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Now, bid to push back antiquity of the Vedas

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350 archaeological remains were discovered in Narmada Vallery under Khargone district in Madhya Pradesh.(AFP File Photo)
http://www.hindustantimes.com/india...mada-valley/story-z7nQYgxard3jP0DzS4fLJN.html


The excavation carried out in the Narmada valley at Mehtakhedi village under Khargone district has led to the discovery of 350 archaeological remains

“The excavation conducted by Shridhar Vakankar Archaeological Research Institute led to the discovery of 350 archaeological remains ,” Anupam Rajan, commissioner, Archaeology department of Madhya Pradesh under which the institute functions, said on Sunday.

“The work to explore micro relics was being carried out by dissolving and filtering the soil obtained from the excavation,” he added.

Rajan said that a team led by the former head of the department of archaeology at Deccan College in Pune Prof Sheela Mishra was formed after obtaining permission from the Archaeological Survey of India in January this year. The team included Institute’s research officer Jinendra Jain, research assistant Dhruvendra Singh Jodha and research scholars of Deccan College Neetu Agarwal, Namrata Vishwas and Garima Khansali.

“The excavation was started in the second week of February by Prof Mishra and the team. Around 350 antiquities were found during excavation. Further conclusions will be drawn after analysing them,” he added. Rajan said the development of human civilisation was studied on the basis of underground deposition, ancient geographical analysis and types of apparatus.
 
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Ministry of Culture
20-March, 2017 17:10 IST
Digitisation of Manuscripts


As per our estimates India has the largest collection of Manuscripts. For documentation, conservation /preservation and digitization of Manuscripts project, National Mission for Manuscripts (NMM) was launched by the Ministry of Culture in 2003. Till date it has documented about 42 lakh Manuscripts in different scripts and languages. For conservation of Manuscripts, Manuscripts Conservation Centres (MCCs) have been established by NMM all over the country, which conduct preventive and curative conservation of Manuscripts requiring conservation in their region.


Digitization of Manuscripts is done by NMM itself through invitation of open tenders.


1. Number of Manuscripts documented – 42 lakhs Manuscripts.

2. Number of Manuscripts digitized – 2.80 lakh Manuscripts.

3. Number of Manuscripts conserved – preventive conservation of 733 lakh folios and curative

conservation of 16 lakh folios.


Funds are not allocated state-wise by the Government. However, Government allocated the following funds to National Mission for Manuscripts during the last three years and the current year.

Year Budget allocation (in Rs.Lakhs)

1. 2013-14 950.00

2. 2014-15 950.00

3. 2015-16 625.00

4. 2016-17 1200.00

This information was given by Dr. Mahesh Sharma, Minister of State for Culture and Tourism (Independent Charge) in a written reply in Lok Sabha today.


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Ministry of Culture
20-March, 2017 17:04 IST
Setting up of National Virtual Library


National Mission on Libraries has been set up by Ministry of Culture, Government of India, vide notification dated 4th May, 2012 in pursuance of National Knowledge Commission recommendations for sustained attention for development of Libraries and Information science Sector. The components of National Mission on Libraries are:-



· Creation of National Virtual Library of India (NVLI) to facilitate a comprehensive database on digital resources on information about India and on information generated in India, in an open access environment. This project costing Rs.72.34 crore has been entrusted to IIT Bombay. NVLI prototype has since been developed.



· Setting up of NML Model Libraries. The NML will cover 35 State Central Libraries, 35 District Libraries and 6 Libraries under the Ministry of Culture. Funds approved for modernization of various State and Central Libraries is at Annexure-I.



· Quantitative & Qualitative Survey of Libraries to prepare a baseline data of libraries in India through a survey of 5000 Libraries. The work has been assigned to Indian Market Research Bureau (IMRB).



· Capacity Building to enhance the professional competence of library personnel. INFLIBNET has conducted trainings in this regard.




NATIONAL VIRTUAL LIBRARY OF INDIA


Sl. No.

