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IT company to promote Chinese TV programs overseas
By He Shan




Spreading its wings

The move came as a surprise as Pactera made its name as an IT company who helped Microsoft and IBM succeed in the Chinese market by adapting their software to the Chinese language more than a decade ago.

"Little known to most people, Pactera has one of the largest translation teams in China, but mostly in the field of IT translation," said Lin.

By taking advantage of its translation team, Pactera has entered into a partnership with a private Chinese company in a deal involving the translation of Chinese TV programs into English, including those based on China's Four Great Classical Novels.

Looking into the huge opportunities brought by the "Belt and Road" initiative, Pactera has planned to shift its focus to the Chinese market as it pins its hopes on the media industry.

Translating Chinese TV programs into a foreign language and bringing them to an overseas audience is the first step of the company's ambitious plan to build a cross-border and multilingual cultural exchange platform aimed at helping import foreign cultural products break into the Chinese market and also sell Chinese cultural products overseas.

Chinese company StarTimes is a poster child for bringing Chinese TV programs to Africa and also the mastermind behind the huge popularity of the Chinese television series "The Beautiful Daughter-in-Law Era" in Tanzania.

Lin said such a push is very important for the promotion of Chinese culture.

Translation makes things happen

Commenting on the China-proposed "Belt and Road" initiative, Lin advised Chinese companies looking to penetrate the market of the country along the Belt and Road to understand the country's culture and needs before selling goods and providing services.

"Knowing the local culture and customs is a very crucial factor for Chinese companies to be able to succeed in overseas markets," he said. "Translation is the name of the game in Chinese companies' push to go global."

"Translation is not a one-off service, but rather is a key link that greases the wheels of trade and exchange along the Belt and Road," he added.

This company should be involved with translating subtitles for translating Chinese movies with the proper English phrases. I'm all for that. I'm sick of Kung fu movies with this type of translation:

"My kung Fu is strong"
 
This company should be involved with translating subtitles for translating Chinese movies with the proper English phrases. I'm all for that. I'm sick of Kung fu movies with this type of translation:

"My kung Fu is strong"

LOL. I am sure they will provide professional translation. Here LS Time airs old HK movies (all come with subtitle for some reason even if it is not Cantonese) and subtitles are hilarious.
 
It's time this is repatriated back to China.

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Lawsuit to repatriate Chinese Buddhist mummy starts in the Netherlands
2016-06-16 09:03 | Xinhua | Editor: Gu Liping

U472P886T1D214506F12DT20160616090403.jpg

A CT scan shows a body, whose internal organs were removed, concealed in an ancient Chinese statue of a Buddha. (Photos provided by the Drents Museum)

A lawsuit has been filed in the Netherlands for the repatriation of a 1000-year-old Buddhist mummy stolen from Yangchun village in China's southeast province of Fujian.

It is believed to be in possession of Dutch national Oscar van Overeem, Dutch lawyer Jan Holthuis who represents the Chinese villagers in Dutch court proceedings told Xinhua.

The villagers told an Amsterdam court on June 8 that the Dutch collector did not acquire the statue in good faith and has no right to own the human remains of an identifiable person under Dutch law.

The Dutch collector lent the Buddha statue with a mummified monk inside for an exhibition in Hungary at the end of 2014. Chinese villagers who saw the reports of the exhibition in March 2015 believed that the statue is "Zhanggong Patriarch" stolen from their temple and wanted it repatriated.

The villagers appointed a group of Chinese lawyers and a Dutch lawyer to start legal proceedings both in China and in the Netherlands. Holthuis International Lawyers is "dominus litis" or master in the Dutch court proceedings.

GOOD FAITH IN QUESTION

Jan Holthuis, managing partner of the Dutch law firm, said: "Van Overeem should have exercised a higher level of due diligence at the time of acquisition to check whether the object was illegally traded. Van Overeem also said the statue was traded through Hong Kong, known for illegal trade of this kind of Buddha statues at that time. We know that he bought the statue from another Dutch trader in Asian art, who was also an informed person."

In a statement sent to media after the statue was withdrawn from the exhibition in Hungary, a spokesperson of the Dutch collector said "the owner of the mummy has been collecting Chinese art for almost three decades" and "the owner bought the sculpture in the Netherlands from a fellow collector who, at that time, was sharing his professional time between Hong Kong and Amsterdam and who was well acquainted with the local Hong Kong art scene."

