Kollywood --- Tamil Movie Industry
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Marshmallow
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Sripathi Panditaradhyula Balasubrahmanyam ( pronunciation (help·info); born 4 June 1946) is an Indian playback singer, actor, music director, voice actor and film producer. He is sometimes referred to as S. P. B. or Balu. He won the National Film Award for Best Male Playback Singer six times and the Nandi Awards 25 times from Government of Andhra Pradesh.
He has sung over 40,000 songs in various Indian languages. He is the only playback singer in India to have won National Film Awards across four languages. He has also won a Filmfare Award, three Filmfare Awards South and numerous state awards from Tamil Nadu and Karnataka. He is a recipient of civilian awards such as Padmashri (2001) and Padma Bhushan (2011) from the government of India.[1]
u look gobsmacked
yes
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haviZsultan
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Personally this looks like the government side of the story instead of Tamil side. I mean like what about Veerappan's sister who is said to be raped and killed? There is something behind each terrorist. In fact a famous American even said there is a government agency (he referred to CIA) behind every terrorist.
Actually I'd just like to watch those fight scenes for now. Also Tamils have huge history before 47. Why it has to be ignored and stories made about a cop? Did he really kidnap the wife of the cop who killed him? No right? I would rather watch a documentary on anything after the 1947 period.
If there are movies about chola's, Tamilakaram, Vijaynagar, Pandya's do let me know though.
I thank you deeply for this post. Do you have a link to Kattabomman movie? I read up on this guy. Deeply interested.
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no no no....veerapan was a dacoit and every tamilian knows the atrocities commited by him.....fake rhetoric or fake chest thumping by certain people doesnt count.....he murdered many..kidmapped and murdered many....elephant ivory...killed loads of em....sandalwood smuggling...may be gave some handouts to the villagers around...these are all real accounts by my friends living around the place where veerapan was hiding.. buddy,i"ve posted the chola,sera,pandiya video somewhere around the third or fourth page and the entire veerapandiya katabboman movie in the 2nd page...check it out...
havizsultan,
veerapan was not a terrorist....he was not planting bombs or pursuing people to blow themselves up....he was hiding in a forest doing illegal activities....
havizsultan,
veerapan was not a terrorist....he was not planting bombs or pursuing people to blow themselves up....he was hiding in a forest doing illegal activities....
If you haven't heard of Tamil cinema, you aren't alone. At the international level, South India's film industry is all but unknown and often gets confused with Bollywood, Mumbai's Hindi film business. But, over the past five years, the "Other Bollywood," led by Tamil cinema, produced more than half of all Indian movies. Budgets for Tamil films now rival Bollywood's, and South India's film industry is emerging as a creative dynamo.
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7
Tamil films give Bollywood a run for its money
Ignored until recently, the South Indian film business is growing rapidly and setting artistic trends.
CHENNAI, India — Days before the May opening of the Cannes Film Festival, the director of the first Bollywood film invited for an official screening gave a shout-out to his colleagues in a long-overlooked arm of the Indian film industry.
“There's a whole new wave in Tamil cinema,” said Anurag Kashyap, whose film “Gangs of Wasseypur” was screened as part of the Cannes' Directors Fortnight. “They've made the most extraordinary films in the last two years, and at the national level people don't even know about it.”
Spread across southeastern India, northeastern Sri Lanka and other parts of Southeast Asia, the Tamils number some 65 million people and possess one of the world's oldest cultures. But in Hindi-dominated India, they — and their movies — are usually ignored or dismissed.
At the international level, Tamil cinema gets even less recognition. Writers frequently confuse Mumbai's Hindi film business, locally known as Bollywood, for the entire Indian industry. But the increasing critical and financial success of “the Other Bollywood” could soon flip that perception upside down.
Led by Tamil cinema, the South Indian film industry — which also includes movies made in the Telugu, Malayalam and Kannada languages — produced more than half of all Indian movies over the past five years.
Budgets for Tamil films now rival Bollywood's, according to a new report prepared by consultant firm Deloitte Touche Tohmatsu. And the Tamil industry is emerging as a creative dynamo.
Deloitte expects the South Indian industry to grow 11 percent a year and earn revenue of nearly $600 million by 2015 — compared with Bollywood's $2 billion-plus. And with the emergence of a nascent corporate studio system, South Indian films like “Robot” — a crazy sci-fi mashup featuring Rajnikanth, South India's biggest star, which garnered around $12 million abroad, according to Deloitte — are beginning to tap the overseas market and other new revenue streams.
“With the Sri Lankans migrating to a lot of places in the world, we get to export our films even to places like Norway and Sweden, which weren't in our map at all a few years back,” said film producer SP Charan. “Now we are pushing our films to places like Delhi and Bombay, with subtitles. That's another market that we're tapping into that we didn't have before.”
Starting with Walt Disney's 2006 purchase of a 15 percent stake in Ronnie Screwvala's UTV Software Communications, companies like Sony, Walt Disney, Fox and Viacom have been betting on Bollywood for the past five years, after realizing that Hindi movies continued to outsell Hollywood imports. The reason? Unlike in the United States, more and more Indians are going to movie theaters every year, and paying higher and higher prices.
