Beauty of India and its People
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RPK
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Santoor
The santoor is an Indian stringed musical instrument. It is related to the Indian shata-tantri veena of earlier times and has strong resemblances with the Persian santur. It is a trapezoid-shaped hammered dulcimer often made of walnut, with seventy strings. The special-shaped mallets (mezrab) are lightweight and are held between the index and middle fingers. A typical santoor has two sets of bridges, providing a range of three octaves.
The Kashmiri santoor is more rectangular and can have more strings than the original Persian counterpart, which generally has 72 strings. The santoor as used in Kashmiri classical music is played with a pair of curved mallets made of walnut wood and the resultant melodies are similar to the music of the harp, harpsichord, or piano. The sound chamber is also made of walnut wood and the bridges are made of local wood and painted dark like ebony. The strings are made of steel.
Notable santoor players of the twentieth century include Pandit Shivkumar Sharma and Pandit Bhajan Sopori.
The santoor is an Indian stringed musical instrument. It is related to the Indian shata-tantri veena of earlier times and has strong resemblances with the Persian santur. It is a trapezoid-shaped hammered dulcimer often made of walnut, with seventy strings. The special-shaped mallets (mezrab) are lightweight and are held between the index and middle fingers. A typical santoor has two sets of bridges, providing a range of three octaves.
The Kashmiri santoor is more rectangular and can have more strings than the original Persian counterpart, which generally has 72 strings. The santoor as used in Kashmiri classical music is played with a pair of curved mallets made of walnut wood and the resultant melodies are similar to the music of the harp, harpsichord, or piano. The sound chamber is also made of walnut wood and the bridges are made of local wood and painted dark like ebony. The strings are made of steel.
Notable santoor players of the twentieth century include Pandit Shivkumar Sharma and Pandit Bhajan Sopori.
RPK
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Sarod
The sarod is a stringed musical instrument, used mainly in Indian classical music. Along with the sitar, it is the most popular and prominent instrument in Hindustani (northern Indian) classical music. The sarod is known for a deep, weighty, introspective sound (contrast with the sweet, overtone-rich texture of the sitar) with sympathetic strings that give it a resonant, reverberant quality. It is a fretless instrument able to produce the continuous slides between notes known as meend (glissandi), which are very important to Indian music.
The sarod is a stringed musical instrument, used mainly in Indian classical music. Along with the sitar, it is the most popular and prominent instrument in Hindustani (northern Indian) classical music. The sarod is known for a deep, weighty, introspective sound (contrast with the sweet, overtone-rich texture of the sitar) with sympathetic strings that give it a resonant, reverberant quality. It is a fretless instrument able to produce the continuous slides between notes known as meend (glissandi), which are very important to Indian music.
RPK
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Sitar
The sitar (Hindi: सितार, Bengali: সেতার, Urdu: ستار, Persian: سی تار ) is a plucked stringed instrument predominantly used in Hindustani classical music, where it has been ubiquitous since the Middle Ages. It derives its resonance from sympathetic strings, a long hollow neck and a gourd resonating chamber.
Used throughout the Indian subcontinent, particularly in Northern India, Bangladesh and Pakistan, the sitar became known in the western world through the work of Pandit Ravi Shankar beginning in the late 1950s, particularly after George Harrison of The Beatles took lessons from Shankar and Shambhu Das[1] and played sitar in songs including "Norwegian Wood (This Bird Has Flown)". Shortly after, The Rolling Stones used sitar in "Paint It, Black" and a brief fad began for using the instrument in pop songs.
The sitar (Hindi: सितार, Bengali: সেতার, Urdu: ستار, Persian: سی تار ) is a plucked stringed instrument predominantly used in Hindustani classical music, where it has been ubiquitous since the Middle Ages. It derives its resonance from sympathetic strings, a long hollow neck and a gourd resonating chamber.
Used throughout the Indian subcontinent, particularly in Northern India, Bangladesh and Pakistan, the sitar became known in the western world through the work of Pandit Ravi Shankar beginning in the late 1950s, particularly after George Harrison of The Beatles took lessons from Shankar and Shambhu Das[1] and played sitar in songs including "Norwegian Wood (This Bird Has Flown)". Shortly after, The Rolling Stones used sitar in "Paint It, Black" and a brief fad began for using the instrument in pop songs.
