buddy..till 18th century it was purely religious ..and was not performed outside the temples...and that too in the morning hours or 3-4 AM ..but later the dance was brought out from the temples and was performed outside...but still it remains a religious dance...have you not seen any dancer bowing to the lord before and after starting of the dance ..and they bow to their guruji...
they..still there is a religious connotation that lingers around it....
even every move of the dance itself is a mudra which is for the praise of god....and you do close your palms several time in dance and bow forward in the praise of lord.....
@
janon @
Hermione
these are the steps of dance which is followed ......please know of the culture before you speak....
every step is for the praise of god......
The Traditional Bharatanatyam Repertoire
Pushpanjali – opening dance, flower offering, welcome
Alaripu – introduction dance with typical body, head and eye movements in three different tempi
Jatiswaram – Dance with dynamic and gracious step combinations to the musical notes
sa ri ga ma pa da niShabdam – expressive dance telling episodes from Indian mythology
Padavarnam – highlight of the performance, demanding extreme technical dancing and acting skills; usually tells a love story or expresses a longing for God
Padam – expressive dance depicting typical female and male characters on a high level
Javali – a dance about unfulfilled love and longing with many pantomime and acting elements
Shloka – a short prayer to God in Sanskrit
Devaranama – hymns to God
Ashtapadi – songs from the famous Gitagovinda, expressing Radha’s love for Krishna, symbolizing the human longing for God
Tillana – vivacious abstract dance with typical sculptural poses, difficult step combinations and graceful body movements to complicated rhythms
Mangalam – closing ritual