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On a day when Ram Mandir construction begins, Tamilians on Twitter praise Ravana

The characters he defeated supposed to be like hulk.in Hinduism you can give God any form of it allows you to discover yourself and the god.
We are toughy matha,pitha,guru deivam.
That's translated as God comes after mother ,father ,teacher and then comes God.

Nope, that is not how it goes.

Its from the Taittiriya Upanishad and it says,

Maathru Devo Bhava
Pithru Devo Bhava
Aacharya Devo Bhava
Athidhi Devo Bhava.

Honour thy Mother as God.
Honour thy Father as God.
Honour thy Teacher as God.
Honour thy Guest as God.
 
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That Copper plate IS the sangam literature you dumbass :lol:

Sri Ram chose the help from the kingdom of Kishkinta which too had a PACT with Ravan AFTER Their King Bali defeated Ravan. Ravan himselfs says so and ask's King sugreev why he is attacking since their kingdoms has a non aggression pact. :lol:

This is what happens when you don't read the Ramayan or any sangam literature and yet want to do propaganda.

Sangam literature is written in Tamizh not Indo European sanskrit.

List of sangam literature. Where is the copper plate inscription by a the dubious brahmin bhatt ?

There are strict rules to qualify as samgam literature
The litetrary work has to be vetted by a Tamil academy i.e sangam in Madurai. As per Tamil legend even Lord Siva work was rejected.

The Sangam literature consists of Tolkappiyam, Ettutogai, Pattuppattu, Pathinenkilkanakku and the two epics Silappathigaram and Manimegalai. Among these the Tolkappiyam authored by Tolkappiyar was the earliest work, provides the information on Social, Economic and political conditions of the Sangam Age along with the Tamil grammar. Ettutogai were the eight Anthologies consisting eight works. Both Ettutogai and Pattuppattu were divided into two main groups – Aham (love) and Puram (valour).

During the post-Sangam period, Pathinenkilkanakku or eighteen works dealing with ethics and morals was composed. The most important among them is Tirukkural written by Thiruvalluvar. Silappathigaram written by Elango Adigal and Manimegalai by Sittalai Sattanar also belonged to post-modern period. These provide valuable information on the Sangam polity and society. The Kalugumalai inscription helps to know about ancient Tamil scripts called Tamil Brahmi. The Tirukkovalur inscription refers to the local chieftains and the tragic end of the Tamil poets.

https://m.jagranjosh.com/general-knowledge/the-sangam-literature-1398238526-1
 
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Sangam literature is written in Tamizh not Indo European sanskrit.

List of sangam literature. Where is the copper plate inscription by a the dubious brahmin bhatt ?

There are strict rules to qualify as samgam literature
The litetrary work has to be vetted by a Tamil academy i.e sangam in Madurai. As per Tamil legend even Lord Siva work was rejected.

Movie adaption of the legend Periya puranam. Siva's poetry rejected by the sangam academy headed by Nakeeran


The Sangam literature consists of Tolkappiyam, Ettutogai, Pattuppattu, Pathinenkilkanakku and the two epics Silappathigaram and Manimegalai. Among these the Tolkappiyam authored by Tolkappiyar was the earliest work, provides the information on Social, Economic and political conditions of the Sangam Age along with the Tamil grammar. Ettutogai were the eight Anthologies consisting eight works. Both Ettutogai and Pattuppattu were divided into two main groups – Aham (love) and Puram (valour).

During the post-Sangam period, Pathinenkilkanakku or eighteen works dealing with ethics and morals was composed. The most important among them is Tirukkural written by Thiruvalluvar. Silappathigaram written by Elango Adigal and Manimegalai by Sittalai Sattanar also belonged to post-modern period. These provide valuable information on the Sangam polity and society. The Kalugumalai inscription helps to know about ancient Tamil scripts called Tamil Brahmi. The Tirukkovalur inscription refers to the local chieftains and the tragic end of the Tamil poets.

https://m.jagranjosh.com/general-knowledge/the-sangam-literature-1398238526-1

Spare me the google result for Sangam literature.

Sangam literature covers a wide range of writings that found written in that period and those include copper plates.
 
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Spare me the google result for Sangam literature.

