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Return to favour: A vigorous campaign has brought back the Manipuri script | Photo Credit: 2001 SNOWBOUND, ALL RIGHTS RESERVED
http://www.thehindu.com/news/nation...-script-stages-a-comeback/article19743482.ece
Manipur’s king chose Bengali script in 18th century, but the fortunes of the local script have revived
The Manipuri script, over 3,500 years old by some accounts and edged out by a Bengali import, is on a revival course, with street signs, newspapers, literature and even records of Assembly proceedings adopting it.
The script was lost to the speakers of the language when Shantidas Gosai, a Hindu missionary, spread Vaishnavism in the region in 1709, during the reign of Pamheiba. The King, who assumed the name Garib Niwaz, decreed its replacement with that of Bengali.
Books and other written materials in Manipuri were then incinerated. But many of his subjects opposed the imposition and continued to follow dual religions, Vaishnava and Sanamahi. They also preserved the Manipuri script.
June 20 marked a milestone in the revival efforts, when college teachers completed a 10-day reorientation programme.
Manipur’s Education Minister T. Radheshyam said, “It is a must for college and university teachers to be well-acquainted with the Manipuri script. In due course, it will be taught at the university level.” Necessary teaching resources were readily available, he noted.
Pursuing the restoration plan is Meelal, a registered body with 24 organisations that took off on August 18, 2003. It has been at the forefront of the campaign. Meelal has kept a hawk eye on the use of non-Manipuri words in writing and social media, and in open air theatre, a widely enjoyed form of entertainment.
There are campaigns led by Meelal for teaching of the Manipuri script in schools and colleges, doing away with Bengali-script textbooks. It organises free classes for the young and the old.
Redundant letters
Manipuri belongs to the Tibeto-Burmese branch of the Sino-Tibetan family of languages and has no use for several Bengali letters, some of which its speakers are unable to pronounce correctly. Writers are known to use Bengali letters whimsically, with the result that writers use different spellings for several words. Personalised spellings imposed by university professors on the research scholars have aggravated the linguistic problem.
Militant enforcement
Occasionally, activists have used extreme methods to advance the cause. Signboards without the Manipuri script were defaced with tar. A plaque at a city flyover was vandalised and the government library in Imphal, which housed a considerable number of Bengali books, was burned down one night by unidentified protesters.
Thanks to the revivalist moves, Manipuri language newspapers have to publish at least one news item in the traditional script on their front pages.
Hoardings, billboards and other material for public events must also be in the script. Organisers have had to tender public apologies if this requirement was defied or ‘forgotten’. Also, vehicle owners must display their registration numbers in the Manipuri script.
The plan to return to the old has faced rough weather. Litigation and objections by some groups prompted the government to drag its feet over the reintroduction. The State government accepted the 27-alphabet script in 1980, but some groups claimed that the 18-letter, 27-letter or 36-letter alphabets were the ‘genuine’ ones.
While it is also called ‘Meitei,’ the late Lt. Col. Haobam Bhuban, a former Minister, demanded that it be called the Manipuri script for three reasons: it is the one used for the royal chronicle of the kings of the land, King Gambhir signed the Jeeree Agreement of April 18, 1833 in it, and most importantly, in 1979 the Manipur Assembly, under the leadership of Yangmasho Shaiza, of the Tangkhul tribe, approved the 27-letter Manipuri alphabet.”
The State language is also spoken by Manipuris in several places, including Assam, Tripura and other northeastern States, and Bangladesh and Myanmar.
Writing on the wall
The results of the campaigning are visible. It is no accident that many public signboards no longer have the Bengali script. Widely published newspapers that have not gone Manipuri, like Poknapham, Sangai Express and Hueiyen Lanpao, are losing younger readers. Since 2006, students have been taught in the Manipuri script, creating a new generation of educated Manipuris.
Publishers with a longer-term view of the market began printing newspapers in the Manipuri tradition, and in English. Many organisations, including those supporting insurgency, use Roman in lieu of the Bengali script for their press releases. Most writers have stopped using the Bengali script, while others have rewritten their old books using the traditional alphabet.
In another move that has received a big welcome, Manipur Speaker Y. Khemchand recently announced that one copy of the State Assembly proceedings would be recorded in the Manipuri script.
JBS Umanadh in Yadadri, Sep 24 2017, 0:03 IST
Govt spends 1,800 crore on Yadagirigutta
The main temple (in golden yellow) of Yadadri that house the presiding deity.
http://www.deccanherald.com/content/634607/telangana-rebuilds-ancient-temple.html
The ancient Yadagirigutta temple of Lord Lakshmi Narasimha Swamy will be transformed into Yadadri, akin to hill temple Tirumala by February 2018. This has become possible with a massive grant of Rs 1,800 crore made by the Telangana government, dedicated work of 500 stapathis (sculptors) and latest technology under the watchful eyes of newly constituted Yadagirigutta Temple Development Authority (YTDA).
