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Soundcheck: Peshawar Underground

Abu Zolfiqar

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Unbeknown to the rest of the country, from being a place unknown for its pop music, Peshawar is quietly and slowly emerging with its own local music scene. There are newer and newer bands coming out in the city, which are giving their own twist to conventional forms of pop and rock music, planting the seeds for a new chapter in the pop music history of Pakistan. The work that is being done is exciting, novel and experimental and in the process of defining its own unique identity.

Here, Images on Sunday focuses on some of the most prominent acts — folk, fusion, rap and metal — that are in the process of breaking through from the northern capital of Pakistan.

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From the new wave of pop music from Peshawar, Ismail and Junaid reign on top. Along with their increasing popularity, however, they perform sporadically and shy away from making too many public appearances.

They first made their debut on the media in January 2010, and have to their credit, runaway hits like Qarar (peace) and Ranra (light). Ismail Khan, who is the main singer songwriter in the band, hails from a family of a political background from Charsadda and met Junaid Javed while they were still in college. Junaid’s family settled in Peshawar after his grandfather, a businessman involved in the textile export industry, moved there. He began playing the guitar at 15 years of age and is also the backing vocalist and co-composer of the band. They first began jamming together after a dinner during their second year in college.

They’re passionate about promoting awareness of their culture and heritage; and in renewing a sense of pride among the youth when it comes to their cultural identity. As university students they’re not completely focused on their music, but having said that, they do have several projects lined up which include an Urdu song whose working title is Raat, a song based on an eminent Pashto poet, Ameer Hamza Shinwari’s (Hamza Baba) poems titled Pakhwa, and an attan that would incorporate 15 dialects of the Pashto language.

Khumaryaan

This is perhaps one band from Peshawar that does the most live performances and not surprisingly so; their music may be completely instrumental, but has a wonderful element of fun, fusion and heritage that keeps listeners engaged and tapping their feet, whether by listening to their music through their videos on YouTube or at a concert.

Khumaryaan (People engaged in a state of intoxication) is composed of Farhan Bogra on rabab (and the frontman for the band), Aamer Shafiq on guitars, Shiraz Khan on zeer baghli (an Afghani hand drum, similar to the djembe from West Africa) and Sparley Rawail on guitars. They have recently begun featuring Hammad Baig on keyboards as well.

Some of their more popular numbers, accessible via recorded live performances hosted on YouTube, includes their most recent release, an original composition by the name of Bela. Other popular originals include Khumaar (intoxication) and Tamasha (ruckus). Their performances of Qataghani, mystic music that originates from the Heart province in Afghanistan; Sheenay (blue eyes), a composition that takes its roots from Gilgit-Baltistan and a cover of Babu Laley by one of Afghanistan’s most recognised singers, Sadiq Fitrat Habibi (popularly known as Nashanas) are also well-admired by audiences.

Yasir and Jawad

They made their debut on the mainstream media via a music-based reality TV show, Uth Records, and had the nation humming to their composition of Reidi Gul — a song whose lyrical content was based on the poetry of one of Pashto literature’s most popular contemporary poets, Khan Abdul Ghani Khan.

Founding members, Yasir Khan plays the rabab and hails from North Waziristan whereas Jawad Iqbal on the rhythm guitar is from Mardan. The third featured member of the band, Wali Aurakzai, their popular lead singer, is originally from the Orakzai Agency.

Between their appearance on Uth Records and now, Wali Aurakzai was recruited into the Pakistan Army. He managed to record several songs prior to his recruitment and continues to perform with the band whenever he can. Jawad Iqbal tries to step in for him as a vocalist whenever the band performs in his absence.

The 2 Dees

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Ever heard of Pashto rap? If not then you can always look towards The 2 Dees — a rap-based outfit whose songs have lyrical content both in English and Pashto. They are Dilawar Qazi and Aly Mannan (Dr Crack) and are quite popular in Peshawar’s underground music scene.

One of their better-known tracks is Techno 69 — a number destined to become a clubhouse favourite with its feet-tapping desi beats and catchy lyrics. Their versions of Numb/Encore by Linkin Park and Ghetto by Akon, to which they add their own lyrics and musical flavour, are considered their audiences’ favourite songs for them to perform.

They have recently released a video for the song they are most famous for, We love you KPK, a narrative about the struggles and the beauty of their beloved province. The song, a version of which features Farhan Bogra on the rabab, is an attempt to decry popular stereotypes associated with the province of Khyber Pakhtunkhwa.