State/UTs

Library Name

Approved during the year

Amount approved

1

ARUNACHAL PRADESH

State Central Library, Itanagar

2014-15

223.00

2

ARUNACHAL PRADESH

District Library Phasighat

2014-15

87.00

3

KARNATAKA

State Central Library, Bangalore

2014-15

223.00

4

KARNATAKA

Government District Library, Shimoga

2014-15

87.00

5

MIZORAM

State Central Library, Aizwal

2014-15

100.00

6

MIZORAM

District Library Building Kolasib.

2014-15

50.00

7

ORISSA

State Library Odisha, Bhubaneswar

2014-15

223.00

8

ORISSA

District Library, Ganajam Odisha

2014-15

40.36

9

RAJASTHAN

Dr. Radhakrishnan Rajya Kendriya
Pustakalaya, Jaipur

2014-15

183.51

10

TRIPURA

Birchandra State Central Library, Agartala

2014-15

223.00

11

TRIPURA

Unakoti District Library,Unakoti

2014-15

87.00

12

UTTAR PRADESH

State Central Library, Allahabad

2014-15

206.00

13

UTTAR PRADESH

Government District Library, Etawah

2014-15

87.00

14

WEST BENGAL

West Bengal State Central library, Kolkata

2014-15

222.81

15

WEST BENGAL

North Bengal State Library, Coochbehar

2014-15

86.98

16

TELANGANA

State Central Library Hyderabad

2014-15

112.25

17

TELANGANA

District Central Library Mahaboobnagar

2014-15

52.00

18

ASSAM

District Library, Jorhat, Assam

2014-15

40.00

19

ASSAM

District Library, Guwahati, Assam

2014-15

70.00

20

CHHATISGARH

District Library, Dhantawada

2014-15

87.00

21

CHHATISGARH

District Library, Raigarh

2014-15

87.00

22

GOA

Krishnadas Shama State Central Library, Panaji

2014-15

223.00

23

GOA

Dr. Francisco Luis Gomes District Library, Navelin

2014-15

87.00

24

GUJARAT

State Central Library, Gandhinagar

2014-15

106.01

25

ANDHRA PRADESH

State Regional Library, Guntur

2014-15

50.00

26

ANDHRA PRADESH

Regional Library, Rajamundry

2014-15

30.00

27

MANIPUR

State Central Library, Imphal, Mamipur

2014-15

40.00

28

MANIPUR

District Library, Senapati, Manipur

2014-15

20.00

29

TAMIL NADU

District Library Vellore, Tamil Nadu

2014-15

90.00

30

TAMIL NADU

District Library Tiruchiralulli, Tmail Nadu

2014-15

70.00





2014-15 TOTAL

3293.92

31

RAJASTHAN

Sarbajanik Mandal Pustakalaya, Kota

2015-16

63.46

32

KERALA

State Central Library, Thiruvananthapuram

2015-16

116.61

33

PONDICHERRY

Romain Rolland Library, Puducherry

2015-16

166.54

34

PONDICHERRY

Dr. S R Ranganathan Government Public library, District Library, Karaikal

2015-16

76.04





2015-16 TOTAL

422.65

35

NAGALAND

District Library, Dimapur

2016-17

73.81

5(A)

MIZORAM

State Central Library, Aizwal, Mizoram

2016-17

28.7

36

MAHARASHTRA

District Library, Nandurbar, Maharashtra

2016-17

21.90

37

SIKKIM

Sikkim State Central Library

2016-17

3.02

38

MADHYA PRADESH

Govt. District Library, Khandwa, MP

2016-17

73.2

39

NAGALAND

State Central Library, Kohima, Nagaland

2016-17

177.49



TOTAL

2016-17

378.12




GRAND TOTAL

4094.69




This information was given by Dr. Mahesh Sharma, Minister of State for Culture and Tourism (Independent Charge) in a written reply in Lok Sabha today.