"In late 1995 in Amsterdam, the current owner noticed the statue first in the fellow collector's collection and by mid 1996 agreed to acquire it. The previous owner shipped the statue from his Hong Kong studio to his Amsterdam residence while he, in turn, in the winter of 1994-1995 acquired the statue from a Chinese art friend in Hong Kong," according to the statement.

Under the Dutch Civil Code, the possessor must observe the necessary diligence (prudence) at the acquisition of ancient cultural objects. Holthuis said "in professional art trading circles it is known that this kind of old statue could never have been exported out of China without a permit. A professional buyer should have asked for provenance documents and export permit. Apparently, Van Overeem did not."

HUMAN REMAINS INSIDE STATUE

Holthuis said the Buddhist statue carries the human remains of an identifiable person, who is 1,000 years old.

"The statue is a casket around the human remains of a person, and the Buddha statue is so much entangled with the corpse that one cannot be separated from the other. Eventually the leading part in this case is not the Buddhist art, but the human remains of the person that is in there," said Holthuis.

"According to the Dutch Burial and Cremation Act of 1991 and the interpretation of our Minister of Justice at that time, nobody can own a corpse. Nobody can therefore own this statue even if it is acquired in good faith. According to Dutch law, the family can claim the statue back. If the family cannot, then the caretaker can," he added.

The Chinese villagers have hundred years old genealogy records that refer to the origin of Zhanggong Patriarch by its full Chinese name, and the records show that it has been worshipped at Puzhao temple in Yangchun village from the Song dynasty (960-1279) to the Yuan dynasty (1279-1368). The Chinese characters on these documents are consistent with those on the praying mat stolen along with the statue.

"This genealogy is the interesting and unique thing in this case that proves Zhang Gong was related to the village temple and the villagers have been looking after their statue for a very long time. A link can be made between the village clan and this statue, and with the fact that the villagers have always worshiped this statue, they have the legal interest to claim back this statue," argued Holthuis.

WHAT NEXT?

"We sued three parties, Oscar van Overeem and his two companies registered at the same address, because we do not know whether he bought it through his company or privately," said Holthuis.

After the statement of claims is filed in court, the defendant normally has six weeks to prepare his statement of defense. He can ask an extension of another six weeks, and then again another extension with the approval of the other party.

The court might set a hearing and see whether they need additional information or whether they can already, after the hearing, take a decision. Another round of statements is still possible before the judge takes any decision and both parties can appeal.

"In Dutch legal proceedings, the judge lets the parties make arguments and eventually takes a decision on that basis although he can ask questions during the hearing and decide that one party shall give specific evidence," Holthuis said.

"The villagers deserve that we do our very best and we hope Master Zhang Gong can return to his usual resting place," he said.
 
It's time this is repatriated back to China.

--------
Lawsuit to repatriate Chinese Buddhist mummy starts in the Netherlands
2016-06-16 09:03 | Xinhua | Editor: Gu Liping

View attachment 310866
A CT scan shows a body, whose internal organs were removed, concealed in an ancient Chinese statue of a Buddha. (Photos provided by the Drents Museum)

A lawsuit has been filed in the Netherlands for the repatriation of a 1000-year-old Buddhist mummy stolen from Yangchun village in China's southeast province of Fujian.

It is believed to be in possession of Dutch national Oscar van Overeem, Dutch lawyer Jan Holthuis who represents the Chinese villagers in Dutch court proceedings told Xinhua.

The villagers told an Amsterdam court on June 8 that the Dutch collector did not acquire the statue in good faith and has no right to own the human remains of an identifiable person under Dutch law.

The Dutch collector lent the Buddha statue with a mummified monk inside for an exhibition in Hungary at the end of 2014. Chinese villagers who saw the reports of the exhibition in March 2015 believed that the statue is "Zhanggong Patriarch" stolen from their temple and wanted it repatriated.

The villagers appointed a group of Chinese lawyers and a Dutch lawyer to start legal proceedings both in China and in the Netherlands. Holthuis International Lawyers is "dominus litis" or master in the Dutch court proceedings.

GOOD FAITH IN QUESTION

Jan Holthuis, managing partner of the Dutch law firm, said: "Van Overeem should have exercised a higher level of due diligence at the time of acquisition to check whether the object was illegally traded. Van Overeem also said the statue was traded through Hong Kong, known for illegal trade of this kind of Buddha statues at that time. We know that he bought the statue from another Dutch trader in Asian art, who was also an informed person."

In a statement sent to media after the statue was withdrawn from the exhibition in Hungary, a spokesperson of the Dutch collector said "the owner of the mummy has been collecting Chinese art for almost three decades" and "the owner bought the sculpture in the Netherlands from a fellow collector who, at that time, was sharing his professional time between Hong Kong and Amsterdam and who was well acquainted with the local Hong Kong art scene."