Sangam literature covers a wide range of writings that found written in that period and those include copper plates.
There 3 sangams only 2 sangam litetature survived

2nd sangam - tolkappiyam

3rd sangam
18 Ethical works and 3 epics

18 ethical works consists
8 anthologies are as follows: akam
(1) Kuṟuntokai, 400 love poems, (2) Naṟṟiṇai, 400 love poems, (3) Akanāṉūṟu, 400 love poems, (4) Aiṅkuṟunūṟu, 500 love poems, each 100 (assigned to a different poet) dealing with one of five phases of love, (5) Kalittokai, 150 love poems in a metre called kali; and puṟam anthologies consisting of (6) Puṟanāṉūṟu, 400 poems, (7) Patiṟṟuppattu (“The Ten Tens”), 100 poems on kings (the first and last decades are missing), and (8) Paripāṭal, a collection of 70 religious poems. Paripāṭal

Eighteen Ethical Works (3rd sangam)

    • Narrinai
    • Kuruntogai
    • Ainkurunuru (composed by Gudalur Mar)
    • Padirruppattu
    • Paripadal
    • Kalittogai
    • Ahanuru (compiled by Rudrasarman)
    • Purananuru
Pattuppattu

It consists of the following works:

    • Murugatrupadai (composed by Nakkirar)
    • Sirupanarruppadai
    • Perumbanarruppadai
    • Pattinappalai
    • Maduraikkanji
    • Porunararrupadai
    • Kurinchippattu
    • Nedunalvadai
    • Malaipadukadam
    • Mullaippattu
Epics

Cilappatikāram
(“The Jewelled Anklet”) Maṇimēkalai (“The Girdle of Gems”) and including an incomplete narrative,
Peruṅkatai (“The Great Story”), the Cīvakacintāmaṇi (“The Amulet of Cīvakaṉ”) by Tiruttakkatēvar,
Cūḷāmaṇĭ (“The Crest Jewel”) by Tōlāmoḻittēvar.

https://www.britannica.com/art/South-Asian-arts/Dravidian-literature-1st-19th-century
 
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There 3 sangams but the literary of 2 sangams survived. 1st sangam works were lost

Sangam iterature only covers the 2nd sangam's tolkapiyam. And 3rd sangam's 18 ethical and epics. Attached link should be of help. Your copper plate inscription is a dubious brahmin's forgery.

Early Tamil literature (1st–10th century)

Śaṅgam literature
Early classical Tamil literature is represented by eight anthologies of lyrics, 10 long poems, and a grammar called the Tolkāppiyam (“Old Composition”). According to a fanciful Tamil tradition, this literature was produced by poets of three “academies,” or śaṅgams, that in the hoary past were centred in the southern Indian city of Madurai and supposedly lasted 4,400, 3,700, and 1,850 years, respectively. The Tolkāppiyam was ascribed to the second śaṅgam, the eight anthologies and 10 long poems to the third; according to tradition, nothing is extant from the first śaṅgam. The early literature, itself known as Saṅgam, comprises 2,381 poems, ranging from four to nearly 800 lines each and assigned to 473 poets who are known by name or epithet; about 100 poems are anonymous. Though the literature does not go back as far as native tradition would have it, it is generally ascribed to the first three centuries of the Christian Era and represents the oldest non-Sanskrit literature to be found on the South Asian subcontinent.

The eight anthologies and their contents, excluding opening invocations that were added later, are as follows: akam anthologies consisting of (1) Kuṟuntokai, 400 love poems, (2) Naṟṟiṇai, 400 love poems, (3) Akanāṉūṟu, 400 love poems, (4) Aiṅkuṟunūṟu, 500 love poems, each 100 (assigned to a different poet) dealing with one of five phases of love, (5) Kalittokai, 150 love poems in a metre called kali; and puṟam anthologies consisting of (6) Puṟanāṉūṟu, 400 poems, (7) Patiṟṟuppattu (“The Ten Tens”), 100 poems on kings (the first and last decades are missing), and (8) Paripāṭal, a collection of 70 religious poems. Paripāṭal and Kalittokai appear to be the latest of the anthologies; Kuṟuntokai and Puṟanāṉūṟu probably contain the earliest compositions. The remarkable work of grammar and rhetoric, Tolkāppiyam, is the crucial text for an understanding of early Tamil language and literature. Divided into three sections (each consisting of cūttirams, or aphorisms)—sounds, words, and meaning—the Tolkāppiyam details, in the third, the canons of Śaṅgam poetic traditions.