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A file photo of a manuscript stored at Auniati Satra museum at Majuli in Assam. | Photo Credit: Ritu Raj Konwar
20TH-MANUSCRIPT2


http://www.thehindu.com/news/national/other-states/reviving-assams-ancient-ink/article17532677.ece


‘Mahi’ has a protective effect on manuscripts because of its anti-fungal properties

By unravelling the science behind Assam’s ancient herbal ink ‘mahi’, researchers are planning to recreate the lost techniques of manuscript writing. They say their efforts could boost heritage tourism.

The technique involves extracting ‘mahi’ using cow urine from a cocktail of fruit pulp and tree bark such as haritaki, amla, bibhitakhi or bhomora, mango and jamun — often infused with the blood of eels or catfish. Rust from iron tools or nails was added for an intense black hue.

‘Mahi’ was used in early and medieval Assam for writing on ‘sancipat’ (folios made of the bark of the sanci tree) manuscripts. Some folios were gifted by Kumar Bhaskar Barman, the then King of Pragjyotishpura (ancient Assam) to Harshavardhana, an emperor who ruled north India from 606 to 647 C.E., a testimony to the period of use.

The endurance of the ink is proven by the stability of sancipat manuscripts. The key factor for this long-lasting marriage between ‘mahi’ and ‘sancipat’ is the herbal concoction’s resistance to aerial oxidation and fungal attacks.

“One of the reasons for the manuscripts’ stability is the anti-fungal activity of the ink. This is due to its raw materials, including astringent fruits and cow urine, which seems to have a protective effect on cellulosic sancipat against fungal attack in the hot and humid climate of Assam,” said Robin Kumar Dutta, Professor, Department of Chemical Sciences, Tezpur University.

No loss of text
In contrast, some formulations of acidic iron gall ink — which was in use at the same time in Europe — can render documents illegible by causing loss of text, bleeding and fading due to ink corrosion.

Professor Dutta believes the study of ancient ink and paint may help retrieve useful information regarding traditional practices. “Efforts are on to recreate these heritage tokens (sancipat and mahi) in lab conditions and upscale them. They can be used as tourism marketing tools. For tourists who visit Egypt or Europe, papyrus scrolls are popular. Similarly, we are working towards the idea that mahi and sancipat can become popular tokens. In addition, for locals, there is an emotional attachment to a piece of heritage,” Professor Dutta explained.

Professor Dutta and his colleagues Barsha R. Goswami, Monoj K. Das, Pranjal P. Das, Tapas Medhi, Anand Ramteke and Simanta Hazarika (Gauhati University) published a report on scientific assays of ‘mahi’ in Current Science last month.

The major phytochemical constituents in ‘mahi’ have been identified as phenolic acids, flavonoids and tannins and their complexes with iron. Though there are several recorded recipes for ‘mahi’ formulation, one commonality exists for all: the season during which it is concocted.

“It is only prepared (in natural settings) in the winter season. The low temperature and dry conditions in winter ensure minimum exposure of the mixture to microbes and heat, which may decompose the dyes during the long time needed for extraction,” Professor Dutta noted.

“In mahi, no external stabiliser is used whereas gum Arabic is used for the purpose in iron gall ink. Another interesting feature is that the pH of mahi remains neutral because of cow urine and the absence of acidic ingredients like vinegar. Iron gall ink has an acidic character that leads to destruction of the manuscripts,” he said.

The study was carried out using a sample of ‘mahi’ obtained from M.M. Bora of Dhing in Assam.

Mr. Bora is a practitioner of the manuscript-writing tradition on sancipat and fresh samples of mahi were prepared under his supervision.
 
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http://www.deccanchronicle.com/life...ia-universitys-rare-manuscripts-revealed.html

They are a part of the collection of the main library of the university, which was established in 1918.
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The Mahabharata manuscripts are of different sizes: one is 18 inches x 6 inches and the other, 20 inches x 10.1/4 inches.
Hyderabad: Osmania University has a collection of rare ancient manuscripts and books, among them two manuscripts of the epic Mahabharata in Telugu on palm leaves, and the Bhagavata, which promotes the devotion of Krishna, integrating themes of the Advaita (monism) philosophy of Adi Shankara.

