HONG KONG — David Tse recalls being overcome with pride as he walked out of a British movie theater after watching “
Shang-Chi and the Legend of the Ten Rings,” Marvel’s latest superhero film.
“Our community has finally arrived in the West,” the British Chinese actor and writer said via telephone from Birmingham. “Every Chinese person around the world should be immensely proud of Shang-Chi.”
The film,
Marvel’s first with a predominantly Asian cast, has been a hit with global audiences, earning more at U.S. theaters than any other movie during the pandemic and grossing more than $366 million worldwide since its release early last month.
But despite its box office success and the overwhelmingly positive reaction by Asian communities worldwide, it isn’t playing on a single screen in mainland China, which last year overtook North America as the
world’s biggest movie market. It’s the latest film to run into trouble in the country amid rising nationalism and
U.S.-China tensions.
From the beginning, “Shang-Chi” was made with
China in mind. Much of the film’s dialogue is in Mandarin, and the cast includes some of Asian cinema’s biggest names, including Michelle Yeoh and the Hong Kong superstar Tony Leung, making his Hollywood film debut.
Simu Liu, a Chinese-born Canadian actor who also starred in the Netflix sitcom
“Kim’s Convenience,”plays Shang-Chi, a reluctant martial arts warrior forced to confront his father. The film has been widely praised as a major step forward as Hollywood tries to improve representation of Asians and
Asian Americans.
“Finally we see a strong character that isn’t stereotyped the way we have been for generations,” Tse said. “Our young people are desperate for more of them.”
“Shang-Chi” has not received the same welcome in China, where films are strictly censored and the number of foreign releases each year is limited. That has not stopped Marvel in the past -- in 2019, “Avengers: Endgame” earned $629 million from mainland Chinese audiences, more than any other foreign film in history.
Officials have not said why “Shang-Chi” has no release date, and the propaganda department of China’s ruling
Communist Party, which regulates the country’s film and TV industry, did not respond to a request for comment.
Experts point to the deterioration of U.S.-China relations, rising Chinese nationalism and the character’s racist comic book past.
Marvel debuted the Shang-Chi character in 1973 amid growing American interest in martial arts movies. The early Shang-Chi comics were rife with stereotypes about Asians, the characters portrayed in unnatural yellow tones. Shang-Chi’s father, a power-hungry villain named Fu Manchu, has been criticized as a symbol of “yellow peril,” a xenophobic ideology originating in the 19th century in which Asians, especially Chinese, were viewed as a threat to Western existence.
Marvel Studios President Kevin Feige has emphasized that Fu Manchu is no longer a character in Marvel comics and that Shang-Chi’s father in the film, played by Leung, is a completely different character named Xu Wenwu. But for some the connection persists.
“Chinese audiences cannot accept a prejudiced character from 100 years ago is still appearing in a new Marvel film,” the Beijing-based film critic Shi Wenxue
told the Global Times, a state-backed nationalist tabloid.
Liu, 32, who immigrated to Canada with his parents in the 1990s, has also drawn public ire over past comments critical of his birth country.
In a 2016
Twitter post, he described Chinese government censorship as “really immature and out of touch.”
The following year, in an interview with the Canadian Broadcasting Corp. that has since been taken down, Liu described China as a “third world” country where people were “dying of starvation” at the time he and his parents left. A screenshot of his comments has circulated on Weibo, a popular social networking platform in China, with one user commenting: “Then why does he play a Chinese character?”
Michael Berry, director of the UCLA Center for Chinese Studies, said Liu’s comments had been “taken out of context and politicized.”
“Once a cyberattack is waged against a film or individual in China, there are usually a series of talking points that are manufactured and then leveraged to take advantage of rising nationalist sentiment,” he told NBC News.
The anger over Liu’s comments echoes an earlier episode involving
Chloé Zhao, the Beijing-born director of “Nomadland,” who made history this year when she became the first woman of color to win the Oscar for best director.
“Nomadland” had been slated for a limited mainland release, but then a 2013 interview with Filmmaker magazine resurfaced in which Zhao described China as “a place where there are lies everywhere.” She was targeted by online commenters accusing her of smearing the nation, and the film was never shown.
“Eternals,” an upcoming Marvel film directed by Zhao, could also be denied a release date in mainland China.
Berry called the treatment of Liu and Zhao a “great tragedy,” describing them as China’s “best hope for better cross-cultural understanding between China and the West.”
Many moviegoers elsewhere in the region have celebrated “Shang-Chi” for promoting that understanding.
Adrian Hong, 22, a student who has seen the film twice in Hong Kong, which has its own film regulator, said it spoke volumes about the “beauty and grace of Chinese culture.”
“The beauty of martial art, the concept of yin and yang, the incredible mythical creatures, all add to the film,” he said.
Some commenters on Weibo have also questioned the mainland government’s apparent decision against showing the film.
“Why do some people say Shang-Chi offends China?” one user asked. “The movie doesn’t offend China, but promotes traditional Chinese culture instead.”
For Tse, the actor and writer, “Shang-Chi” is all the more important because of the rampant anti-Asian racism, discrimination and violence unleashed by the coronavirus pandemic.
“This is a pushback for all the Asian hate crimes against us. It’s an answer to all the bigots who have been against us for decades,” he said. “Shang-Chi is us reclaiming our culture. It says globally, culturally, this is a new tide of history.”
https://www.nbcnews.com/news/amp/ncna1280571