RPK
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Surbahar
Surbahar (Urdu: سربہار; Hindi: सुर बहार
, sometimes known as bass sitar, is a plucked string instrument used in the Hindustani classical music of North India. It is closely related to sitar, but it has a lower tone. Depending on the instrument's size, it is usually pitched two to five whole steps below the standard sitar, but Indian classical music having no concept of absolute pitch, this may vary. The instrument can emit frequencies lower than 20 Hz.
Surbahar (Urdu: سربہار; Hindi: सुर बहार
, sometimes known as bass sitar, is a plucked string instrument used in the Hindustani classical music of North India. It is closely related to sitar, but it has a lower tone. Depending on the instrument's size, it is usually pitched two to five whole steps below the standard sitar, but Indian classical music having no concept of absolute pitch, this may vary. The instrument can emit frequencies lower than 20 Hz.
RPK
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Tambura
The tambura (Devanagari: तम्पूरा is a long necked plucked lute, a stringed instrument found in different versions in different places. The tambora (Marathi), tambura (South India), tamburo (Gujarati), or tanpura (North India) in its bodily shape somewhat resembles the sitar, but it has no frets, as only the open strings are played as a harmonic accompaniment to the other musicians. It has four or five (rarely, six) wire strings, which are plucked one after another in a regular pattern to create a harmonic resonance on the basic note (bourdon or drone function).
Tanpuras come in different sizes and pitches: bigger "males" and smaller "females" for vocalists and yet a smaller version that is used for accompanying sitar or sarod, called tamburi or tanpuri. Male vocalists pitch their tonic note (Sa) to about C#, female singers usually a fifth higher. The male instrument has an open string length of approx. one metre, the female is sized down to 3/4. The standard tuning is 5881, sol do' do' do, or in Indian sargam: PA sa sa SA. For ragas that omit the fifth, the first string will be tuned down to the natural fourth: 4881 or Ma sa sa Sa. Some ragas require a less common tuning with shuddh NI (semitone below octave sa) : NI sa sa SA. With a five-string instrument, the seventh or NI (natural minor or major 7th) is added: PA NI sa sa SA (57881)or MA NI sa sa SA (47881). The name 'tanpura' is probably derived from tana, referring to a musical phrase, and pura which means "full" or "complete". Both in its musical function and how it works, the tanpura is a unique instrument in many ways. It does not partake in the melodic part of the music but it supports and sustains the melody by providing a very colourful and dynamic harmonic resonance field based on one precise tone, the basic note or key-note. The special overtone-rich sound is achieved by applying the principle of jivari which creates a sustained, "buzzing" sound in which particular harmonics will resonate with focused clarity. 'Jiva' refers to 'soul', that which gives life. What is implied is that an 'animated' tone-quality is the idea which the tanpura embodies. The principle of jivari can be likened to the prismatic refraction of white light into the colours of the rainbow, as its acoustic twin-principle at work.
The tambura (Devanagari: तम्पूरा
is a long necked plucked lute, a stringed instrument found in different versions in different places. The tambora (Marathi), tambura (South India), tamburo (Gujarati), or tanpura (North India) in its bodily shape somewhat resembles the sitar, but it has no frets, as only the open strings are played as a harmonic accompaniment to the other musicians. It has four or five (rarely, six) wire strings, which are plucked one after another in a regular pattern to create a harmonic resonance on the basic note (bourdon or drone function).Tanpuras come in different sizes and pitches: bigger "males" and smaller "females" for vocalists and yet a smaller version that is used for accompanying sitar or sarod, called tamburi or tanpuri. Male vocalists pitch their tonic note (Sa) to about C#, female singers usually a fifth higher. The male instrument has an open string length of approx. one metre, the female is sized down to 3/4. The standard tuning is 5881, sol do' do' do, or in Indian sargam: PA sa sa SA. For ragas that omit the fifth, the first string will be tuned down to the natural fourth: 4881 or Ma sa sa Sa. Some ragas require a less common tuning with shuddh NI (semitone below octave sa) : NI sa sa SA. With a five-string instrument, the seventh or NI (natural minor or major 7th) is added: PA NI sa sa SA (57881)or MA NI sa sa SA (47881). The name 'tanpura' is probably derived from tana, referring to a musical phrase, and pura which means "full" or "complete". Both in its musical function and how it works, the tanpura is a unique instrument in many ways. It does not partake in the melodic part of the music but it supports and sustains the melody by providing a very colourful and dynamic harmonic resonance field based on one precise tone, the basic note or key-note. The special overtone-rich sound is achieved by applying the principle of jivari which creates a sustained, "buzzing" sound in which particular harmonics will resonate with focused clarity. 'Jiva' refers to 'soul', that which gives life. What is implied is that an 'animated' tone-quality is the idea which the tanpura embodies. The principle of jivari can be likened to the prismatic refraction of white light into the colours of the rainbow, as its acoustic twin-principle at work.