They are a part of the collection of the main library of the university, which was established in 1918, the same time as the university itself. The library was later shifted to the present building, which was inaugurated by then President Dr S. Radhakrishnan on August 3, 1963.

The Mahabharata manuscripts are of different sizes: one is 18 inches x 6 inches and the other, 20 inches x 10.1/4 inches. One of the manuscripts has almost the whole text of the Mahabharata with Nilakantha’s commentary.

Nilakantha Cathurdhara was a scholar who lived in Varanasi in the latter half of the 17th century and was famous for his commentaries on the Mahabharata. Each page of the manuscript has a distinctive gold and silver border interspersed with floral designs and contains miniature paintings of the characters mentioned in the text on that particular age.

The manuscript contains two dates, one in the beginning — Saka 1722 (1800 AD) and the other at the end — Saka 1751 (1829 AD), which suggests that it took 29 years for the manuscript to be copied and illustrated!

The second manuscript does not cover the whole text, but there is one bundle of Bhishma Parva, which requires special mention. It contains the Bhagavad Gita with three commentaries, the text occupying the middle and the three commentaries in the upper and lower portions, ornamented with floral borders.

There are miniature paintings of Krishna and Arjuna on each page of this manuscript. Though the manuscript is over 150 years old, the colours are fresh.
A note in the manuscript states that it was copied at Bhagyanagar (Hyderabad) on the banks of the Muchkunda (Musi).

The Bhagavata manuscript in Sanskrit has an illustrated scroll of the complete text of the 12 Skandhas of Srimad Bhagavata. The scroll is four inches wide and 64 feet long.

It’s a unique manuscript of the Dasama Skanda of Bhagavatha and is profusely illustrated with commentary of Sridhara Swami. Krishna Leela is depicted with exquisite beauty on the pages. There are pictures of Rasakrida. The borders are in gold.

The first 64 inches contain miniature paintings of Ganesha, Saraswathi, Lakshmi-Narayana, Shiva-Parvathi and the 10 avatars of Vishnu. At the end, there are paintings of Sukha and Parikshit.

The skandas are separated by miniature paintings; there are other smaller miniatures in between each skandha. The scroll is an excellent example of the calligraphic art. Most of the manuscripts in the library's collection have been microfilmed and descriptive catalogues of manuscripts in Sanskrit, Kannada and Marathi have been published.

"The OU library has 6,825 rare manuscripts, including palm leaf manuscripts, in Arabic, Hebrew, Hindi, Kannada, Marathi, Persian, Sanskrit, Tamil, Telugu, Turkish and Urdu, covering a variety of subjects. In all, the library has 5,43,579 books besides other literature," says Fazaluddin Ahmed, library assistant.

The Juma-Ali-Masjid Centre for Culture and Heritage in Dubai has undertaken digitisation of the manuscripts at the OU library and work is in progress.

Tribute to poetess part of collection
A sort of authorised biography of Mah Laqa Bai, the famed poetess in the court of the second Nizam, Nizam Ali Khan, is part of the Osmania University library’s collection.

Mah Laqa Bai held the Adikmet Jagir on which the present Osmania University campus is located in Hyderabad. According to historical accounts, Mah Laqa Bai was awarded the Adikmet (meaning “supreme height”) jagir of 1,600 acres by the Nizam.

Gulam Husain Khan Jawher wrote a 270-page book titled Tajalliyat-I-Mahlaqa, in Persian, on the famed poetess whose pen name was "Chanda".

The book covers the history of the Asaf Jahi dynasty of Hyderabad. In the introduction to the book, the author states that Mah Laqa Bai herself instructed him to compile this work.Mah Laqa Bai, Adikmet Jagir, Osmania University, poetess collection, Tajalliyat-I-Mahlaqa.
 
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Hindu Sarasvati civilization found in Haryana dated to 7380 BC, that is more than 9000 years old.

Grain Silos of the Ancient Past. Not only shows advanced farming, but also an advanced economy and society and Trade.