Eighteen Ethical Works (3rd sangam)

    • Narrinai
    • Kuruntogai
    • Ainkurunuru (composed by Gudalur Mar)
    • Padirruppattu
    • Paripadal
    • Kalittogai
    • Ahanuru (compiled by Rudrasarman)
    • Purananuru
Pattuppattu

It consists of the following works:

    • Murugatrupadai (composed by Nakkirar)
    • Sirupanarruppadai
    • Perumbanarruppadai
    • Pattinappalai
    • Maduraikkanji
    • Porunararrupadai
    • Kurinchippattu
    • Nedunalvadai
    • Malaipadukadam
    • Mullaippattu
Epics

Cilappatikāram
(“The Jewelled Anklet”) Maṇimēkalai (“The Girdle of Gems”) and including an incomplete narrative,
Peruṅkatai (“The Great Story”), the Cīvakacintāmaṇi (“The Amulet of Cīvakaṉ”) by Tiruttakkatēvar, and Cūḷāmaṇĭ (“The Crest Jewel”) by Tōlāmoḻittēvar.

https://www.britannica.com/art/South-Asian-arts/Dravidian-literature-1st-19th-century

Most sangam literature are by "dubious brahimis" :lol:

They talk extensively about vedic rituals and practices and deities.

Here is another "fake" copper plate evidence from Tamil Nadu written in SANSKRIT :cheesy:

Tiruvalangadu copper plates issued by emperor Rajendra Chola (1012-1044 A.D., regnal years) on October 28, 2009, after a gap of 50 years. They were a set of 31 copper plates, the ends of which were secured by a big, circular copper seal with the royal emblem of the Chola dynasty. The legend around the emblem proclaimed in Sanskrit, “Hail, Prosperity! This is Parakesarivarman Rajendra Chola's edict to be borne on the glittering jewels of the row of royal diadems.”

25FRCOPPER1_PLATES


https://www.thehindu.com/features/f...les-of-the-past-in-copper/article16855402.ece
 
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1 headed Scientist president.

apj-kalam_1531982397.jpeg


1. About the Ram sethu (Bridge)

https://www.hindustantimes.com/scie...ttle-debate/story-iFDzQ0S7TEYlqrYQYma2hL.html

“The sand bar may be natural but what is sitting on top of it is not,” says the narrator in the promo, pointing out that the rocks are 7,000 years old and the sand bar is only 4,000 years old.

“The rocks on top of the sand actually predate the sand, so there is more to this story,” said Chelsea Rose, historical archaeologist and adjunct faculty member at Southern Oregon University.


2. The Floating stones and Rocks of Ram Sethu



3. In Ramayana, God Varuna promises Sri Rama that his rocks will hold up and will not sink.

Gravity Map of Earth shows that Gravity is Lowest over that spot.

f55a227dcf7624d0320f943885ffdb46.jpg



There are more things in heaven and Earth, Than are dreamt of in your philosophy [science]. (Shakespeare)

Hindu Mythology
 
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Most sangam literature are by "dubious brahimis" :lol:

They talk extensively about vedic rituals and practices and deities.

Here is another "fake" copper plate evidence from Tamil Nadu written in SANSKRIT :cheesy:

Tiruvalangadu copper plates issued by emperor Rajendra Chola (1012-1044 A.D., regnal years) on October 28, 2009, after a gap of 50 years. They were a set of 31 copper plates, the ends of which were secured by a big, circular copper seal with the royal emblem of the Chola dynasty. The legend around the emblem proclaimed in Sanskrit, “Hail, Prosperity! This is Parakesarivarman Rajendra Chola's edict to be borne on the glittering jewels of the row of royal diadems.”

25FRCOPPER1_PLATES


https://www.thehindu.com/features/f...les-of-the-past-in-copper/article16855402.ece

You were trying to pass of a dubious brahmin forgery as sangam literature.

Why are sanghis developing fetish for chola and pandya copper plate ?
 