"In late 1995 in Amsterdam, the current owner noticed the statue first in the fellow collector's collection and by mid 1996 agreed to acquire it. The previous owner shipped the statue from his Hong Kong studio to his Amsterdam residence while he, in turn, in the winter of 1994-1995 acquired the statue from a Chinese art friend in Hong Kong," according to the statement.

Under the Dutch Civil Code, the possessor must observe the necessary diligence (prudence) at the acquisition of ancient cultural objects. Holthuis said "in professional art trading circles it is known that this kind of old statue could never have been exported out of China without a permit. A professional buyer should have asked for provenance documents and export permit. Apparently, Van Overeem did not."

HUMAN REMAINS INSIDE STATUE

Holthuis said the Buddhist statue carries the human remains of an identifiable person, who is 1,000 years old.

"The statue is a casket around the human remains of a person, and the Buddha statue is so much entangled with the corpse that one cannot be separated from the other. Eventually the leading part in this case is not the Buddhist art, but the human remains of the person that is in there," said Holthuis.

"According to the Dutch Burial and Cremation Act of 1991 and the interpretation of our Minister of Justice at that time, nobody can own a corpse. Nobody can therefore own this statue even if it is acquired in good faith. According to Dutch law, the family can claim the statue back. If the family cannot, then the caretaker can," he added.

The Chinese villagers have hundred years old genealogy records that refer to the origin of Zhanggong Patriarch by its full Chinese name, and the records show that it has been worshipped at Puzhao temple in Yangchun village from the Song dynasty (960-1279) to the Yuan dynasty (1279-1368). The Chinese characters on these documents are consistent with those on the praying mat stolen along with the statue.

"This genealogy is the interesting and unique thing in this case that proves Zhang Gong was related to the village temple and the villagers have been looking after their statue for a very long time. A link can be made between the village clan and this statue, and with the fact that the villagers have always worshiped this statue, they have the legal interest to claim back this statue," argued Holthuis.

WHAT NEXT?

"We sued three parties, Oscar van Overeem and his two companies registered at the same address, because we do not know whether he bought it through his company or privately," said Holthuis.

After the statement of claims is filed in court, the defendant normally has six weeks to prepare his statement of defense. He can ask an extension of another six weeks, and then again another extension with the approval of the other party.

The court might set a hearing and see whether they need additional information or whether they can already, after the hearing, take a decision. Another round of statements is still possible before the judge takes any decision and both parties can appeal.

"In Dutch legal proceedings, the judge lets the parties make arguments and eventually takes a decision on that basis although he can ask questions during the hearing and decide that one party shall give specific evidence," Holthuis said.

"The villagers deserve that we do our very best and we hope Master Zhang Gong can return to his usual resting place," he said.
A little chilly to see the photo
 
@AndrewJin
Just for you, this are more pleasant pictures.

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Monkey King transformer displayed in NE China
(Xinhua) 15:30, June 17, 2016

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SHENYANG, June 17, 2016 (Xinhua) -- Pedestrians walk past a Monkey King transformer in Shenyang, capital of northeast China's Liaoning Province, June 17, 2016. The 11-meter-high transformer, which is made of discarded car parts, is designed to resemble Chinese fairy tale figure Monkey King. (Xinhua/Zhang Wenkui)


12675258293403650355.jpg

SHENYANG, June 17, 2016 (Xinhua) -- A Monkey King transformer is seen in Shenyang, capital of northeast China's Liaoning Province, June 17, 2016. The 11-meter-high transformer, which is made of discarded car parts, is designed to resemble Chinese fairy tale figure Monkey King. (Xinhua/Zhang Wenkui)


16715094885029712167.jpg

SHENYANG, June 17, 2016 (Xinhua) -- A Monkey King transformer is seen in Shenyang, capital of northeast China's Liaoning Province, June 17, 2016. The 11-meter-high transformer, which is made of discarded car parts, is designed to resemble Chinese fairy tale figure Monkey King. (Xinhua/Zhang Wenkui)


31491180837299624.jpg

SHENYANG, June 17, 2016 (Xinhua) -- A Monkey King transformer is seen in Shenyang, capital of northeast China's Liaoning Province, June 17, 2016. The 11-meter-high transformer, which is made of discarded car parts, is designed to resemble Chinese fairy tale figure Monkey King. (Xinhua/Zhang Wenkui)
 
Great Wall, 'most recognizable' Chinese cultural symbol
Xinhua, June 20, 2016

A survey has revealed that the Great Wall is the "most recognizable" Chinese cultural symbol.