Located some 50 km from Hyderabad, the ancient temple is known as Pancha Narasimha Kshetram. The legend says that in Treta Yuga, sage Yadarishi, son of Rishyasrunga and Santa Devi, did penance inside a cave with the blessings of Anjaneya on the hills between Bhongiri and Raigiri. Pleased with his devotion, Lord Vishnu appeared in five different forms as Jwala, Yogananda, Gandabherunda, Ugra and Lakshinarasimha. All the five forms are still worshipped here.
The transformation of Yadagirigutta into Yadadri, rechristened by seer Ramanuja Chinna Jeeyar Swamy, began with Chief Minister K Chandrasekhar Rao, an ardent devotee of the temple, wishing to recreate the congested temple into an architectural marvel. He established the YTDA under the Urban Areas Development Act, 1975. The authority is headed by the chief minister. After consolidation of seven villages, namely Yadagiripally, Saidapur, Mallapur, Datarpalli, Gundlapally, Raigiri and Basavapur, under the YTDA, encroachments were removed from the 14 acres surrounding the temple on the main hill, now called the Yadadri.
Soon, Sunshine Infra Engineers was selected for the construction of retaining wall and other civil work on the hillock. Art director Anand Sai of Ealain Events Pvt Ltd submitted designs as per Aagama, Vaastu and Pancharatra Sastras. Anand Sai has associated himself with the stapathis of the endowment department and archakas while designing the new temple which is expected to last for over 1,000 years. The temple designs have been approved by the seer and the decision to rebuild the temple as per the new plan was taken on May 30, 2016.
Ahead of the decision, the main temple of Yadagirigutta was closed on April 21, 2016 and the daily rituals began at the temporary “Balalayam”. Pilgrims have been allowed only inside the Balalayam. “However the sanctum sanctorum of the temple was not touched and all the daily poojas are being conducted at the old temple as per Agama Shastra,” temple executive officer Geetha Reddy said. The new temple will be ready by Brahmotsavam in February 2018 or Narasimha Jyanthi of 2018 which falls in May. “Eventually the Balalayam and the temporary Kalyana Mantapam will be removed to provide space for Brahmotsavams, similar to the four Mada streets of Tirumala,” she added.
The temple with Lord Narasimha as presiding deity which occupied only half an acre earlier will now be spread across 3 acres and a Brahmotsavam area of 11 acres which could accommodate 15,000 devotees at any given time. Construction work on the seven gopurams is in progress. Superstructure work for two gopurams at the entrance and the exit are nearing completion. Work on seven-storeyed Maharaja gopuram is under progress.
“No mortar or brick has been used in the construction of the temple. As per the temple architecture of the Kakatiya rulers of the Telangana region only “Krishna Sila”, the black granite procured from a single quarry in Gurijepalli of Andhra Pradesh, has been put to use,” Kishen Rao, adviser of the YTDA, said. A Giri Pradakshana, a 2.7-km road, has been developed for the devotees to circumambulate the hillock as a ritual. A 160-metre ring road linking four different highways passing through Yadadri has been developed for smooth movement of traffic.
“The state government has granted Rs 1,800 crore for the entire project. So far, Rs 300 crore has been released and spent. We believe that we will be able to finish the temple work with another Rs 200 crore. Remaining amount will be spent on developing infrastructure and the upcoming temple city,” Kishen Rao said. A major chunk of the funds released by the state government has been spent on land acquisition from private owners. After the completion of work, the footfall which is around 10,000 to 15,000 per day is expected to touch 30,000 to 60,000 and the income of the temple is also expected to cross Rs 100 crore per year.
The main attraction of the temple will be the Alwar Mantapam with 12 Alwars of the Vaishnavaite sect in standing position barring Nammalwar who will be in sitting position. Chief stapathi Soundarajan says that each pillar is made of black granite. “The total weight of each pillar will be around 85 tonne. They have been divided into three pieces each so that the cranes can lift them. Around 100 artisans from Karaikudi and Pudukkottai are working at a brisk pace at the camp near the temple. Sculpting was done in six camps, including Allagadda, Marteru, and Gurijepalli in Andhra Pradesh.
Apart from the 108 feet bronze Hanuman idol, the stone work for Mukha mantapam, Prakara, Ramanuja Kutam, Yagashala, Addala Mantapam, Ashtothara mantapam, Parakamani, Vahanashala, Peshkar, Swayambhu Anjaneya, Yada Maharishi, Prahlada, Simha Padam, Balapadam is under progress and the stones are ready to be lifted to the hillock for assembly. Similarly work is also in progress for the 10 lakh litre capacity “pushkarini” for the Lord’s Chakrasnana.
A central bus terminus in the shape of “Govinda Namas” will be built with elevated roads linking the national highways. As no private vehicle will be allowed on the hillock. All devotees are expected to reach the temple only through the terminus.