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Weapons from the Ancient past 9000 years ago,

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Jewellery,

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Proof about Invention of the light weight spoked Wheel,

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Another amazing find (resemblance to Harrapa)

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http://indianexpress.com/article/in...r-revival-of-temple-tanks-kiran-bedi-4614406/

Lt Governor Kiran Bedi today said she would chalk out plans for revival of temple tanks through public participation and propagate heritage of the shrines. After worshipping at the ancient temple of Tirukameeswarar temple in neighbouring Villianoor, she said she would promote the cultural heritage of temples through her social media to promote temple tourism.

All the pillars and stone carvings in temples bear historic and literary details and it was our duty to conserve and protect the precious heritage, she said.

“We should also document the history of temples and also their heritage”, she said.

She also saw for herself the abundant growth of `water hyacinth plants` on the bed of Sankarabarani river in the vicinity of the temple in Villianoor.

She asked the PWD officials to expedite the desilting of Sankarabarani river bed.
 
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07THIDOL

http://www.thehindu.com/news/nation...rs-stumble-upon-rare-idol/article18401448.ece
Mahavira statue dates to 9th-10th century

Villagers stumbled upon a rare and beautiful idol of Mahavira, believed to be dating back to the 9th-10th century AD while levelling a field at the Parahata village in Odisha’s Jagatsinghpur district.

Villagers installed the three-feet-high idol, discovered five days ago, in the village temple. A couple of years ago, a one-foot high statue of the Buddha made of red brass was also found while a farmer was tilling his field.

“A contractor required soil to level a canal road passing through our village. Bhaguni, a villager, volunteered to even out his field. When the bucket teeth of the earthmover hit some hard substance, we advised the earthmover’s operator not to apply force. Then we carefully dug the area around the statue and brought it out,” said Parahata villager Bhawani Panda.

Villagers say they have come across many earthen pots and other unrecognisable earthen items while levelling the field. They wonder if a proper excavation would reveal more.

“The idol is in standing position on a lotus pedestal. We generally find single idols of Mahavira. Statues with images of deities as well as devotees carved on stone were widely in circulation in the 9th-10th century AD,” said Sunil Patnaik, archaeologist with the Odisha Institute of Maritime and South-East Asian Studies.
 
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Archaeological explorationStudents of SSAM Government Higher Secondary School, Thirupullani, at the site near Ramanathapuram
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http://www.thehindu.com/news/nation...s-discover-thiruvaazhikal/article18403754.ece
The ‘thiruvaazhikal’ stone indicated that the entire area - the sluice, supply channel and temple tank - were donated to the 8th century temple and one of the ‘108’ Divyadesams dedicated to Lord Vishnu. The inscription of sun and moon indicated that the lands donated to the temple would remain forever like the sun and the moon, Mr Rajaguru, an amateur archaeologist, said.

Above the outlet in the centre portion of the sluice there were inscriptions of two ‘magara meen’ (shark fish) facing each other and the tank derived the name ‘magara kuttam,’ he said, citing the students’ study. However, only the teeth resembled that of shark, he added.

History has it that Ragunatha Sethupathi (1645 AD to 1670 AD) had built the sluice and temple tank and the lands would have been donated by him, he said. Local people said there was a culvert near the sluice and it should have been either stolen or vandalised. The students tried in vain to locate the culvert for nearly 10 days, he said adding the culvert could have thrown more light on the ‘thiruvaazhikal.’

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A view of the renovated Santhana Eri in Ariyalur district.Photo: B. Velankanni RajB_VELANKANNI RAJ


Santhana Eri and Venkattan Savadi Eri have been spruced up
In an attempt to revive the seven lakes situated around Ariyalur, the district administration has embarked upon a major plan by sourcing the Corporate Social Responsibility (CSR) fund of the Tamil Nadu Cement Corporation Limited (TANCEM).
 