Asad and Jamshaid

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They’re only 17 but the skills they display in their guitar playing are well beyond their years. A musical collaboration seemed only natural as Asad Ali Khan and Jamshaid Ali Khan are twins, but along with working together on music, they are also actively engaged in their own independent music projects.

They produce their music themselves and have set up a music recording facility at home.

As a duo they have previously performed at a musical evening in Peshawar at Fast University, Kuch Khaas in Islamabad, a music festival in Kaghan and most recently at Nishtar Hall. Asad and Jamshaid work on a diverse range of music ranging from pop, rock and electronica and sometimes fusing all three genres. They predominantly perform their own original instrumentals, along with several covers, often swapping roles when it comes to playing guitar (between playing lead or rhythm) or will play the exact same thing together.

Other music acts

It’s a healthy sign for the community when members of the youth chose to express themselves through creative mediums.

Apart from the bands mentioned above, there are others who are also contributing their share to music in Peshawar. One of these is a group that does rap music in Pashto by name of Fortitude. The band members are Shahkar Alam Khan, Shumail Alam Khan and Mustafa Kamal and they’re best known for their feel-good song, Time Paas.

Singer, songwriter, actor and film-maker Naseer Afridi recently released a song in collaboration Shahab Qamar from the band, Avid, called Rise on your broken knees. The song comes under the genre of Nu Metal which incorporates other genres such as hip hop and grunge with elements of heavy metal music.

The rock band, Avid (along with its band members Naseef Maqsood, Shahab Qamar, Imran Ahmed and Faisal Durrani) have been making waves with their song, Sarey Mil Kay, a song they’ve dedicated to the people who lost their lives in the ongoing War on Terror.

Soundcheck: Peshawar underground | Magazines | DAWN.COM
 
Peshawar is becoming safer thanks to the efforts of the law enforcement agencies, it is a happening place, the true face of our Pashtun brothers and sisters. Cosmopolitan, liberal, enlightened, Patriotic, Brilliant. :pakistan:
 
hard to ever hide the fact that the residents of the city braved against all odds...2009 and 2010 were rough years but the people showed that they can not be intimidated by paid thugs and miscreant elements --doing the bidding of the enemies of Pakistan
 
They don't sound half as fast as ya abz...sorry.Hit me with some videos already!
 





if you use Youtube's search section as well as Google, surely you will find many more. . .

---------- Post added at 02:07 AM ---------- Previous post was at 02:05 AM ----------

Look at the video quality (awesome)... hope we see some balochi rap soon aswell:
Fortitude - Time Pass (Pashto Rap) (Official Music Video) - YouTube

i have a cousin in Karachi who knows of a Balochi guy (born in UK but raised in Karachi)....he is said to be an excellent freestyle rapper -he performs locally but i dont know his name
 
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Look at the video quality (awesome)... hope we see some balochi rap soon aswell:
Fortitude - Time Pass (Pashto Rap) (Official Music Video) - YouTube

No offense but Pakistanis should not import this thug culture and should rather stick to the traditional stuff, if not traditional then at least not this kind of "music" (can't exactly consider this music). I see almost every Pakistani trying to be a "gangsta rapper", "freestyle rapper" etc, but honestly this culture only leads to violence and unnecessary behavioral conduct. Music from famous musicians like Ludwig van Beethoven, or Johann Sebastian Bach is the real music.
 
rap music shouldnt be attributed to thuggery or violence.....that's a misconception only reinforced by a few misguided people who happened to come from troubled backgrounds. . .

look at rappers like 2Pac....he came from a politically active family, he had a very troubled childhood and even as a rapper he was no stranger to run-ins with the (racist) police.....but in his rap there was much wisdom --about poverty alleviation, justice, fighting for ones rights; standing up against racism.

a good % of the ''rap'' coming out today is about banging hos, getting ''crunked'' and driving around in Cadillacs with 24 inch rims ---but that is mainstream rap (which is mostly listened to by urban white boys)

rap is an art form which existed around the same time that reggae was at its peak; even within rap you have hardcore rap, freestyle, fusion, techno-rap, etc.


art is merely a form of expression and these people are expressing themselves --which i think is a good thing. They arent bothering anybody; in fact they are entertaining.
 
rap music shouldnt be attributed to thuggery or violence.....that's a misconception only reinforced by a few misguided people who happened to come from troubled backgrounds. . .

