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Pakistani mega hit film ‘'Waar'’ | Reviews & Discussions.

Why would a fake Arab from Sialkot who speaks Pinglish (Punjab + English) would be interested in watching a Pakistani movie ? :unsure:

LOL this fake arab needs to make sure no anti-wahabbi ideals are taking place in said movie or else ima have to talk to my arab uncles in the desert about funneling more money into the madarsas for "educational" purposes. :mad:
 
Unrest of Indian leaders & media on success of Pak movie Waar

Not only Indian leaders or politicians but Producers, Directors and Actors linked with Indianmedia have been always on the front to spread hatred against Pakistan and to destroy the foundation of Pakistan i.e. Two Nations Theory. This is the propaganda of Indian media andfilm industry that the venom of hatred against Pakistan has been injected in the blood of the Indian society.
This is why in Indian elections, political parties are not chosen due to their developmental work, solution of public problems but the harm done to Pakistan or threatening statements given against Pakistan. As a result of such standard of getting the votes the topic of Indian politicians remains limited to propaganda against Pakistan, Pak army and ISI.
If we analyze the use of Indian Film Industry or Bollywood against Pakistan as a weapon that India has produced more than two dozen movies against Pakistan, Pak Army and ISI; some movies directly hit Pakistan and Two Nations Theory through characters and places while some target Pakistan symbolically. The top of the list anti-Pakistan movies include Sarfrosh, Hindustan Ki Qasam, Pukar, Roja, Border, Bombay, Earth 1947, Train to Pakistan, Hai Raam, Auzaar and Mission Kashmir. When Indian movie viewers get out of cinema after watching Indian movie Border they are chanting slogans against Pakistan; free shows are organized for students to watch Border movie. Indian movie Hindustan Ki Qasam carries the propaganda that Pakistan Army and ISI are the only hurdle in the way of peace between India and Pakistan; same allegation has been repeated by Indian PM Manmohan Singh and FM Suleman Khursheed through such propaganda they are attempting to misguide world that Pakistan Army and ISI is the only cause of tension over LoC (line of control), Pak Army targets Indian posts to facilitate millitants to infiltrate into IoK (Indian Occupied Kashmir) while ISI provides financial support to Kashmiri Freedom Fighters. In Indian movie AUZAAR the dialogue from character of hero, “Pakistan is present on the map because of India; if at the time of partition India had not paid 65 million to Pakistan than Pakistan would not have been present over the map of the world” was repeated for a long time by Indian politicians while addressing public for votes.
Indian movie PUKAAR goes one step ahead of moral values and Pakistani leadership have been abused in this movie showing the bitter reality of Hindu mind. The founder of anti-Pakistan movies and dramas was Prithvi Raaj Kapoor, who produced Indian drama “DEEWAR” that is the only Indian drama that has been telecasted for five years continuously. Getting motivated from this anti-Pakistan and anti-Two Nations Theory drama series, producers Bombay film industry belonging to Madras, Manoj Kumar and Shanta Ram laid foundation of the anti-Pakistan movies. Manoj Kumar’s movie “BHARAT” was produced. Afterwards Prithvi Raaj Kapoor, KN Singh, IS Johar and Rama Sagar whose anti-Pakistan movies have been appreciated by Indian Congress party were invited to meet Indira Gandhi. Indira Gandhi requested them to produce anti-Pakistan movies so that Bengalis in Eastern Pakistan could be instigated for hatred and treason against Pakistan.
After Indira, Rajiv Gandhi continued funding of anti-Pakistan movies through RAW and this was due to the funding by Rajiv carried out through RAW that underworld access to Indian Film Industry and afterwards through proper planning links of famous Indian actors and actresses were established into Pakistan. In other words, on one hand propaganda against Pakistan, ISI, Pak Army, LeT (Lashkar e Taiba) and Kashmiri Mujahedeen was continued while on the other hand famous Indian actors visited Pakistan to participate in peace conference, peace delegations etc. and gave lectures over friendship and peace between Pakistan and India. All these efforts are concentrated on one central idea i.e. Indian public and