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Ministry of Human Resource Development
20-July, 2017 15:36 IST
Bhagavad Gita in School Education

Content related to ‘Bhagavad Gita’ is already included in National Council of Educational Research & Training (NCERT)’s Class XII Sanskrit text book, namely, Shashwati, Part-II (Chapter IV: Karma Gauravam) since 2007-08. The National Curriculum Framework-2005 brought out by NCERT states that to strengthen our cultural heritage and national identity, the curriculum should enable the younger generation to reinterpret and re-evaluate the part with reference to new priorities and emerging outlooks of a changing societal context. The document further states that the cultural diversity of this land should continue to be treasured as our special attribute. However, education, being a subject in the Concurrent List of the Constitution, and the majority of schools being under the jurisdiction of the State Governments, it is within the ambit of the States/ Union Territories to decide about the subjects to be taught in their schools keeping in view the National Curriculum Framework (NCF).

This information was given by the Minister of State (HRD), Shri Upendra Kushwaha today in a written reply to a Rajya Sabha question.

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GG/AK/RK/ BHAGAVAD GITA IN SCHOOL EDUCATION
 
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Prime Minister's Office
07-August, 2017 17:37 IST
PM greets the nation in Sanskrit on Sanskrit Day


The Prime Minister Shri Narendra Modi has greeted the nation on the Sanskrit Day and shared his greetings with the people in Sanskrit.

The Sanskrit text is as follows:

“भारतस्य समृद्धः इतिहासः संस्कृतिः परम्परा च संस्कृते अस्ति। संस्कृतस्य ज्ञानम् अस्मान् तेन समृद्ध-वैभवोपेत-अतीतेन सह योजयति।“

“संस्कृतप्रेमिभ्यः तथा च अस्याः सुन्दर्याः भाषायाः पठितृभ्यः सर्वेभ्यः संस्कृतदिवस-सन्दर्भे मम हार्दिक-शुभकामनाः।”

It implies that India’s rich history, culture and tradition are in Sanskrit. The knowledge of Sanskrit connects us with our rich literature, heritage and glorious past. On the occasion of Sanskrit Day I extend my heartfelt greetings to the scholars and students of this beautiful language.


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The Union Minister for Tribal Affairs, Shri Jual Oram launching the ‘Festival Offers’ to promote Tribal Products and empower Tribal Artisans of the Country, in New Delhi on September 01, 2017. The Secretary, Ministry of Tribal Affairs, Ms. Leena Nair and the Managing Director, TRIFED, Shri Pravir Krishna are also seen.
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The Union Minister for Tribal Affairs, Shri Jual Oram launching the ‘Festival Offers’ to promote Tribal Products and empower Tribal Artisans of the Country, in New Delhi on September 01, 2017. The Secretary, Ministry of Tribal Affairs, Ms. Leena Nair and the Managing Director, TRIFED, Shri Pravir Krishna are also seen.
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The Union Minister for Tribal Affairs, Shri Jual Oram at the launching ceremony of the ‘Festival Offers’ to promote Tribal Products and empower Tribal Artisans of the Country, in New Delhi on September 01, 2017. The Secretary, Ministry of Tribal Affairs, Ms. Leena Nair and the Managing Director, TRIFED, Shri Pravir Krishna are also seen.
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The Union Minister for Tribal Affairs, Shri Jual Oram at the launching ceremony of the ‘Festival Offers’ to promote Tribal Products and empower Tribal Artisans of the Country, in New Delhi on September 01, 2017. The Secretary, Ministry of Tribal Affairs, Ms. Leena Nair and the Managing Director, TRIFED, Shri Pravir Krishna are also seen.
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The Union Minister for Tribal Affairs, Shri Jual Oram addressing at the launching ceremony of the ‘Festival Offers’ to promote Tribal Products and empower Tribal Artisans of the Country, in New Delhi on September 01, 2017. The Secretary, Ministry of Tribal Affairs, Ms. Leena Nair and the Managing Director, TRIFED, Shri Pravir Krishna are also seen.
s20170901112851.jpg


The Union Minister for Tribal Affairs, Shri Jual Oram at the launching ceremony of the ‘Festival Offers’ to promote Tribal Products and empower Tribal Artisans of the Country, in New Delhi on September 01, 2017. The Secretary, Ministry of Tribal Affairs, Ms. Leena Nair is also seen.
s20170901112852.jpg


