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http://www.dhakatribune.com/bangladesh/2016/apr/23/death-cinemas-bangladesh
today's paper >> back page >> published: 01:41 april 23, 2016 >> updated : 01:43 april 23, 2016
The death of cinemas in Bangladesh
Promiti Prova Chowdhury
Cinemas, once a popular place for entertainment, have gradually lost appeal. Dhaka Tribune’s Promiti Prova Chowdhury explores the sector’s decline in the first story of a two-part series
Reasons for the sharp decline in numbers are manifold. Many blame piracy, poor film quality, obscenity, and run-down condition of theatres.
“Piracy is one of the main issues,” said BMPEA Vice-President Sudipta Kumar Das. “For example, a hall owner may spend Tk1 lakh to screen a film. Imagine what he feels when he finds out that people at nearby tea stalls are watching that film on the very day it is released.
“Also, people in rural areas prefer watching films in tea stalls rather than coming to cinema halls.”
He said people working for distributors are involved in piracy in most cases. They make copies of films before screening.
Sohanur Rahman Sohan, vice-president of Bangladesh Film Directors Association (BFDA), said: “Piracy is biting off profits and discouraging producers. Low budgets mean poor-quality films.”
He suggested films be released digitally across halls through a server, as done in India, to prevent piracy.
Sudipta said people can now enjoy movies on hand-held devices. Several decades ago, people went to cinemas as it was the only place where films were screened.
The target group, too, has changed; before 1971, it was mainly the middle-class but now it is the low-income group.
Sudipta explained: “The change occurred in mid-1990s with the advent of satellite channels when local directors started producing low-quality remakes of Hindi films.”
Commercial film-maker Sohan claimed some cinema owners deliberately inserted nudity. Also, most cinemas are dirty and have poor or no sanitation facility. These factors discourage people from going to movies with friends and families.
“We have to rent projectors for screening films at some halls. Projector owners charge Tk3 from every ticket sold,” Sohan said.
Director Morshedul Islam said he believed hall conditions need to be improved first to encourage producers but Sudipta claimed that after incurring losses for years, “it was impossible to digitalise the halls.”
SM Delwar Sentu was forced to close down Sangeeta Cinema Hall in Narsingdi in 2004. “It was established in 1975. I took over from my father in 1994. Forty-six of my employees became jobless when it was shut down,” he said, blaming the government and directors for mostly focusing on the television sector.
Safar Ali Bhuiyan once owned 13 cinemas around the country but has only two of them – Obhishar and Neptune – running at present.
“I had been incurring losses since 2001. Only 15-16 people came for shows,” he said. “I shut down Agomoni and Otithi cinema halls as their electricity bills were higher than the income they generated. The monthly utility bill was Tk1.5 lakh whereas I earned around Tk50,000 and had to pay the staff as well.”
Safar believes opening the market for foreign films is the way to save Bangladesh’s dying cinema halls – an idea highly opposed by local film-makers.
- See more at: http://www.dhakatribune.com/bangladesh/2016/apr/23/death-cinemas-bangladesh#sthash.MPglupov.dpuf
today's paper >> back page >> published: 01:41 april 23, 2016 >> updated : 01:43 april 23, 2016
The death of cinemas in Bangladesh
Promiti Prova Chowdhury
Cinemas, once a popular place for entertainment, have gradually lost appeal. Dhaka Tribune’s Promiti Prova Chowdhury explores the sector’s decline in the first story of a two-part series
-
Photo- MEHEDI HASAN
Reasons for the sharp decline in numbers are manifold. Many blame piracy, poor film quality, obscenity, and run-down condition of theatres.
“Piracy is one of the main issues,” said BMPEA Vice-President Sudipta Kumar Das. “For example, a hall owner may spend Tk1 lakh to screen a film. Imagine what he feels when he finds out that people at nearby tea stalls are watching that film on the very day it is released.
“Also, people in rural areas prefer watching films in tea stalls rather than coming to cinema halls.”
He said people working for distributors are involved in piracy in most cases. They make copies of films before screening.
Sohanur Rahman Sohan, vice-president of Bangladesh Film Directors Association (BFDA), said: “Piracy is biting off profits and discouraging producers. Low budgets mean poor-quality films.”
He suggested films be released digitally across halls through a server, as done in India, to prevent piracy.
Sudipta said people can now enjoy movies on hand-held devices. Several decades ago, people went to cinemas as it was the only place where films were screened.
The target group, too, has changed; before 1971, it was mainly the middle-class but now it is the low-income group.
Sudipta explained: “The change occurred in mid-1990s with the advent of satellite channels when local directors started producing low-quality remakes of Hindi films.”
Commercial film-maker Sohan claimed some cinema owners deliberately inserted nudity. Also, most cinemas are dirty and have poor or no sanitation facility. These factors discourage people from going to movies with friends and families.
“We have to rent projectors for screening films at some halls. Projector owners charge Tk3 from every ticket sold,” Sohan said.
Director Morshedul Islam said he believed hall conditions need to be improved first to encourage producers but Sudipta claimed that after incurring losses for years, “it was impossible to digitalise the halls.”
SM Delwar Sentu was forced to close down Sangeeta Cinema Hall in Narsingdi in 2004. “It was established in 1975. I took over from my father in 1994. Forty-six of my employees became jobless when it was shut down,” he said, blaming the government and directors for mostly focusing on the television sector.
Safar Ali Bhuiyan once owned 13 cinemas around the country but has only two of them – Obhishar and Neptune – running at present.
“I had been incurring losses since 2001. Only 15-16 people came for shows,” he said. “I shut down Agomoni and Otithi cinema halls as their electricity bills were higher than the income they generated. The monthly utility bill was Tk1.5 lakh whereas I earned around Tk50,000 and had to pay the staff as well.”
Safar believes opening the market for foreign films is the way to save Bangladesh’s dying cinema halls – an idea highly opposed by local film-makers.
- See more at: http://www.dhakatribune.com/bangladesh/2016/apr/23/death-cinemas-bangladesh#sthash.MPglupov.dpuf
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