international community could be forced to believe that Pakistan is the only country that is threat to international peace, supporter of terrorists and religious extremism and Pakistani public should be taken into control through sexy Indian actresses and wicked so-called intellectuals. Indian beauties sent to Pakistan were briefed that their target would be greedy businessmen and industrialists, licentious elite, intellectuals and journalists devoid of religious values. Now how much these agents launched by Indians succeeded in weakening the Two Nations Theory and how much Indian movies infected Indian and international public one can easily imagine that. The bitter reality is that not a single anti-Pakistan movie have been condemned by Pakistan or Pakistani public protested against it; not a single column has been written, not a single TV talkshow condemned anti-Pakistan Indian movies, Free Pakistani media did not feel any need to discuss Indian propaganda, not only this but our govt. is not concerned about destructive Indian weapon of Propaganda.
The strange fact is that only a single movie produced in Pakistan unveiling the real face of India “WAAR” has jolted India. Whether it is DurDarshan national Indian channel or a private channel no one has been left behind in expressing unrest or dislike over Pakistani movie. Many TV Channels telecasted analyses consisting of selected Scenes from the movie for 15 minutes, not only this Indian newspapers did not remain behind in this propaganda. Hindustan Times even wrote that the script of Pakistani film was written by “ISI” and funded by ex-Don of Mumbai underworld Dawood Ibrahim.
One may remember that Dawood Ibrahim is wanted by India for some bomb blasts that happened in 1990, after fleeing from India he is now living somewhere underground.
There are reports that he is living in New Delhi with new identity but India has left no stone unturned to prove that he is hiding in Pakistan, Indian govt. has repeatedly alleged that he is under protection of Pak Army and ISI. However, world and especially USA is not ready to accept Indian allegations. Let’s come back to today’s topic Pakistani movie, WAAR that has broken the records of business on its first day of launch produced in the Pakistani Film Industry that has been completely destroyed. Cinemas have either being converted into Theatres or replaced by Plazas, the remaining cinemas are nothing more than haunted houses.
Pakistani movie WAAR broke out all the records of Pakistani Film Industry and business on its first day. At least why? Is this the question that has Indian politicians and media restless? Does India think that if Pakistani Movie relives than Indian movies will have no place in Pakistan and India will lose that extra financial source? This is the point of view of Pakistani business class but the truth is that the actual cause of Indian unrest is the story of WAAR movie that unveils Indian armed interference and terrorism in Pakistan. Anti-Pakistan politicians, rulers and intellectuals in India have become aware that the fame and huge business of WAAR shows that Indian trap of AMAN KI ASHA and other plans of India to entrap Pakistani public have badly failed on which India has invested trillions of rupees in last three decades. An Indian journalist writes that the success and mega business of WAAR is a referendum against India in which Pakistanis have stamped on Yes that India is involved in terrorism in Pakistan.
In this state of worriedness and unrest India is alleging ISI and Dawood Ibrahim for this movie. Not only this in the Hindustan Times on 29 September 2013, a story was filed on the first page that Pakistan’s secret agency ISI and Dawood Ibrahim are jointly going to launch a TV Network, The Bol Channel Network.
The purpose behind this nefarious report was to defame Pakistan that WAAR is joint venture of ISI and Dawood Ibrahim, moreover Dawood Ibrahim is not only under protection of ISI in Pakistan but also doing business as well. However, when the owners of Bol TV Network sent legal notice and threatened to take legal steps against newspaper, Hindustan Times took back its news report saying that on the investigations the report has been proved to be fake thus this report against BOL TV Network has been removed from pages of Hindustan Times.
This proves that Indian media and film industry can go to any limit against Pakistan but cannot tolerate only a single film as reply…