Bamboo and "harmony" came next in the list of Chinese symbols best known by people outside the country, according to a report released Sunday by Beijing Institute of Culture Innovation and Communication.

The report on how foreign people know China picked 18 Chinese symbols spanning figures, philosophy concepts and art, among others. The symbols include baijiu, a clear liquor made from sorghum or other grains, Kunqu opera, and retired tennis superstar Li Na.

The survey was conducted among 3,134 respondents aged between 18 and 44 from 10 countries including Britain, France, the U.S., Japan, Germany, Russia, and South Africa.

Chinese cultural symbols are becoming more and more familiar to people around the world, said the report, adding that young people, especially, showed great interest in Chinese culture.

Travel and communication are excellent ways to be exposed to Chinese culture, according to the respondents, who added that the Internet, TV and families or friends had introduced them to Chinese culture, said the report.
 
Historians from Mainland, Taiwan and also Hong Kong participated in this project.

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Mainland, Taiwan jointly compile 1st modern history book
Xinhua, June 21, 2016

Experts from the Chinese mainland and Taiwan have jointly compiled a modern history book of China, the first since 1949.

The work, which covers the period from 1912 to 1949, has been published by the Social Sciences Academic Press, according to the Institute of Modern History under the Chinese Academy of Social Sciences, which organized the project.

Since October 2010, 57 historians, including 34 from the mainland, 21 from Taiwan and two from Hong Kong, have worked on the project.

The 1,268-page work elaborates on a series of major issues concerning politics, the military, foreign affairs, ideology and culture.

The work was composed of two books, one on the general history of that period and the other on various special subjects.

It is the first work on Chinese modern history to be jointly compiled by experts from the Chinese mainland and Taiwan since the Communist Party of China (CPC) established the People's Republic of China in 1949 after defeating the Kuomintang, which retreated to Taiwan.

During the 1912-1949 period, the CPC and Kuomintang came together twice to defeat the warlord government and the Japanese invasion, but went on to fight each other.

The work respects the different readings of history, and while there are some areas where both sides agree, the publication contains different readings of the same issues, according to Wang Jianlang, head of the Institute of Modern History under the Chinese Academy of Social Sciences.

Wang is one of the chief compilers of the book, another is Huang Ko-wu, a research fellow with the Institute of Modern History under Taipei-based Academia Sinica.

Another work of Chinese modern history about the late Qing Dynasty (1840-1911) will also be compiled by historians from both sides of the Taiwan Strait.
 
Historians from Mainland, Taiwan and also Hong Kong participated in this project.

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Mainland, Taiwan jointly compile 1st modern history book
Xinhua, June 21, 2016

Experts from the Chinese mainland and Taiwan have jointly compiled a modern history book of China, the first since 1949.

The work, which covers the period from 1912 to 1949, has been published by the Social Sciences Academic Press, according to the Institute of Modern History under the Chinese Academy of Social Sciences, which organized the project.

Since October 2010, 57 historians, including 34 from the mainland, 21 from Taiwan and two from Hong Kong, have worked on the project.

The 1,268-page work elaborates on a series of major issues concerning politics, the military, foreign affairs, ideology and culture.

The work was composed of two books, one on the general history of that period and the other on various special subjects.

It is the first work on Chinese modern history to be jointly compiled by experts from the Chinese mainland and Taiwan since the Communist Party of China (CPC) established the People's Republic of China in 1949 after defeating the Kuomintang, which retreated to Taiwan.

During the 1912-1949 period, the CPC and Kuomintang came together twice to defeat the warlord government and the Japanese invasion, but went on to fight each other.

The work respects the different readings of history, and while there are some areas where both sides agree, the publication contains different readings of the same issues, according to Wang Jianlang, head of the Institute of Modern History under the Chinese Academy of Social Sciences.

Wang is one of the chief compilers of the book, another is Huang Ko-wu, a research fellow with the Institute of Modern History under Taipei-based Academia Sinica.

Another work of Chinese modern history about the late Qing Dynasty (1840-1911) will also be compiled by historians from both sides of the Taiwan Strait.

That's perfect. Another step toward organic unification.
 
Look at the beautiful culture/costume of China's minorities. China does treasure its minorities.

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Sino-Russian-Mongolian Costume Festival

Some pictures of the Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia Autonomous Region, June 24, 2016.

