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Children Of War
Movie Review
(war drama)
Subhash K Jha, Indo-Asian News Service
Friday, May 16, 2014

Rating: 4.5 / 5

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Cast: Indraneil Sengupta, Raima Sen, Farooq Sheikh, Pavan Malhotra, Tilotama Shome, Victor Bannerjee, Riddhi Sen

Director: Mritunjay Devvrat

Writer: Mritunjay Devvrat

SPOILERS ALERT

In one of the many mind-numbing images in this exceptionally vivid work on the ravages of war, the back of a truck is jolted open and out tumble a bunch of women one on top of another at a Pakistani prison camp for Bangladeshi women run by a despicable tyrant, who could be the Nazi mass murderer Ralph Fiennes in Steven Spielberg's Schindler's List.

But no. It's Pavan Malhotra, brilliantly evil and slimy as the man who believes that if Pakistani soldiers rape and impregnate enough Bangladeshi women, the separatists and freedom fighters would stop dreaming of their own homeland.

This is the irrational, blood-soaked ravaged Pakistan of 1971 when Bangladesh was born out of the most horrific violence perpetrated against humanity.

Very often as I watched debutant director Mrityunjay Devvrat's stunning film, I was reminded of the great anti-Nazi films, like Alan Pakula's Sophie's Choice, Richard Attenborough's A Bridge Too Far, and Quentin Tarantino's Inglorious Bastards.

I was also reminded of Nandita Das's Firaaq about Gujarat's 2002 genocide where a truckload of corpses had tumbled out. The difference is, the women who fall from the truck like trash from a garbage van in Children Of War are alive.

They might as well be dead.

As these Bangladeshi women, played by actresses of various ages - from 12 years to 40 years, who seem to live every second of the agony, are raped repeatedly you wonder how low human beings can fall when given unlimited power.

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Rape as a tool of oppression has never served a more brutal purpose in any other film except Shekhar Kapur's Bandit Queen. And you wonder why the man or woman, who sits in the boss' chair in the corporate organization, is no different from the leery neo-Nazi from the Pakistani concentration camp who supervises the mass rape of Bangladeshi women.

Children Of War shows how and why absolute power corrupts absolutely. Revisiting the Bangladesh war of liberation in 1971, it recreates with nerve wracking vividness the horrors of those times when suddenly a whole civilization was threatened with extinction.

The director spares us none of the agonizing details. Why should he? When humanity suffered, first world countries turned their faces away. It's time to face the music.

The unannounced midnight knock and the graphic rape that follows, the brutal slaying of refugees on the run as they are intercepted and shot point blank (in slow motion) on a river bridge as they try to escape, the leery Nazi-like army man urinating onto a prisoner's face. War never seemed more like a personal and political violation.

This is not a film for the squeamish. But then war was never meant for the civilised. The sheer incivility of a strife where one bully-section of a country decides to teach another section of the people a lesson, is captured in layer after layer of unstrapped brilliance portraying the complete collapse of compassion.

The film is littered with passages of unbearable pain and, yes, agonizing beauty. It is an indelible irony of all visual arts that human hurt makes for great visuals. The lush lyricism that the director supplants to the suffering never takes from the powerful statement on pain and suffering.

Cinematographer Fasahat Khan shoots the chilling nights with prowling predators and ravaged women captured together to emblematise the essential conflict between sexual aggression and vulnerable victims.

There is no manipulation here in the merger of the murky and the magnificent. They have co-existed from time immemorial. In this film, the ugly and the cherishable are so close together you can touch both and come away a changed film viewer. The plot moves across several epic conflicts simultaneously. There is a teenager Rafiq (played with heartrending vulnerability by Riddhi Sen) who loses his entire family and his home and is left with only a sister (Rucha Inamdar) to flee from the brutality of his homeland to the relative safety of India.

Rafiq's journey becomes a metaphor of Bangladesh's feral fight for freedom.

While the director has made extensive and telling use of documentary footage, including Indira Gandhi's rationale for Indian intervention in Bangladesh, there are many passages of unbounded symbolism leaping out of the screen. I was specially fascinated by a boat journey across a blood-soaked tell-tale river where a girl sees ghosts and other casualties of war violence as they jostle to tell her it is not over yet.

A true blue epic of mind-numbing intensity Children Of War is the kind of cinema that David Lean would have attempted were he a witness to the barbarism that went into the formation of Bangladesh. The film's brutal brilliance and spiralling structure of dread doom and devastation make you wonder how first time director Mriyunjay Devvrat could muster such a masterly vision of human oppression and resilience.

At heart this is a conventional lovely story of a couple (Indraneil Sengupta and Raima Sen) separated by sudden war. Standing forlorn, silhouetted by barbed wires in a concentration camp, Raima sometimes looks way too beautiful to be a victim. She can't help it.

Along with her every member of the cast rises above his or her personality to become part of the director's epic design. Special mention must be made of Pavan Malhotra, Tilotama Shome (playing a human bomb), Riddhi (so young and so much pain!) and Victor Bannerjee in a memorable cameo as a traveling refugee reminds us that humanism and barbarism are neighbours.

Aiding the actors to achieve the acme of authenticity is the film's mesmeric sound-design and music. In one harrowing graphic sequence, a rock anthem reverberates across the skyline as drains filled with blood tell sagas of the savagery that waits just outside our homes.

Genocide is not only history. It is what a country gets when intolerance is encouraged by political interests.

There are visuals and sounds of pain and anguish in this turbulent treatise on one of history's worst atrocities that will stay with me forever.

It is impossible to believe that this war epic has been directed by a first time filmmaker. How can a virgin artiste conceive such a vivid portrait of the rape of a civilization?

This isn't really a film. It's a work of art, tempestuous and terrific.

Yes, this is a masterpiece.


Children Of War Movie Review | NDTV Movies.com
 
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will wait for a good print
 
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will wait for a good print

Abeiii tu dushman ka propaganda suneii gaa apneyy Bhai keh khilaaaf ? :mad:

Even @BDforever has boycotted this movie aur tu hai keh....! :cry:

Waisee so far as I can tell the only reason @BDforever boycotted this movie was because Mrs.BDforever is an extremely Pro-Pakistan Bangladeshi ! :)
 
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