Unrest of Indian leaders & media on success of Pak movie Waar
 
So what if ISPR funded ‘Waar’? – The Express Tribune

Between gunfire, bomb blasts, mood music, more bomb blasts, and the Lux Style Awardsaccents of some of its cast, there’s no doubting Waar is one noisy film. But as audiences everywhere sway in and out with the mono-named Shaan, seen here as a jaded army major — not jaded enough to refuse missions anyone else in their right mind would — there also came the sound of records being broken.

Waar scored Eid’s biggest-ever haul, and with reason. The movie understands the pop culture it panders to: the bad guy sneers at Pakistanis as ‘Pakis’, messiahs named Khan try to make quasi-Kalabagh Dams (while torn between village wives and modern mistresses), agents rescue Chinese engineers, and policemen throw themselves in the line of fire while singing theQaumi Tarana.

Yes, it’s sheer entertainment, a ball of sleek camera cuts draped in white and green. Had the noise ended there, we could have all cheered for Pakistani cinema and gone home. But it didn’t; parts of the press were abuzz with anger. Internet People too fistfought back and forth with semi-coherent one-liners, much like the climax. A cliche-ridden action movie, of all things, became a point of contention.

From Misbah to Malala, Pakistanis it seems just can’t appreciate a good thing. Yes, there are trends the film could have spun around than cop out to: relief workers have hidden agendas, majors enjoy torturing English-medium villains as much as Dick Cheney, and Pakistani terrorists are in the pay of RAW ballerinas (USD accepted).

Yet, none of this figured as a major critique. Waar, most critics screamed, is an ISPR ego project. Not true, director Bilal Lashari said, Waar wasn’t funded by The Boys — that was another film called Glorious Resolve (as with Operations Gibraltar, Righteous Path, and Way Unto Salvation, ISPR titles often have an Old Testament ring to them). Let’s say though that it was ISPR-funded.

Which begs the question, so what? If a liberal outfit was to pump as many millions into a movie where Baloch rebels storm parliament, repeal the Objectives Resolution, reintroduce Comparative Religion class to LGS 55-Main, and climax in a Mexican standoff with Maya Khan … chances are we’d watch that too. The point is the film industry should breathe again, and that local talent find a reason to stay local.

Second, if chest-thumping explosion-fests aren’t your thing, support another project. Or tryBol. Guaranteed to make you miserable — Atif Aslam gets the easily preyed-upon Saifoo Jaani a job with truck drivers; Saifoo Jaani is preyed upon by truck drivers — Bol is packed with social evils. But like Waar, it gets the discussion going. More interest means more movies and ultimately more range.

Third, we need a narrative. There’s a reason a land that entertains female feticide, Maoist rebellions, and Muslim-culling Modi as PM material can call itself India Shining. It’s the same reason Ahmed Rashid’s cheery books on Pakistan sell so well, titles ranging from Descent Into Chaos to On the Brink.

It’s called projection. Bollywood’s sheer pull, the way it winks at audiences abroad while moving the masses at home, is a thing to behold and, yes, to imitate (in terms of influence, not saas-bahu serials that send PEMRA into a tizzy). From Karan Johar’s saccharine escapism to hardboiled border epics post-Kargil, Bollywood knows the power of a good story or, if nothing else, a well-shot one. A country with no foreign minister, no foreign policy, no tourism, and no narrative, does not. And when our own president says Pakistan will improve — only because it can’t get any worse — well, we need all the PR help we can get.

That’s where Waar comes in. As with Khuda Ke Liye on dogma, or Bol on birth control, Waarhas a core message: terrorism is bad for Pakistan, and Pakistanis require protection from that terrorism. Surely, logic this obvious needs explaining to the blind alone?

Well, look around us. The response to the shahadat of Israrullah Gandapur was vague words about vague talks with vague outfits, none of which made sense. God rest his soul — the next news-cycle will hit, more people will die, and we’ll say stupid things again. Implement that damn APC, the PTI says.

But what was the APC? A bunch of uncles with waistcoats and water bottles, suggesting talking to much younger, much harder, much sharper desperadoes. Doesn’t sound like a lot to implement, but the PTI’s won five years to figure that out. A law minister dies, and the law dies with him.

In another lawless place in ’79, Iran was dropping to its knees before the strange, surreal charisma of Ruhollah Khomeini. A faithful few even broke into the American embassy with wire-cutters, taking 52 Americans hostage. It would become a year-long episode that ruined Jimmy Carter and humiliated America.

Rescue choppers ran into each other, soldiers died, and Khomeini’s legend burned itself into the Iranian consciousness. Not content with forcing him from office, Iran waited until Carter physically stepped out of the White House before releasing the prisoners — right into the welcoming arms of Ronald Reagan, B-movie hero to the very end.

But 22 years later, a film called Argo was sending theatre-goers cartwheeling into the streets. Directed by Ben Affleck, Argo dealt with the Canadian ambassador’s real-life helping of Americans out of Tehran during the hostage crisis. The film instead hailed the CIA as saviour against mobs of manic Persians, and won Best Picture gold for it.