Not a misconception bro, its a proven fact that violent and aggressive behavior is caused by rap music and other music that glorifies violence of any sort, cussing, and degradation of women etc., and rap music is famous for all of the above mentioned, thus morally corrupting the minds of the youth. Also, the behavior of rappers, the way they dress, and how they portray themselves overall does affect the young and vulnerable minds of the youth.

"Eleven participants watched a violent music video, 11 participants watched a nonviolent
music video, and 11 participants were in the control group and did not watch any videos. It was found
that watching the violent music video containing violent lyrics, aggressive behavior, and degrading behaviors
toward women did make an individual feel and react more violently with regards to responses to questions about
fictitious scenarios. The conclusion was that watching violent music videos does negatively affect behavior."

http://library.wcsu.edu/dspace/bitstream/0/35/1/tropeano.pdf



look at rappers like 2Pac....he came from a politically active family, he had a very troubled childhood and even as a rapper he was no stranger to run-ins with the (racist) police.....but in his rap there was much wisdom --about poverty alleviation, justice, fighting for ones rights; standing up against racism.

Standing up to racism doesn't mean that you should resort to degrading women in your music videos, or cussing like you know no better. Malcolm X didn't rap, rather he used his intelligence to guide his people away from ignorance, why not give an example of him? Maybe its because the media doesn't give attention to his leadership skills but rather the degradation of women, cussing, bling bling, and glorification of materialism is more important.

a good % of the ''rap'' coming out today is about banging hos, getting ''crunked'' and driving around in Cadillacs with 24 inch rims
Which is exactly my point, don't you think this is influencing the young and vulnerable minds in a negative way?

---but that is mainstream rap (which is mostly listened to by urban white boys)

Mainstream rap is what most people listen to because the media projects this kind of music. The media propagates this irresponsible behavior. Though, i don't know where your getting the idea that only white boys listen to these songs, it can't be only specific to a certain race group, more likely that blacks listen to these songs due to the fact that the majority rappers are black.




art is merely a form of expression and these people are expressing themselves --which i think is a good thing. They arent bothering anybody; in fact they are entertaining.

This isn't art, at least not in the sense that they are doing it, the lyrics "come on everybody, shake yo booty" and "haterz gettin jealou cuz they got no sex appeal"? speaks a lot about the amount of degradation.

If anything this is what real music and art is:
 
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that's why they put this label on their music

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it's up to people to use their brains when they listen to music.......if an advertisement in a magazine tells to buy a new Mercedes-Benz, does that mean everybody does it? No.

(but some do)

i think it's wrong to blame the genre for whatever violence may have taken place......should punk-rock music be banned because a few kids were ''inspired'' somehow to bring guns and shoot up their school?

i personally dont agree with you, though i do respect your opinion. I will admit (again) that some mainstream rap music is absolute garbage (e.g. Soulja boy and crap liek that)
 
that's why they put this label on their music

parental-advisory-explicit-lyrics.jpg




it's up to people to use their brains when they listen to music.......if an advertisement in a magazine tells to buy a new Mercedes-Benz, does that mean everybody does it? No.

(but some do)

i think it's wrong to blame the genre for whatever violence may have taken place......should punk-rock music be banned because a few kids were ''inspired'' somehow to bring guns and shoot up their school?

i personally dont agree with you, though i do respect your opinion. I will admit (again) that some mainstream rap music is absolute garbage (e.g. Soulja boy and crap liek that)

Though, in the end, we are entitled to our own views, and you and i will continue to disagree with each other, however having been grown up in a "ghetto" neighborhood in the US myself while listening to rap, i have first hand experience of what i'm talking about, regardless of these labels, the music still gets through to the young and vulnerable minds, its like an indoctrination. You can't expect the adolescent minds to make the right decisions on its own, and that too in an enviornment where such music is easily available, where fellow youngsters, classmates and friends are also listening to this music, you have to take into account peer pressure as well among the many factors involved.

Regarding punk, yes that too is not a good influence, there are good music choices out their, but they just don't receive that much publicity in the media, one has to search for true music themselves.
 
as for Malcolm X -- learn about his life before he became an activist; before he even joined the Nation of Islam...

he lived a troubled life too, in fact I think he used to burglarize homes and he had other trouble and run-ins with the law beforehand.
 
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