The film, and John Marsdens original novels, are coy on the matter of who the invading force happens to be but all indications are that they are most likely the communist Chinese, potentially with the aid of other southeast Asian forces. Tellingly, Marsden apparently dedicated the most recent book in the Tomorrow series to the people of Tibet, East Timor and West Papua
all of whom have been invaded either by China, or Indonesia. For an in-depth look at the controversy over this project in Australia, I strongly advise watching the interview below with Marsden who talks about the novels and the film, and discusses the political implications of both. Expect this exact same controversy to play out once this film is released in the U.S. assuming thats allowed to happen.
Its fascinating to me that films like this are suddenly getting made right now (e.g., Salt) although certainly a great many more of them are getting made outside Hollywood (and America, generally) than from within. [In American films right now, fears of foreign invasion are currently being sublimated into the science fiction alien invasion genre. See my exchange with the LA Times' Patrick Goldstein here.]
Most recently, for example, it was an Australian production team that made Maos Last Dancer, which is in theaters right now (see the LFM review). Maos Last Dancer deals with a ballet dancers defection to the United States, in a much-celebrated case that even involved the intervention of (then) Vice President George H.W. Bush, and yet it was apparently impossible for that film to be made here in this country by American filmmakers.
So we now apparently have a case where a kind of ersatz remake of Red Dawn, made by Australians, may actually hit theaters before MGMs official Red Dawn remake (due to MGMs complex financial situation). Personally, by the way, Im still waiting for Chris Morris incredible new film Four Lions to get its U.S. release (see the LFM review); that release seems very much up in the air, sadly, due to frightened domestic distributors.
So whats going on here? I think its this: that the climate for freedom-oriented filmmaking is actually better these days outside the United States than within. What a shift that represents. And what a tragedy.
Lets hope Tomorrow When the War Began gets a U.S. release. Well be keeping an eye on this story as it develops.