django
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Nilgiri
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ghazi52
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Coveted designer Sahar Atif brings forward the authentic essence of artisans from the remote regions of Pakistan. After having graduated from the first batch of Pakistan Institute of Fashion and Design, as well as acquiring an Executive MBA degree from LUMS, she has accumulated vast knowledge and experience in fashion and design. We talk one on one with Sahar as she tells us all about her journey, the struggles she faced and her opinion on the fast paced changes that the fashion industry is accustomed to
What sparked your interest in fashion?
To put it simply- I never chose fashion, fashion chose me! A rejection from NCA in 1994 left me with limited options. I happened to stumble upon the Pakistan School of Fashion and Design (now PIFD) as part of its premier batch.
What sparked your interest in fashion?
To put it simply- I never chose fashion, fashion chose me! A rejection from NCA in 1994 left me with limited options. I happened to stumble upon the Pakistan School of Fashion and Design (now PIFD) as part of its premier batch.
Zibago
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Power dressing in Pakistan: how fashion became a battleground
The renaissance of Pakistani fashion is a sign of women’s growing independence, and has fuelled the religious right’s ire
Alia Waheed
@AliaWaheed
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Sat 24 Nov 2018 16.00 GMTLast modified on Sat 24 Nov 2018 22.54 GMT
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The Pakistani designer Wardha Saleem’s collection at a show in Karachi in September. Photograph: Rizwan Tabassum/AFP/Getty Images
In the luxurious surroundings of a top hotel, a parade of glamorous, impossibly slim women walk with gazelle-like grace down the catwalk. Bare midriffs and legs are proudly displayed in intricately embroidered golden fabrics, and there isn’t a veil in sight. This is Pakistan Fashion Week, the jewel in the country’s haute couture crown and an unrivalled glimpse into a creative industry that has surged in recent years. There’s just one thing that’s not quite as you might expect: Pakistan Fashion Week is not in Karachi or Islamabad but in London.
“The religious identity that is given to our country to some extent precedes the cultural identity. Many things that are beautiful in our culture are often suppressed and not prominent to their full extent at times,” says the fashion designer Fahad Hussayn. “There is a clash between the religious right and the cosmopolitan youth.” In Pakistan itself, the location of fashion shows is rarely publicised in advance and they are subject to strict security measures, meaning that they tend to be held in Europe and Dubai.
The industry has become a battleground between the religious right, desperate to maintain its influence, and the growing strength of young people, particularly the burgeoning middle classes, with women at the forefront of the battle for Pakistan’s cultural identity.
“It’s sad to see the kind of image that Pakistan has in the west. It’s a country that’s full of art, music and creativity and there are lots of talented people here that nobody gets to hear about.
“All we hear about is the political turmoil and the religious issues. Everyone thinks it’s all bombs and burqas,” says Adnan Ansari, the celebrity make-up artist and fashion entrepreneur who eight years ago set up Pakistan Fashion Week (in fact just a weekend, held at the London Hilton on Park Lane).
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The pop star Zayn Malik with the model Gigi Hadid who is wearing a pakistani outfit. Photograph: @waliyha.azad/Instagram
“People think the women are very oppressed, but we have a very strong cultural identity which is represented by our clothes. It’s not so much about projecting a positive image, but more a case of projecting a real image of what we are.”
The renaissance of Pakistani fashion in the past five years has been the result of a seismic cultural shift where women are becoming more educated and independent with increased access to opportunities in the work place, and many are expressing their new-found socio-cultural freedom and economic power through fashion. Much of this has been fuelled by the boom in social media – to the chagrin of the religious conservatives who feel they are being influenced more by the Kardashians than the Qur’an.
Fashion accounts for nearly 20% of the country’s exports, and with social media influencers hungry for the next big thing western stars are looking east for inspiration: the supermodel Gigi Hadid hit the headlines in August when she posted a picture of herself on Instagram wearing a traditional Pakistani outfit from the brand Almirah.
“Young women in Pakistan are more educated, well-travelled and independent than ever before,” says Ansari. “Middle-class women are very career-orientated and their spending power is very strong. They are very influenced by western media like Netflix and what they see online.” The liberal attitude has filtered from the catwalk into colleges via Instagram with many young women choosing to forgo the traditional Pakistani shalwar kameez consisting of tunic and loose trousers for jeans and western styles. Consequently the fashion industry has attracted the ire of the increasingly vocal religious conservatives who see this cultural shift as a threat to their authority.
“Fashion is criticised in our part of the world, where some parts of society are more conservative,” says the designer, Asim Jofa, who is considered the Pakistani equivalent of Gianni Versace, thanks to his regal and geometric embroidery. “Society is becoming more liberal and women are driving this. This change is reflected in our fashion, but it is going to be contentious for some conservatives because it shows their power is waning.”
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A creation by Wardha Saleem in Karachi. Photograph: Rizwan Tabassum/AFP/Getty Images
Sometimes the clash in visions proves more than just contentious. Qandeel Baloch, a model who was regularly targeted for her controversial fashion choices, was murdered by her brother in 2016. Her death came after she revealed that she had a flirtatious meeting with a cleric.