Even poor Jimmy put in an appearance to say, “90 percent of the contributions to the ideas … was Canadian, and the movie gives almost full credit to the CIA”. But that wasn’t the point: one of the saddest setbacks in American history became a feel-good adventure co-starring Bryan Cranston. Projection at its purest.

While Bilal Lashari gets grilled about the Inter-Services, Ben Affleck gets to play Batman. Perhaps it’s time we took a deep breath and told Mr Lashari, ‘Great job’. Narratives require building. Terrorism requires fighting. Less ISPR, like better accents, can wait.
 
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No to Priyanka, yes to Waar for Shamoon Abbasi
By Sher Khan / Creative: Umar Waqas
Published: October 6, 2013

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Villain in upcoming film says he is committed to Bilal Lashari’s vision.

LAHORE:
While most mid-career actors’ ultimate goal is to bag the main lead in a film, Shamoon Abbasi grew up with a different ambition — of being a hated villain. With the release of upcoming big budget film Waar right around the corner, Abbasi’s dream of becoming Pakistani cinema’s favourite bad guy may well come true.


“People have asked me why I always pursue negative roles,” says Abbasi, who plays a deadly assassin in Bilal Lashari’s Waar. “There are a lot of heroes — I want to be the anti-hero,” he says.

Born and raised in Italy, the ruggedly attractive actor says he has in the past declined offers, as he feels the idea of a villain needs a revamp in the Pakistani film industry. “I would receive countless offers to act alongside Shaan and Momi [Moammar Rana], but there was always this feeling that the work being done is not up to standard,” he adds. Perhaps this selective approach is the reason Faisal Bukhari’s Bhai Log is his only major venture to date. However, he believes Waar will be a game-changer for both him and the industry.

“When I met Bilal and was told about the [assassin] character, he had a clear view of how it should be. It was very well-researched and somewhat inspired from real life events. It became easier to bring the character to life.”

Releasing on Eidul Azha, Waar will pair Shaan and Abbasi against each other for the first time. However, the two will also be seen in similar roles in the upcoming Zeba Bakhtiar project Operation 021. “Shaan is already popular and has done a lot of films over the last decade. I don’t know how the combination will work out but I think my main goal is to be part of something that changes the industry,” says Abbasi.

Pitched as a stylish, visual effects-laden action thriller, Waar has created quite a buzz. Abbasi is quick to highlight its pre-release popularity. “This is the first time I have seen such a wave of patriotism surrounding our film industry — it is filling people with hope,” he says.

He appreciates the out-of-the-box approach of talented young director Lashari, who is making his debut in feature films with Waar. He claims to have turned down Bollywood director Vishal Bhardwaj’s offer to act alongside Priyanka Chopra, to stick to Lashari’s vision.

“This is now on the record. He [Vishal Bhardwaj] got a little upset [by my decision] but I explained that it was important for my country. This is the first time a project of this scale is being done and I can’t just ignore it,” says Abbasi.

Directing Dad

Lashari has said that Waar is a movie made for the audience. He says the biggest challenge was to maintain continuity over a period of three years and ensure the film eventually comes together. “We made this for the public. It’s an exciting time for us now and I am glad that it’s finally coming to theatre,” says Lashari.

Apart from Shaan and Abbasi, the film also features budding star Hamza Ali Abbasi and singer, Ali Azmat. Famed bureaucrat Kamran Lashari, who is also the father of the director, will also be playing a role in the film. “My father has been directing me my whole life. I finally got a chance to direct him and I think he was impressive,” adds Lashari.



@Spring Onion

see i dont say anything which is baseless. They have approached approx every main character of waar to work with them by ditching Pak's this movie. Afterall this was something they have never wanted.
 

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Waar: ‘Girls can do action sequences, too’
By Sher Khan
Published: October 10, 2013
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This screen grab from the Waar trailer shows Khan playing an overconfident and unapologetic agent. PHOTO: PUBLICITY

LAHORE:
One would expect Pakistan’s first major action-thriller to keep the fighting scenes focused on male characters. But Waar makers have something different up their sleeves. The film releasing on Eidul Azha features singer-turned-actor Meesha Shafi and TV actor Ayesha Khan, who are all set to show some stellar action stunts.