Sino-Russian-Mongolian-Costume-Festival,(1).Hulunbuir,Inner-Mongolia.24Jun2016.jpg
June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

Sino-Russian-Mongolian-Costume-Festival,(2).Hulunbuir,Inner-Mongolia.24Jun2016.jpg

June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

Sino-Russian-Mongolian-Costume-Festival,(3).Hulunbuir,Inner-Mongolia.24Jun2016.jpg

June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

Sino-Russian-Mongolian-Costume-Festival,(4).Hulunbuir,Inner-Mongolia.24Jun2016.jpg

June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

Sino-Russian-Mongolian-Costume-Festival,(5).Hulunbuir,Inner-Mongolia.24Jun2016.jpg

June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

Sino-Russian-Mongolian-Costume-Festival,(6).Hulunbuir,Inner-Mongolia.24Jun2016.jpg

June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

Sino-Russian-Mongolian-Costume-Festival,(7).Hulunbuir,Inner-Mongolia.24Jun2016.jpg

June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.
 
Look at the beautiful culture/costume of China's minorities. China does treasure its minorities.

--------
Sino-Russian-Mongolian Costume Festival

Some pictures of the Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia Autonomous Region, June 24, 2016.

View attachment 313637June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

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June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

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June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

View attachment 313640
June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

View attachment 313641
June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

View attachment 313642
June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.

View attachment 313643
June 24, 2016. Sino-Russian-Mongolian Costume Festival in Hulunbuir, Inner Mongolia.
interesting!
 
It's good that children starts young with learning classic Chinese culture.....,

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Children in Traditional Clothes Experience Classic Chinese Culture
2016-06-22 20:35:37 CRIENGLISH.com Web Editor: Guo Jing

062a0293cd76441a9df261152415982e.jpg

Children painting fans with Chinese brushes. Many children wearing Hanfu (the national costume for the ancient Han people), have close contact with traditional Chinese culture at Ji'nan Women and Children's Activity center on June 22, 2016, in east China's Shandong province. [Photo: Chinanews.com]


3e30e0c0744248efa7672d9fa52cd92b.jpg

Children reciting articles of ancient Chinese history, culture and philosophy. [Photo: Chinanews.com]


001e30af9947475d8ac65f6d001dea6d.jpg

Children studying tea culture. [Photo: Chinanews.com]


e39e095b93d24aac931c32a09886b7aa.jpg

Children painting facial makeup in Peking Opera style on each other. [Photo: Chinanews.com]
 
China needs to reinvent its social etiquette. It seems lots of folks in China are behind when it comes to social norms and behavior, many think its totally fine to squat on the sidewalk to sh*t or p*ss, not to mention spitting everywhere -- and then they take this behavior overseas as tourists, making every single Chinese person look ignorant and backwards. This is the wrong image you want to present.

Currently there is a media maelstrom surrounding 'Chinese tourist' -- almost 100% negative. Stuff like this really diminishes your soft power. It makes people hate and despise you, which gets fused together with other emotions such as when discussing political issues.
 
Illegal buildings in Forbidden City to be removed
t_16.gif

Shan Jixiang, curator of the Palace Museum, delivers a speech on the Royal Caribbean's cruise ship Ovation of the Seas during a cultural activity in North China's Tianjin Municipality, June 26, 2016. [Photo/Xinhua]



Shan Jixiang, curator of The Palace Museum, revealed the news when he was making a speech at the Tianjin International Cruise Home Port in Dongjiang of Tianjin.

More than 100 pieces or sets of cultural creative products from the Palace Museum were displayed on the Royal Caribbean's cruise ship Ovation of the Seas on Sunday, to showcase the Forbidden City and the museum culture.

Shan said the Palace Museum would spend four years reallocating the office space of its 1,500 staff members. All administrative staff, including the curator and vice-curator, will move out of the Forbidden City, while office buildings will be built out of the city wall. All parking lots for employees will also be moved out, to make proper use of each inch of land in the Forbidden City.

Shan said the Palace Museum would dismantle the more than 14,800 square meters of temporary buildings and the other later constructed buildings in the Forbidden City, to prevent modern architecture affecting the whole environment. The existing pavements will be changed to traditional materials and afforesting will be strengthened.

The Palace Museum is dedicated to open wider to the public, and 85 per cent of the museum's 160,000-square-meter area will be open by 2025. That's compared to 76 per cent, this year

A woman looks at Palace Museum cultural products on the Royal Caribbean's cruise ship Ovation of the Seas, during a cultural activity in North China's Tianjin Municipality, June 26, 2016. [Photo/Xinhua]
 
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