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Lol what kind of fakery is this? Tamil Dravidian doesn't automatically mean he will have a dark skin color. I'm not gonna engage in your bull shit historic revisionism. To make things simple for fake Tamils there's a clear distinction between Aryas and white since Vedic times which clearly calls them Yavanas so if Aryans are not Yavanas then how can Aryans be whites.

Fact is Dravidian Tamils are/were black skinned, hated by Aryans and their vedic god Indra, who rampage killing and destroying them

rig veda 7:5:3
3 For fear of thee forth fled the dark-hued races, scattered abroad, deserting their possessions,
When, glowing, O Vaiśvānara, for Pūru, thou Agni didst light up and rend their castles.

5 O'er Sire and Mother they have roared in unison bright with the verse of praise, burning up riteless men,
Blowing away with supernatural might from earth and from the heavens the swarthy skin which Indra hates.

rams family tree
th


Bḥagavatam Canto 9 TEXTS 2–3

yo ’sau satyavrato nāma
rājarṣir draviḍeśvaraḥ

jñānaṁ yo ’tīta-kalpānte
lebhe puruṣa-sevayā

sa vai vivasvataḥ putro
manur āsīd iti śrutam
tvattas tasya sutāḥ proktā
ikṣvāku-pramukhā nṛpāḥ

Satyavrata, the saintly king of Draviḍadeśa who received spiritual knowledge at the end of the last millennium by the grace of the Supreme, later became Vaivasvata Manu, the son of Vivasvān, in the next manvantara [period of Manu]. I have received this knowledge from you. I also understand that such kings as Ikṣvāku were his sons, as you have already explained.


https://prabhupadabooks.com/sb/9/1/2-3?d=1

Rama ancestors Vaivasvata Manu (tḥe progenitor of ḥuman race) and Ikshvaku (Manus son) were Dravidian /Tamil from Tamil sunken continent - Kumari kandam

f6b2d-kumarikandam.jpg


proven from ḥindu vedic sources - ram is a black skinned Dravidian Tamil

Matsya Purana
https://archive.org/stream/in.ernet.dli.2015.68949/2015.68949.The-Matsya-Purana_djvu.txt

Bḥagavatam - Matsya, the Lord’s Fish Incarnation
https://prabhupadabooks.com/sb/8/24?d=1

irony ḥindus building a Temple for a Tamil king
 
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The only thing sad is that there is skin colour discrimination even at level of Gods.

Fact is Dravidian Tamils are/were black skinned, hated by Aryans and their vedic god Indra, who rampage killing and destroying them

rig veda 7:5:3
3 For fear of thee forth fled the dark-hued races, scattered abroad, deserting their possessions,
When, glowing, O Vaiśvānara, for Pūru, thou Agni didst light up and rend their castles.

5 O'er Sire and Mother they have roared in unison bright with the verse of praise, burning up riteless men,
Blowing away with supernatural might from earth and from the heavens the swarthy skin which Indra hates.

rams family tree
th


Bḥagavatam Canto 9 TEXTS 2–3

yo ’sau satyavrato nāma
rājarṣir draviḍeśvaraḥ

jñānaṁ yo ’tīta-kalpānte
lebhe puruṣa-sevayā

sa vai vivasvataḥ putro
manur āsīd iti śrutam
tvattas tasya sutāḥ proktā
ikṣvāku-pramukhā nṛpāḥ

Satyavrata, the saintly king of Draviḍadeśa who received spiritual knowledge at the end of the last millennium by the grace of the Supreme, later became Vaivasvata Manu, the son of Vivasvān, in the next manvantara [period of Manu]. I have received this knowledge from you. I also understand that such kings as Ikṣvāku were his sons, as you have already explained.


https://prabhupadabooks.com/sb/9/1/2-3?d=1

Rama ancestors Vaivasvata Manu (tḥe progenitor of ḥuman race) and Ikshvaku (Manus son) were Dravidian /Tamil from Tamil sunken continent - Kumari kandam

f6b2d-kumarikandam.jpg


proven from ḥindu vedic sources - ram is a black skinned Dravidian Tamil

Matsya Purana
https://archive.org/stream/in.ernet.dli.2015.68949/2015.68949.The-Matsya-Purana_djvu.txt

Bḥagavatam - Matsya, the Lord’s Fish Incarnation
https://prabhupadabooks.com/sb/8/24?d=1

irony ḥindus building a Temple for a Tamil king
 
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