Saifullah Sani
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Three Pakistani movies stood out in 2014:
Na Maloom Afraad
A comic caper, reminiscent of Hera Pheri, Na Maloom Afraad is arguably the best Pakistani film of the year. These are Karachi’s na maloom afraads as you’ve never seen them before.
Full of thrills, spills and glorious one-liners, the film treats Karachi’s volatility with a light hand. The film is full of excellent performances, particularly those from Javed Sheikh and Mohsin Abbas Haider.
From the madcap chases to Mehwish Hayat’s item number “Billi”, the film packs in plenty of entertainment.
Although the editing could have been a tad tighter, Na Maloom Afraad is well-made, witty and impresses on many levels.
O21
The film’s trailer made it look like Pakistan’s answer to Mission Impossible but O21 was never meant to be an out-and-out action thriller. Told from four different points of view, O21 is an intelligent exploration of allegiances and motivations within espionage.
O21 is remarkable for its first-rate cinematography and outstanding action scenes, but ultimately the film was over ambitious. Its grand theme is somewhat lost in the not-so-perfect editing and an ill-defined plot. This may be due to the change in directors midway through production.
O21 is not quite the film it could have been despite stunning visuals, good performances and an exceptional score.
Dukhtar
Dukhtar is the tale of a former child bride who flees her village to avoid a similar fate for her daughter.
The harrowing subject may have put off audiences looking for escapist cinema, but Dukhtar is a pacy, well-made thriller that tackles a difficult subject well.
Samiya Mumtaz’s performance as mother Allah Rakhi is extraordinary — nuanced and subtle.
The film benefits from an excellent soundtrack and the beautiful visuals once again show how far film production values have come in Pakistan.
Exemplary cinematography makes the most of the breathtaking scenery of northern Pakistan, which forms the backdrop for the majority of the film.
Dukhtar highlights the plight of women caught in the trap of child marriage without preachy dialogue. It is film engrossed with suspense and carries twists with a heartwarming bond between the mother and daughter at the centre of it all.
2014: A good year for Pakistani TV and cinema - Pakistan - DAWN.COM
Na Maloom Afraad
Full of thrills, spills and glorious one-liners, the film treats Karachi’s volatility with a light hand. The film is full of excellent performances, particularly those from Javed Sheikh and Mohsin Abbas Haider.
From the madcap chases to Mehwish Hayat’s item number “Billi”, the film packs in plenty of entertainment.
Although the editing could have been a tad tighter, Na Maloom Afraad is well-made, witty and impresses on many levels.
O21
The film’s trailer made it look like Pakistan’s answer to Mission Impossible but O21 was never meant to be an out-and-out action thriller. Told from four different points of view, O21 is an intelligent exploration of allegiances and motivations within espionage.
O21 is remarkable for its first-rate cinematography and outstanding action scenes, but ultimately the film was over ambitious. Its grand theme is somewhat lost in the not-so-perfect editing and an ill-defined plot. This may be due to the change in directors midway through production.
O21 is not quite the film it could have been despite stunning visuals, good performances and an exceptional score.
Dukhtar
Dukhtar is the tale of a former child bride who flees her village to avoid a similar fate for her daughter.
The harrowing subject may have put off audiences looking for escapist cinema, but Dukhtar is a pacy, well-made thriller that tackles a difficult subject well.
Samiya Mumtaz’s performance as mother Allah Rakhi is extraordinary — nuanced and subtle.
The film benefits from an excellent soundtrack and the beautiful visuals once again show how far film production values have come in Pakistan.
Exemplary cinematography makes the most of the breathtaking scenery of northern Pakistan, which forms the backdrop for the majority of the film.
Dukhtar highlights the plight of women caught in the trap of child marriage without preachy dialogue. It is film engrossed with suspense and carries twists with a heartwarming bond between the mother and daughter at the centre of it all.
2014: A good year for Pakistani TV and cinema - Pakistan - DAWN.COM
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