Now, that same motivation is driving Bollywood's big players, and international firms, to the South.
In May 2011, UTV Motion Pictures — which was acquired by Walt Disney earlier this year — had eight films in Tamil, Telugu and Malayalam slated for release in the US, the UK and other foreign markets. And Sony Music Entertainment bought the catalog of Chennai-based Think Music in July 2011 to gain a 50 percent market share in the South, giving a corporate boost to the film songs that are the meat and potatoes of India's music industry.
“What studios realized is that they have to produce local content if they want to grow within the market,” said Siddarth Roy Kapur, managing director at Disney UTV Studios. “For us at Disney-UTV, we've already made a foray into the South [Indian] market and it's only a matter of time before the other players decide to do the same.”
Revolution and counterrevolution
But it's the creative energy of the Tamil industry — which also accounts for the largest share of the overall media and entertainment market in the South — that's making waves. Over the past five years Tamil remakes like “Wanted,” “Ready,” and “Bodyguard” were responsible for the comeback of the ever-shirtless Hindi star Salman Khan, even as his muscles turned to fat.
Three of the top 10 grossing Bollywood films of 2011 were remakes of Tamil blockbusters. And Bollywood's biggest star, Shahrukh Khan, is slated to star in two Tamil remakes this year, according to local reports.
What's happening is a simultaneous revolution and counterrevolution.
Over the past decade, mainstream Bollywood movies have increasingly focused on the elite — shifting stories to foreign locales and focusing on scripts about modern subjects like live-in relationships (“Salaam Namaste”
and homosexuality (“Dostana”. But these films were alien to a huge part of the audience, including lower income groups in metropolitan cities and more conservative people in smaller towns.
Meanwhile, in the South, the masala or “spicy” potboiler formula — a beefy hero, two heroines, five fight scenes, six songs, and a surrealist disregard for logic or the laws of physics – never went out of style. The Tamil industry's thriving “star culture” assured that diehard fans might go to see a movie 30 or 40 times just to see Rajnikanth play the hero.
More from GlobalPost: Complete coverage of the Other Bollywood
“What happened over the past two or three years, starting with a film called 'Ghajini,' a film with Aamir Khan that was a remake of a South Indian film, was really a hark back to the cinema of the '80s,” said UTV's Kapur. “Those are films that were still being made in Tamil cinema, and also in Telugu cinema, but had stopped being made in Hindi. Now people are revisiting that and going back to a time when those movies were popular.”
At the same time, so-called “new wave” Tamil movies have recently earned critical acclaim — along with the admiration of Hindi-film directors like Kashyap at Cannes. In 2011, “Aadukalam” (or “Arena” in Tamil) swept India's national awards, winning in six categories including best director and best screenplay, while in 2012, “Azhagarsamiyin Kudhirai” (“Azhagarsamiyin's Horse” was named the year's best popular film and “Aaranya Kaandam” (“Jungle Chapter” won a national award for best first film, along with the Grand Jury Award for Best Film at the South Asian Film Festival.
The result is that the South, once the butt of jokes in Hindi movies, is now the epitome of cool.
http://www.globalpost.com/dispatch/news/regions/asia-pacific/india/120619/tamil-cinema-south-indian-films-bollywood-part-1
Home » Regions » Asia-Pacific » India
7
Tamil films give Bollywood a run for its money
Ignored until recently, the South Indian film business is growing rapidly and setting artistic trends.
CHENNAI, India — Days before the May opening of the Cannes Film Festival, the director of the first Bollywood film invited for an official screening gave a shout-out to his colleagues in a long-overlooked arm of the Indian film industry.
“There's a whole new wave in Tamil cinema,” said Anurag Kashyap, whose film “Gangs of Wasseypur” was screened as part of the Cannes' Directors Fortnight. “They've made the most extraordinary films in the last two years, and at the national level people don't even know about it.”
Spread across southeastern India, northeastern Sri Lanka and other parts of Southeast Asia, the Tamils number some 65 million people and possess one of the world's oldest cultures. But in Hindi-dominated India, they — and their movies — are usually ignored or dismissed.
At the international level, Tamil cinema gets even less recognition. Writers frequently confuse Mumbai's Hindi film business, locally known as Bollywood, for the entire Indian industry. But the increasing critical and financial success of “the Other Bollywood” could soon flip that perception upside down.
Led by Tamil cinema, the South Indian film industry — which also includes movies made in the Telugu, Malayalam and Kannada languages — produced more than half of all Indian movies over the past five years.
Budgets for Tamil films now rival Bollywood's, according to a new report prepared by consultant firm Deloitte Touche Tohmatsu. And the Tamil industry is emerging as a creative dynamo.
Deloitte expects the South Indian industry to grow 11 percent a year and earn revenue of nearly $600 million by 2015 — compared with Bollywood's $2 billion-plus. And with the emergence of a nascent corporate studio system, South Indian films like “Robot” — a crazy sci-fi mashup featuring Rajnikanth, South India's biggest star, which garnered around $12 million abroad, according to Deloitte — are beginning to tap the overseas market and other new revenue streams.