“People want change to come because the religious extremists don’t allow you to feel safe. It is very scary and painful and there is a real divide. Everyone is sick of it,” says the model, Hira Shah, 25. “Pakistan is changing a lot though and if we are going to change mindsets, we have to be strong.”
The trend towards more cosmopolitan fashion is part of a cycle. “Pakistani fashion was very liberal in the 60s and early 70s, but there was a real crackdown on women under General Zia, who stamped a very Islamic-focused identity on Pakistan. Women’s bodies were policed through sharia law and through the media. This started to change in the 90s, but even today there is still the tension between the religious conservatives and the image of women,” said Amina Yaqin, a senior lecturer in post-colonial studies at SOAS.
“The tension you see now is that women are taking a stance and want the freedom to wear what they want, but it is not freely available to all women because of a complex network of systems such as class, economic mobility and honour issues.
“The new generation from the middle classes are fed up and don’t want to be restricted, and as they become more visible it starts to matter to them. The question is whether this power is real or just being offered for consumption by the fashion industry.”
We have some news …
… three years ago, we knew we had to try to make The Guardian sustainable by deepening our relationship with our readers. The revenues from our newspaper had diminished and the technologies that connected us with a global audience had moved advertising money away from news organisations. We knew we needed to find a way to keep our journalism open and accessible to everyone, regardless of where they live or what they can afford.
And so, we have an update for you on some good news. Thanks to all the readers who have supported our independent, investigative journalism through contributions, membership or subscriptions, we are starting to overcome the urgent financial situation we were faced with. Today we have been supported by more than a million readers around the world. Our future is starting to look brighter. But we have to maintain and build on that level of support for every year to come, which means we still need to ask for your help.
Ongoing financial support from our readers means we can continue pursuing difficult stories in the challenging times we are living through, when factual reporting has never been more critical. The Guardian is editorially independent – our journalism is free from commercial bias and not influenced by billionaire owners, politicians or shareholders. This is important because it enables us to challenge the powerful and hold them to account. With your support, we can continue bringing The Guardian’s independent journalism to the world.
If everyone who reads our reporting,
The renaissance of Pakistani fashion is a sign of women’s growing independence, and has fuelled the religious right’s ire
Alia Waheed
@AliaWaheed
Sat 24 Nov 2018 16.00 GMTLast modified on Sat 24 Nov 2018 22.54 GMT
Shares
367
The Pakistani designer Wardha Saleem’s collection at a show in Karachi in September. Photograph: Rizwan Tabassum/AFP/Getty Images
In the luxurious surroundings of a top hotel, a parade of glamorous, impossibly slim women walk with gazelle-like grace down the catwalk. Bare midriffs and legs are proudly displayed in intricately embroidered golden fabrics, and there isn’t a veil in sight. This is Pakistan Fashion Week, the jewel in the country’s haute couture crown and an unrivalled glimpse into a creative industry that has surged in recent years. There’s just one thing that’s not quite as you might expect: Pakistan Fashion Week is not in Karachi or Islamabad but in London.
“The religious identity that is given to our country to some extent precedes the cultural identity. Many things that are beautiful in our culture are often suppressed and not prominent to their full extent at times,” says the fashion designer Fahad Hussayn. “There is a clash between the religious right and the cosmopolitan youth.” In Pakistan itself, the location of fashion shows is rarely publicised in advance and they are subject to strict security measures, meaning that they tend to be held in Europe and Dubai.
The industry has become a battleground between the religious right, desperate to maintain its influence, and the growing strength of young people, particularly the burgeoning middle classes, with women at the forefront of the battle for Pakistan’s cultural identity.
“It’s sad to see the kind of image that Pakistan has in the west. It’s a country that’s full of art, music and creativity and there are lots of talented people here that nobody gets to hear about.
“All we hear about is the political turmoil and the religious issues. Everyone thinks it’s all bombs and burqas,” says Adnan Ansari, the celebrity make-up artist and fashion entrepreneur who eight years ago set up Pakistan Fashion Week (in fact just a weekend, held at the London Hilton on Park Lane).
FacebookTwitterPinterest
The pop star Zayn Malik with the model Gigi Hadid who is wearing a pakistani outfit. Photograph: @waliyha.azad/Instagram
“People think the women are very oppressed, but we have a very strong cultural identity which is represented by our clothes. It’s not so much about projecting a positive image, but more a case of projecting a real image of what we are.”
The renaissance of Pakistani fashion in the past five years has been the result of a seismic cultural shift where women are becoming more educated and independent with increased access to opportunities in the work place, and many are expressing their new-found socio-cultural freedom and economic power through fashion. Much of this has been fuelled by the boom in social media – to the chagrin of the religious conservatives who feel they are being influenced more by the Kardashians than the Qur’an.
Fashion accounts for nearly 20% of the country’s exports, and with social media influencers hungry for the next big thing western stars are looking east for inspiration: the supermodel Gigi Hadid hit the headlines in August when she posted a picture of herself on Instagram wearing a traditional Pakistani outfit from the brand Almirah.