The Union Minister for Tribal Affairs, Shri Jual Oram at the launching ceremony of the ‘Festival Offers’ to promote Tribal Products and empower Tribal Artisans of the Country, in New Delhi on September 01, 2017. The Secretary, Ministry of Tribal Affairs, Ms. Leena Nair is also seen.
s20170901112853.jpg


The Union Minister for Tribal Affairs, Shri Jual Oram at the launching ceremony of the ‘Festival Offers’ to promote Tribal Products and empower Tribal Artisans of the Country, in New Delhi on September 01, 2017. The Secretary, Ministry of Tribal Affairs, Ms. Leena Nair is also seen.
s20170901112854.jpg


The Union Minister for Tribal Affairs, Shri Jual Oram interacting with the media, at the launching ceremony of the ‘Festival Offers’ to promote Tribal Products and empower Tribal Artisans of the Country, in New Delhi on September 01, 2017. The Secretary, Ministry of Tribal Affairs, Ms. Leena Nair and the Managing Director, TRIFED, Shri Pravir Krishna are also seen.
s20170901112855.jpg
 
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MYSURU, September 18, 2017 23:41 IST
Updated: September 18, 2017 23:41 IST
19BGMYSMASHISHADASARA

A colourful procession being taken out in Mysuru on Monday as part of ‘Mahisha Habba’.

http://www.thehindu.com/news/nation...e-celebrate-mahisha-habba/article19711104.ece

As Mysuru prepares for the annual Dasara festival, which marks the victory of good over evil, some people keen to erase the portrayal of King Mahisha as “an evil demon” celebrated what they called ‘Mahisha Habba’ in the city on Monday.

The group, which gathered at Town Hall, garlanded B.R. Ambedkar’s statue and took out a rally comprising motorcycles, a tableau and folk troupes through the thoroughfares of the city before proceeding to the statue of Mahisha atop Chamundi Hills.

Though legend has it that Mysuru got its name from Mahishasura, who according to mythology was a demon slayed by the goddess Chamundeshwari, B.P. Mahesh Chandra Guru, professor of journalism, described him as “an indigenous ruler chosen by King Ashoka”.

“Vested interests who felt a threat to the upper caste-dominated Hinduism from Buddhism created stories to vilify Mahisha and portrayed him as a demon,” Prof. Guru said. “We are also celebrating Mahisha Habba to cherish the legacy of a great ruler who stood for humanism.”

He recalled that the former Minister V. Srinivas Prasad had organised a Mahisha Habba in the late 1980s and mobilised a large number of people. Though the practice was discontinued after two or three years, the Dalit Welfare Trust in Mysuru along with the Gangothri Research Students’ Federation and a few progressive organisations have come together to revive it in the past four years, the professor said.

Writers K.S. Bhagawan, Bannur Raju, and social worker Shabbir Mustafa were among those present on the occasion.
 
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http://www.thehindu.com/news/nation...ng-sanskrit-to-the-masses/article19723599.ece

Institutions join hands to generate web content
A giant leap was taken on Wednesday in taking Sanskrit to the masses, when several national institutes joined hands to achieve synergy. The best of brains from the domains of literary, academic, pedagogical and technological platforms converged for the mammoth task.

Representatives of Rashtriya Sanskrit Sansthan (New Delhi), Lal Bahadur Shastri Rashtriya Sanskrit Vidyapeetha (New Delhi), Sanskrit Samvardha Parishad (New Delhi), Sanskrit Academy (Melkote), Vaidika Samshodhana Mandala (Pune), Karnataka Sanskrit University (Bengaluru), Kalidasa Sanskrit University (Ramtek, Nagpur), Samskruta Bharati (Bengaluru), Chinmaya Sanskrit Vishwa Vidyapeeth (Veliyanad, Ernakulam) and Indian Institute of Technology Kanpur participated in the two-day national workshop on ‘Digitised Sanskrit Corpus’, under way on the Rashtriya Sanskrit Vidyapeetha campus here on Wednesday.