“I wanted headstrong dominating females in the films,” says producer Hassan Waqas Rana, adding that Khan plays the role of a chief communication and intelligence officer at a counter-terrorism agency. “The girls had to go through rigorous training, and Ayesha had to carry a weapon at all times. So, her way of walking also changed.” Without giving away too much, he adds that Shafi will be seen in a “dominating mode that builds the action of the film.”

Khan plays an overconfident and unapologetic agent. “I wanted to show that girls can do action sequences, too,” she tells The Express Tribune. “For the first time, I got the chance to be part of action sequences and use real weapons.” She adds that due to Waar’s “sophisticated cinematography”, the project will be distinctly different from others.

The actor admits she had to take a break from television which is her forte, but she doesn’t regret the decision one bit as she feels Waar will revive stakeholders’ confidence in the industry. “We all had been working independently for quite some time but this has brought us together for the first time,” says Khan, referring to her co-stars Shaan, Shamoon Abbasi, Shafi, Ali Azmat and Hamza Ali Abbasi.

Waar has been shot primarily in English, a different challenge altogether for actors who have largely done projects in Urdu. “I have always acted in Urdu. I would joke in the middle of the scenes that it’s so hard to cry in English,” she says with a laugh.

Expectations surrounding the movie are mounting up and rightfully so. Waar has been in production for over two years and is finally complete. Cast member Abbasi admits this was bound to happen as the current infrastructure and support are not developed enough to cater to such large-scale projects. “I am certain that this movie will set a [new] standard. It will be the one to watch out for,” he says, proud of the team’s accomplishments.

“For most of us, it was not a professional commitment, but more a commitment of passion,” he continues, adding that the actors have worked hard to make the film as close to reality as possible.

Azmat had turned down several television projects just to be part of Waar as he was enamoured by the freshness of the project, Abbasi reveals. “In my case, I was involved from the beginning, so I grew up with this.

Published in The Express Tribune, October 11th, 2013.
 
Pakistan’s latest ‘Waar’ movie destroys box-office rivals
Glossy Western-style action thriller becomes cinematic phenomenon

In this photo taken on Thursday, October 31, 2013, people buy tickets to watch Pakistani movie “Waar” at a local cinema in Islamabad. (AP Photo/B.K. Bangash)

Islamabad, Asharq Al-Awsat—When the hero of the movie—a Pakistani army major—cold-bloodedly kills a terrorist at point blank range during an interrogation, there is a huge applause in the cinema. The movie audience at CineGold, a luxurious cinema in a posh part of Islamabad, do not dwell on the fact that the hero of Pakistani action thriller Waar might be a bit “trigger happy.” Rather, they applaud as he kills one terrorist after another in a two-and-half-hour action movie that was indigenously produced in Pakistan.

The movie Waar (“attack” or “strike” in Urdu) is set during the Pakistani security forces’ operations against terrorists and militants over the last ten years of the war on terror. One of the producers of the movie told Asharq Al-Awsat that the movie is a reflection of true events, in so far as it pieces together and narrates different events and operations that Pakistani security forces carried out in different parts of the country.

For instance, the movie starts with scenes based on a real operation carried out by Pakistani security forces in north of the country, to secure the release of a Chinese engineer from the custody of tribal militants.

So far, the movie has been a huge success. According to one announcement, the Pakistani film (which has dialogue in both English and Urdu) did record business during the three days of Eid, grossing PKR 40 million.

It is the largest amount earned by any Pakistani movie at the box office to date. Star-studded Indian movie Boss, according to the entertainment industry insiders, played second fiddle to Waar in the same period, earning only PKR 10 million.

Artists associated with the production of the movie told Asharq Al-Awsat that Waar has made history in Pakistani cinema, taking in nearly PKR 190 million (USD 2 million) at the box office to date, though it is perhaps worth remembering that the film reportedly cost PKR 200 million to make in the first place.

Distributed by ARY Films, Waar was written and produced by Hassan Waqas Rana and directed by Bilal Lashari, a young and rising talent. The cast includes a mix of industry veterans and newcomers: Pakistani superstar Shaan Shahid plays the lead role in the movie, an army officer called back into service as the last hope of Pakistan’s security agencies in their battle against Indian-sponsored local terrorists.

The producers of the movies are planning to distribute it abroad for an international audience after its achieved huge success in the local market. “After the gigantic success of Waar in Pakistan, we are now going to take it to the global stage. I believe that Waar has started a new era where we will be making world class movies and our talent will be appreciated,” said one local film critic.