“Young women in Pakistan are more educated, well-travelled and independent than ever before,” says Ansari. “Middle-class women are very career-orientated and their spending power is very strong. They are very influenced by western media like Netflix and what they see online.” The liberal attitude has filtered from the catwalk into colleges via Instagram with many young women choosing to forgo the traditional Pakistani shalwar kameez consisting of tunic and loose trousers for jeans and western styles. Consequently the fashion industry has attracted the ire of the increasingly vocal religious conservatives who see this cultural shift as a threat to their authority.
“Fashion is criticised in our part of the world, where some parts of society are more conservative,” says the designer, Asim Jofa, who is considered the Pakistani equivalent of Gianni Versace, thanks to his regal and geometric embroidery. “Society is becoming more liberal and women are driving this. This change is reflected in our fashion, but it is going to be contentious for some conservatives because it shows their power is waning.”
FacebookTwitterPinterest
A creation by Wardha Saleem in Karachi. Photograph: Rizwan Tabassum/AFP/Getty Images
Sometimes the clash in visions proves more than just contentious. Qandeel Baloch, a model who was regularly targeted for her controversial fashion choices, was murdered by her brother in 2016. Her death came after she revealed that she had a flirtatious meeting with a cleric.
“People want change to come because the religious extremists don’t allow you to feel safe. It is very scary and painful and there is a real divide. Everyone is sick of it,” says the model, Hira Shah, 25. “Pakistan is changing a lot though and if we are going to change mindsets, we have to be strong.”
The trend towards more cosmopolitan fashion is part of a cycle. “Pakistani fashion was very liberal in the 60s and early 70s, but there was a real crackdown on women under General Zia, who stamped a very Islamic-focused identity on Pakistan. Women’s bodies were policed through sharia law and through the media. This started to change in the 90s, but even today there is still the tension between the religious conservatives and the image of women,” said Amina Yaqin, a senior lecturer in post-colonial studies at SOAS.
“The tension you see now is that women are taking a stance and want the freedom to wear what they want, but it is not freely available to all women because of a complex network of systems such as class, economic mobility and honour issues.
“The new generation from the middle classes are fed up and don’t want to be restricted, and as they become more visible it starts to matter to them. The question is whether this power is real or just being offered for consumption by the fashion industry.”
We have some news …
… three years ago, we knew we had to try to make The Guardian sustainable by deepening our relationship with our readers. The revenues from our newspaper had diminished and the technologies that connected us with a global audience had moved advertising money away from news organisations. We knew we needed to find a way to keep our journalism open and accessible to everyone, regardless of where they live or what they can afford.
And so, we have an update for you on some good news. Thanks to all the readers who have supported our independent, investigative journalism through contributions, membership or subscriptions, we are starting to overcome the urgent financial situation we were faced with. Today we have been supported by more than a million readers around the world. Our future is starting to look brighter. But we have to maintain and build on that level of support for every year to come, which means we still need to ask for your help.
Ongoing financial support from our readers means we can continue pursuing difficult stories in the challenging times we are living through, when factual reporting has never been more critical. The Guardian is editorially independent – our journalism is free from commercial bias and not influenced by billionaire owners, politicians or shareholders. This is important because it enables us to challenge the powerful and hold them to account. With your support, we can continue bringing The Guardian’s independent journalism to the world.
If everyone who reads our reporting,
ghazi52
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Bareeze Man introduces custom tailoring in Lahore
Bareeze man has been offering exceptional services, bringing forth the best and most comfortable materials and silhouettes. The brand has introduced ‘Made to Measure’ services of custom tailoring for both men and women. These bespoke creations feature a variety of silhouettes, fabrics and accessories. Visit their new flagship store in Y-Block DHA, Lahore to avail the special tailoring services!
Bareeze man has been offering exceptional services, bringing forth the best and most comfortable materials and silhouettes. The brand has introduced ‘Made to Measure’ services of custom tailoring for both men and women. These bespoke creations feature a variety of silhouettes, fabrics and accessories. Visit their new flagship store in Y-Block DHA, Lahore to avail the special tailoring services!
Nilgiri
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Bareeze Man introduces custom tailoring in Lahore
Bareeze man has been offering exceptional services, bringing forth the best and most comfortable materials and silhouettes. The brand has introduced ‘Made to Measure’ services of custom tailoring for both men and women. These bespoke creations feature a variety of silhouettes, fabrics and accessories. Visit their new flagship store in Y-Block DHA, Lahore to avail the special tailoring services!
For the sirs like @django
jamahir
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Thank you. I try to make myself presentable.
By the way, the chap in @ghazi52 's post looks like the one in your profile-pic. Who is in your profile-pic ??
Zibago, in the bottom right panel, is it one of your favorites,Sunita Marshall ??
Zibago
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she sure is and god dammit she still got itThank you. I try to make myself presentable.
By the way, the chap in @ghazi52 's post looks like the one in your profile-pic. Who is in your profile-pic ??
Zibago, in the bottom right panel, is it one of your favorites,Sunita Marshall ??
django
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Franco Nero AKA Django.Kudos bhai
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