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Veena
Veena (also spelled 'vina', Sanskrit: वीणा (vīṇā, Tamil: வீணை, Kannada: ವೀಣೆ , Malayalam: വീണ, Telugu: వీణ is a plucked stringed instrument used mostly in Carnatic Indian classical music. There are several variations of the veena, which in its South Indian form is a member of the lute family. One who plays the veena is referred to as a vainika.
Veena (also spelled 'vina', Sanskrit: वीणा (vīṇā
, Tamil: வீணை, Kannada: ವೀಣೆ , Malayalam: വീണ, Telugu: వీణ is a plucked stringed instrument used mostly in Carnatic Indian classical music. There are several variations of the veena, which in its South Indian form is a member of the lute family. One who plays the veena is referred to as a vainika.
RPK
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Esraj
The esraj (Bengali: এস্রাজ; Hindi: इसराज; also called israj) is a string instrument found in two forms throughout the north, central, and east regions of India. It is a young instrument by Indian terms, being only about 200 years old. The dilruba is found in the north, where it is used in religious music and light classical songs in the urban areas. Its name is translated as "robber of the heart." The esraj is found in the east and central areas, particularly Bengal, as well as Bangladesh, and it is used in a somewhat wider variety of musical styles than is the dilruba.
The esraj (Bengali: এস্রাজ; Hindi: इसराज; also called israj) is a string instrument found in two forms throughout the north, central, and east regions of India. It is a young instrument by Indian terms, being only about 200 years old. The dilruba is found in the north, where it is used in religious music and light classical songs in the urban areas. Its name is translated as "robber of the heart." The esraj is found in the east and central areas, particularly Bengal, as well as Bangladesh, and it is used in a somewhat wider variety of musical styles than is the dilruba.
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Sarangi
The Sārangī (Hindi: सारंगी is a bowed, short-necked lute of the Indian subcontinent. It is an important bowed string instrument of India's Hindustani classical music tradition. Of all Indian instruments, it is said to most resemble the sound of the human voice – able to imitate vocal ornaments such as gamakas (shakes) and meend (sliding movements). It is also said to be the hardest Indian instrument to master.
The Sārangī (Hindi: सारंगी
is a bowed, short-necked lute of the Indian subcontinent. It is an important bowed string instrument of India's Hindustani classical music tradition. Of all Indian instruments, it is said to most resemble the sound of the human voice – able to imitate vocal ornaments such as gamakas (shakes) and meend (sliding movements). It is also said to be the hardest Indian instrument to master.
RPK
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Sarinda
A sarinda is a stringed Indian folk musical instrument similar to lutes or fiddles. It is played with a bow and has three strings. The bottom part of the front of its hollow wooden soundbox is covered with animal skin. It is played while sitting on the ground in a vertical orientation.
The sarinda was invented by sikh Guru Arjan Dev
The tribes of India, e.g. Tripuris, find use of sarinda in their traditional music and dance. It is the sole accompany for a solo or group folk singer(s).
A sarinda is a stringed Indian folk musical instrument similar to lutes or fiddles. It is played with a bow and has three strings. The bottom part of the front of its hollow wooden soundbox is covered with animal skin. It is played while sitting on the ground in a vertical orientation.
The sarinda was invented by sikh Guru Arjan Dev
The tribes of India, e.g. Tripuris, find use of sarinda in their traditional music and dance. It is the sole accompany for a solo or group folk singer(s).