They not only discussed the status of projects in progress and the future tasks on hand, but also dwelt upon upgrading to the latest technology in terms of platform and operating system so as to generate searchable content at the click of a mouse.

While so many institutes have converted paper content into digital format over a decade, thus giving scope for duplication, the current exercise is to avoid redundancy and also adapt to the latest technology available in the world of web. Speaking to The Hindu on the sidelines of the workshop, Rashtriya Sanskrit Sansthan Vice-Chancellor P.N. Shastry said that the larger goal was to take Sanskrit texts to the reach of every researcher, and ultimately benefit society.

Lakhs of pages of digital content generated all these years was now being scrutinised for literary clarity, scholastic authenticity, technological congruence and system compatibility, besides working towards ensuring uniformity in search definitions. “The Tirupati Vidyapeetha has alone digitised 804 textbooks running into six lakh e-pages”, announced its Vice-Chancellor V. Muralidhara Sarma.

The institutes will be inking a Memorandum of Understanding (MoU) to define the scope of the project, identify new content and also enable transliteration, Prof. Sarma said.
 
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BHADRADRI-KOTHAGUDEM, September 23, 2017 00:12 IST
Updated: September 23, 2017 00:12 IST
http://www.thehindu.com/news/nation...alled-in-bhadradri-shrine/article19738158.ece

HY19-POKALADAMMAKKA

A statue of Pokala Dammakka in a sitting posture near Haritha hotel. Another statue to come up inside Sri Sitaramachandra Swamy temple complex in Bhadrachalam soon.


To reinforce age-old bond between tribals of Bhadrachalam and the temple
A statue of Pokala Dammakka, a tribal woman of the bygone era known for her boundless devotion to Lord Rama, is set to be installed inside the famed Sri Sitaramachandra Swamy temple complex in Bhadrachalam soon.

The move to install Dammakka’s statue inside the temple complex is considered another step towards reinforcing the age-old bond between the tribal people of Bhadrachalam Agency and the Bhadradri shrine. The temple has been organising Dammakka Seva Yatra featuring religious and cultural programmes involving scores of Adivasis in July every year, in honour of Dammakka.

Dammakka is considered one of the key persons behind the construction of the historic shrine dedicated to Lord Sitaramachandra Swamy in Bhadrachalam.

Legend has it that Dammakka first spotted the idols of Lord Sitarama on the Bhadragiri hills which eventually led to the construction of Bhadradri temple by Bhakta Ramadasu, the ardent devotee of Lord Rama and the then tehsildar of Palvancha paragana, during the reign of Abul Hasan Tanesha of Golconda in the 17th century. The temple town already has a statue of Dammakka in a sitting posture near Haritha hotel. It has been decided to install a four-feet tall statue of Dammakka under the centuries-old tree inside the temple complex, said Prabhakara Srinivas, executive officer, Bhadradri temple.

The idea behind the move is to remind the devotees visiting the temple of the glorious history of the shrine built by Bhakta Ramadasu, the great saint composer of Nelakondapalli, he told The Hindu.

Efforts have been on to entrust the task of making the life-like statue of Dammakka to the noted sculptors of Tiruvuru in the neighbouring Andhra Pradesh.


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According to the sthalapurāṇa , they appeared before the sage Bhadra (personification of the mountain Bhadragiri, considered as the son of Meruparvata or mountain Meru and Menakā) and transformed themselves into stone images at his request to stay there permanently. An anthill grew over the images and they were hidden from the human gaze for centuries.


The presence of the images there was revealed accidentally or by divine dispensation to Pokala Dammakka, a childless widow who had adopted a boy named Rāma. She retrieved the images and preserved them, offering a simple worship. One day, in a dream, she saw the sage Bhadra who instructed her to keep up her devoted worship until the time when a great devotee of Śri Rāma comes and constructs a temple for the images.

Later Kañcarla Gopanna (A.D. 1630-1687), the tax-collector of the Muslim ruler Tanisha, visited the place. She revealed her dream to him. Since he was a great devotee of Śrī Rāma, he got the temple built.

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