Our paintings
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《漠上》 中国画 105cm×105cm 1988年
　　在《漠上》《雪线》《墟日》等作品中，我们可以捕捉到他画笔间流露出的艺术个性的张扬。画面中蕴藏着或恬淡醇厚，或淡泊宁谧，或粗犷血性的原生态图景是对少数民族纯朴民风最具诗意、抒情的发掘与表现。
"Chinese Painting on desert 105cm × 105cm 1988 Nian
In the desert on the "snow line" Market Day "and other works, we can capture the artistic personality reveals his brush between assertive. The original ecological landscape screen bears tranquil and mellow, or indifferent serenity, or rough bloody simple folk customs of ethnic minorities most poetic lyrical excavations performance.
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晚风》 中国画 180cm×160cm 1991年
　　在众多描绘改革开放的总设计师邓小平的形象中，刘大为的《晚风》是给人印象最深的一幅作品。画家没有把这位世纪伟人塑造成一种铁腕政治家的形象，而是撷取他闲暇在庭院读报小憩的场景，以一种晚风中纯朴的诗意捕捉这位伟人的心境。纯朴的诗意，正是《晚风》塑造邓小平形象的审美意境。
Evening breeze "Chinese painting 180cm × 160cm 1991
Many depicting the reform and opening up, Deng Xiaoping, the chief architect of the image, Liu Dawei "the evening wind" is the most impressive piece of work. The painter did not molded into the this century great man is the image of an iron-fisted politicians, but to capture his free newspaper in the courtyard the rest of the scene to capture the state of mind of this great man to an evening breeze simplicity poetic. Simplicity of poetic, it is the aesthetic mood of the evening breeze "shape Deng Xiaoping's image.
《雪线》 中国画 240cm×200cm 2004年
"Snow line" of Chinese painting 240cm × 200cm 2004
《墟日》 中国画 124cm×150cm 2009年
"Market Day" Chinese painting 124cm × 150cm 2009
《工地 组图》 中国画 250cm×110cm 2009年 资料提供 / 中国美术家协会 北京大唐国瓷艺术院
　　刘大为是新时期在工笔人物画和水墨写意人物画两个领域都取得非凡成就的画家，他的《晚风》《马背上的民族》《漠上》《巴扎归来》和《雪线》不仅已成为新时期中国画的代表作，而且，他所塑造的当代人文形象已成为具有这个时代审美精神的民族形象。
　　上世纪70年代末，伴随着新时期文艺春天的到来，中国画创作从极左主义的思想禁锢中冲决出来。乡土写实美术开始让画家们摆脱公式化、概念性的创作模式，工笔人物画家从这种时代的审美思潮中反观他们曾经拥有的生活土壤，并从中获取了源源不断的创作灵感与激情。当时的许多工笔人物画，便是从这样的审美追求中对少数民族纯朴的民风予以诗意的、抒情的发掘与表现。
　　在表现内蒙古大草原的工笔人物画方面，刘大为便是其时突出的代表。刘大为的工笔人物画发掘了蕴藏在那个粗犷、血性和霸悍的民族中的一种纯朴的诗意，从而重塑了一个当代审美中的游牧民族的形象。
　　刘大为的工笔人物画不完全是工笔重彩，也不完全是工笔淡彩，而是介于重彩和淡彩之间。在形象的塑造上，偏于写实，是依据客观对象予以必要的简化和适度的夸张，甚至于在写实的形象中寻找内在结构的抽象意味。他的形象塑造具有典型的线条勾勒的工笔画语言特征，线条巧妙地隐现于轮廓与结构之中，有机地游刃于形象与色彩之间。他的渲染水色互融、淡彩慢染，并在渲染之中体现出写的笔意，从而体现了工中见写、繁中求简的艺术特色。去火、去躁、去滞、去板，而求灵、求活、求静、求雅，则一直是刘大为追求的艺术境界。
"Site Photos" Chinese painting 250cm × 110cm information / Chinese Artists Association, Beijing Datang country porcelain art hospital
Liu Dawei new era painter, his evening breeze on horseback nation "have made remarkable achievements in the two areas of brushwork figure and Ink impressionistic portraits desert on" Bazaar Returns "and" snow line "has become not only a masterpiece of Chinese painting in the new era, he shaped the contemporary human image has become a national image of the aesthetic spirit of this era.
The end of the 1970s, along with the arrival of spring in Literature and Art, Chinese paintings from the gulag of the ultra-leftist ideology tore asunder. Local realism art painters began to get rid of formulaic, the conceptual creation mode, meticulous figure painter from this era of aesthetic thought the other hand, the lives they once had soil, and derive a steady stream of inspiration and passion. Many brushwork figure is to be poetic simple folk from this aesthetic pursuit of ethnic minorities, lyrical excavations performance.
Brushwork figure performance of the grasslands of Inner Mongolia, Liu Dawei is prominent when its representatives. Liu Dawei brushwork figure to explore the potential in that rough, bloody tyrants, defended the nation in a rustic poetry, which reshaped the image of the nomads in a contemporary aesthetic.
Liu Dawei meticulous portraits incomplete color meticulous, not entirely meticulous pastel, but somewhere between re-color and pastel. The characterization are somewhat realistic, based on objective object be necessary to simplify and moderate exaggeration, even in the realistic image of looking for the internal structure of the abstract means. He's Portrayal of the the Meticulous language characteristics typical lines sketched cleverly lines have surfaced in the outline and structure, organic maneuver in between the image and the colors. Color rendering based insights, the pastel slow dyeing, and embodied in the rendering into a written document intended, and which embodies see written in the work, fan in artistic characteristics for Jane. Internal heat, to impatient, to stagnation, to board, for the sake of spiritual seeking life, seeking quiet, Elegant, Liu Dawei pursue artistic realm.
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