The movie is billed as an action-packed thriller, with Pakistani security forces shown chasing the terrorists and militants into the country’s tribal areas. In one scene late in the movie, we see the protagonist, Mujtaba (Shaan Shahid), jump out of a military helicopter as he makes his way to the main terrorist’s hideout, bumping off any opponent he runs into. He even rescues a couple of children, while the rest of his covert action team serves as cannon-fodder backup.

Mujtaba is out to take revenge for the killing of his wife and son by the same terrorist mastermind who serves as the villain, who carried out a major terrorist attack on a national event in Islamabad, where country’s prime minister was also present.

Pakistan's latest "Waar" movie destroys box-office rivals | ASHARQ AL-AWSAT
 
Pakistan's latest "Waar" movie destroys box-office rivals | ASHARQ AL-AWSAT

Pakistan’s latest ‘Waar’ movie destroys box-office rivals

Glossy Western-style action thriller becomes cinematic phenomenon

In this photo taken on Thursday, October 31, 2013, people buy tickets to watch Pakistani movie “Waar” at a local cinema in Islamabad. (AP Photo/B.K. Bangash)

Islamabad, Asharq Al-Awsat—When the hero of the movie—a Pakistani army major—cold-bloodedly kills a terrorist at point blank range during an interrogation, there is a huge applause in the cinema. The movie audience at CineGold, a luxurious cinema in a posh part of Islamabad, do not dwell on the fact that the hero of Pakistani action thriller Waar might be a bit “trigger happy.” Rather, they applaud as he kills one terrorist after another in a two-and-half-hour action movie that was indigenously produced in Pakistan.

The movie Waar (“attack” or “strike” in Urdu) is set during the Pakistani security forces’ operations against terrorists and militants over the last ten years of the war on terror. One of the producers of the movie told Asharq Al-Awsat that the movie is a reflection of true events, in so far as it pieces together and narrates different events and operations that Pakistani security forces carried out in different parts of the country.

For instance, the movie starts with scenes based on a real operation carried out by Pakistani security forces in north of the country, to secure the release of a Chinese engineer from the custody of tribal militants.

So far, the movie has been a huge success. According to one announcement, the Pakistani film (which has dialogue in both English and Urdu) did record business during the three days of Eid, grossing PKR 40 million.

It is the largest amount earned by any Pakistani movie at the box office to date. Star-studded Indian movie Boss, according to the entertainment industry insiders, played second fiddle to Waar in the same period, earning only PKR 10 million.

Artists associated with the production of the movie told Asharq Al-Awsat that Waar has made history in Pakistani cinema, taking in nearly PKR 190 million (USD 2 million) at the box office to date, though it is perhaps worth remembering that the film reportedly cost PKR 200 million to make in the first place.

Distributed by ARY Films, Waar was written and produced by Hassan Waqas Rana and directed by Bilal Lashari, a young and rising talent. The cast includes a mix of industry veterans and newcomers: Pakistani superstar Shaan Shahid plays the lead role in the movie, an army officer called back into service as the last hope of Pakistan’s security agencies in their battle against Indian-sponsored local terrorists.

The producers of the movies are planning to distribute it abroad for an international audience after its achieved huge success in the local market. “After the gigantic success of Waar in Pakistan, we are now going to take it to the global stage. I believe that Waar has started a new era where we will be making world class movies and our talent will be appreciated,” said one local film critic.

The movie is billed as an action-packed thriller, with Pakistani security forces shown chasing the terrorists and militants into the country’s tribal areas. In one scene late in the movie, we see the protagonist, Mujtaba (Shaan Shahid), jump out of a military helicopter as he makes his way to the main terrorist’s hideout, bumping off any opponent he runs into. He even rescues a couple of children, while the rest of his covert action team serves as cannon-fodder backup.

Mujtaba is out to take revenge for the killing of his wife and son by the same terrorist mastermind who serves as the villain, who carried out a major terrorist attack on a national event in Islamabad, where country’s prime minister was also present.

And, typical of Pakistani movies, the terrorist is defeated and killed, while Pakistan’s security forces achieve one success after another throughout the course of the film.
 
can anyone give me the link for this film to watch it online ??
 
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