Nima
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Santoor
I always wanted to buy a santoor but the good quality ones in Iran are too expensive and I can't even play so...
I never knew that the stick you play the santoor w/ is also different between the Persian and Indian versions. The Indian one looks heavier (different types of music?).
here's the persian stick
btw where did santoor originate? I've heard India, Iran and China.
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Bansuri
The bansuri (Hindi: बांसुरी(Bangla: বাঁসুরী is a transverse alto flute of India, Pakistan, Bangladesh, and Nepal, made of a lone stick of bamboo with six or seven open finger holes. An ancient musical instrument associated with cowherds and the pastoral tradition, it is intimately linked to the love story of Krishna and Radha, and is depicted in Buddhist paintings from around 100 AD. It is intimately associated with Krishna's Rasa lila; the tunes on his flute are poetically associated with driving the women of Braj mad. The North Indian bansuri, typically about 14 inches, was traditionally used as a soprano instrument primarily for accompaniment in lighter compositions including film music. There are many size of bansuri from 14" to 30".
Venu
The venu (Sanskrit: वेणु; veṇu) is a bamboo transverse flute used in the Carnatic music of South India. Although it is often called Carnatic flute or simply flute in English, venu is the instrument's ancient Sanskrit name. It is also called by various other names in the languages of South India, including pullankuzhal (புல்லாங்குழல் in Tamil and also in (പുല്ലാങ്കുഴല്*) Malayalam, and ಕೊಳಲು (koLalu) in Kannada. It is known as pillana grovi (పిల్లన గ్రోవి in Telugu (Andhra Pradesh).
One of the oldest musical instruments of India, the instrument is a keyless transverse flute made of bamboo. The fingers of both hands are used to close and open the holes. It has a blowing hole near one end, and eight closely placed finger holes. The instrument comes in various sizes.
The venu is associated with the Hindu god Krishna, who is often depicted playing it. This kind of flute is mainly used in South India.
The venu is capable of producing two and half octaves with the help of overblowing and cross fingering. The flute is like the human voice in that it is monophonous and also has the two and half octaves sound reproduction. Sliding the fingers on and off the holes allows for a great degree of ornamentation, important in the performance of raga-based music.
The venu's north Indian counterpart is called bansuri.
The bansuri (Hindi: बांसुरी
;(Bangla: বাঁসুরী is a transverse alto flute of India, Pakistan, Bangladesh, and Nepal, made of a lone stick of bamboo with six or seven open finger holes. An ancient musical instrument associated with cowherds and the pastoral tradition, it is intimately linked to the love story of Krishna and Radha, and is depicted in Buddhist paintings from around 100 AD. It is intimately associated with Krishna's Rasa lila; the tunes on his flute are poetically associated with driving the women of Braj mad. The North Indian bansuri, typically about 14 inches, was traditionally used as a soprano instrument primarily for accompaniment in lighter compositions including film music. There are many size of bansuri from 14" to 30".Venu
The venu (Sanskrit: वेणु; veṇu) is a bamboo transverse flute used in the Carnatic music of South India. Although it is often called Carnatic flute or simply flute in English, venu is the instrument's ancient Sanskrit name. It is also called by various other names in the languages of South India, including pullankuzhal (புல்லாங்குழல்
in Tamil and also in (പുല്ലാങ്കുഴല്*) Malayalam, and ಕೊಳಲು (koLalu) in Kannada. It is known as pillana grovi (పిల్లన గ్రోవి in Telugu (Andhra Pradesh).One of the oldest musical instruments of India, the instrument is a keyless transverse flute made of bamboo. The fingers of both hands are used to close and open the holes. It has a blowing hole near one end, and eight closely placed finger holes. The instrument comes in various sizes.
The venu is associated with the Hindu god Krishna, who is often depicted playing it. This kind of flute is mainly used in South India.
The venu is capable of producing two and half octaves with the help of overblowing and cross fingering. The flute is like the human voice in that it is monophonous and also has the two and half octaves sound reproduction. Sliding the fingers on and off the holes allows for a great degree of ornamentation, important in the performance of raga-based music.
The venu's north Indian counterpart is called bansuri.
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