“With the Sri Lankans migrating to a lot of places in the world, we get to export our films even to places like Norway and Sweden, which weren't in our map at all a few years back,” said film producer SP Charan. “Now we are pushing our films to places like Delhi and Bombay, with subtitles. That's another market that we're tapping into that we didn't have before.”
Starting with Walt Disney's 2006 purchase of a 15 percent stake in Ronnie Screwvala's UTV Software Communications, companies like Sony, Walt Disney, Fox and Viacom have been betting on Bollywood for the past five years, after realizing that Hindi movies continued to outsell Hollywood imports. The reason? Unlike in the United States, more and more Indians are going to movie theaters every year, and paying higher and higher prices.
Now, that same motivation is driving Bollywood's big players, and international firms, to the South.
In May 2011, UTV Motion Pictures — which was acquired by Walt Disney earlier this year — had eight films in Tamil, Telugu and Malayalam slated for release in the US, the UK and other foreign markets. And Sony Music Entertainment bought the catalog of Chennai-based Think Music in July 2011 to gain a 50 percent market share in the South, giving a corporate boost to the film songs that are the meat and potatoes of India's music industry.
“What studios realized is that they have to produce local content if they want to grow within the market,” said Siddarth Roy Kapur, managing director at Disney UTV Studios. “For us at Disney-UTV, we've already made a foray into the South [Indian] market and it's only a matter of time before the other players decide to do the same.”
Revolution and counterrevolution
But it's the creative energy of the Tamil industry — which also accounts for the largest share of the overall media and entertainment market in the South — that's making waves. Over the past five years Tamil remakes like “Wanted,” “Ready,” and “Bodyguard” were responsible for the comeback of the ever-shirtless Hindi star Salman Khan, even as his muscles turned to fat.
Three of the top 10 grossing Bollywood films of 2011 were remakes of Tamil blockbusters. And Bollywood's biggest star, Shahrukh Khan, is slated to star in two Tamil remakes this year, according to local reports.
What's happening is a simultaneous revolution and counterrevolution.
Over the past decade, mainstream Bollywood movies have increasingly focused on the elite — shifting stories to foreign locales and focusing on scripts about modern subjects like live-in relationships (“Salaam Namaste”
and homosexuality (“Dostana”. But these films were alien to a huge part of the audience, including lower income groups in metropolitan cities and more conservative people in smaller towns.Meanwhile, in the South, the masala or “spicy” potboiler formula — a beefy hero, two heroines, five fight scenes, six songs, and a surrealist disregard for logic or the laws of physics – never went out of style. The Tamil industry's thriving “star culture” assured that diehard fans might go to see a movie 30 or 40 times just to see Rajnikanth play the hero.
More from GlobalPost: Complete coverage of the Other Bollywood
“What happened over the past two or three years, starting with a film called 'Ghajini,' a film with Aamir Khan that was a remake of a South Indian film, was really a hark back to the cinema of the '80s,” said UTV's Kapur. “Those are films that were still being made in Tamil cinema, and also in Telugu cinema, but had stopped being made in Hindi. Now people are revisiting that and going back to a time when those movies were popular.”
At the same time, so-called “new wave” Tamil movies have recently earned critical acclaim — along with the admiration of Hindi-film directors like Kashyap at Cannes. In 2011, “Aadukalam” (or “Arena” in Tamil) swept India's national awards, winning in six categories including best director and best screenplay, while in 2012, “Azhagarsamiyin Kudhirai” (“Azhagarsamiyin's Horse”
was named the year's best popular film and “Aaranya Kaandam” (“Jungle Chapter” won a national award for best first film, along with the Grand Jury Award for Best Film at the South Asian Film Festival.The result is that the South, once the butt of jokes in Hindi movies, is now the epitome of cool.
http://www.globalpost.com/dispatch/news/regions/asia-pacific/india/120619/tamil-cinema-south-indian-films-bollywood-part-1
nair
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As a mallu i always had a sad feeling there is no one in the class of Santhosh Pandit in Tamil cinema...... But now i dont need to be sad..... Tamil cinema found its own Santhosh Pandit.............. "Power Star" 
Malayalam most likely originated from Middle Tamil (Sen-Tamil-Malayalam) in the 6th century.[7] An alternative theory proposes a split in even more ancient times.[7] Before Malayalam came into being, Old Tamil was used in literature and courts of a region called Tamilakam, including present day Kerala state, a famous example being Silappatikaram. Silappatikaram was written by Chera prince Ilango Adigal from Cochin, and is considered a classic in Sangam literature. Modern Malayalam still preserves many words from the ancient Tamil vocabulary of Sangam literature
You will never reach your destination if you stop and throw stones at every dog that barks.
― Winston Churchill
nair,you being a mallu...am not surprised to hear kinda comment from you....
As a mallu i always had a sad feeling there is no one in the class of Santhosh Pandit in Tamil cinema...... But now i dont need to be sad..... Tamil cinema found its own Santhosh Pandit.............. "Power Star"
You will never reach your destination if you stop and throw stones at every dog that barks.
― Winston Churchill
nair,you being a mallu...am not surprised to hear kinda comment from you....
