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The World’s Oldest Multicolored Printed Book Has Been Opened and Digitized for the First Time

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The World’s Oldest Multicolored Printed Book Has Been Opened and Digitized for the First Time
by Kate Sierzputowski on August 11, 2015
cambridgecalligraphy9.jpg

All images courtesy of Cambridge University Library

The earliest example of multicolor printing is now available for the public eye, digitally available through Cambridge University Library’s Digital Library site. The 17th century book, Manual of Calligraphy and Painting (Shi zhu zhai shu hua pu), is so fragile that it was previously forbidden to be opened, its contents a total mystery before its recent digitization.

The book was created in 1633 by Ten Bamboo Studio and is the earliest known example of polychrome xylography, invented by Hu Zhengyan. The technique, also referred to as douban, uses several printing blocks applied in succession with different inks to achieve the appearance of a hand-painted watercolor. The Cambridge site explains that the although the skill required to achieve such douban prints is admirable, the gradations of color within the book are what led to its reputation as “perhaps the most beautiful set of prints ever made.”

The manual contains eight categories showcasing birds, plumbs, orchids, bamboos, fruit, stones, ink drawings and miscellany. All of these sections of the manual are contained in the original “butterfly binding,” and has been identified to be the finest copy in the original binding by a leading scholar.

In addition to Shi zhu zhai shu hua pu, the library has also digitized other selections from its Chinese collections including the oracle bones (the earliest surviving examples of Chinese writing anywhere in the world), a Buddhist text dated between 1127 and 1175, and a 14th century banknote that threatens forgers with decapitation. (via Hyperallergic)

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The World’s Oldest Multicolored Printed Book Has Been Opened and Digitized for the First Time | Colossal
 
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The World’s Oldest Multicolored Printed Book Has Been Opened and Digitized for the First Time
by Kate Sierzputowski on August 11, 2015
cambridgecalligraphy9.jpg

All images courtesy of Cambridge University Library

The earliest example of multicolor printing is now available for the public eye, digitally available through Cambridge University Library’s Digital Library site. The 17th century book, Manual of Calligraphy and Painting (Shi zhu zhai shu hua pu), is so fragile that it was previously forbidden to be opened, its contents a total mystery before its recent digitization.

The book was created in 1633 by Ten Bamboo Studio and is the earliest known example of polychrome xylography, invented by Hu Zhengyan. The technique, also referred to as douban, uses several printing blocks applied in succession with different inks to achieve the appearance of a hand-painted watercolor. The Cambridge site explains that the although the skill required to achieve such douban prints is admirable, the gradations of color within the book are what led to its reputation as “perhaps the most beautiful set of prints ever made.”

The manual contains eight categories showcasing birds, plumbs, orchids, bamboos, fruit, stones, ink drawings and miscellany. All of these sections of the manual are contained in the original “butterfly binding,” and has been identified to be the finest copy in the original binding by a leading scholar.

In addition to Shi zhu zhai shu hua pu, the library has also digitized other selections from its Chinese collections including the oracle bones (the earliest surviving examples of Chinese writing anywhere in the world), a Buddhist text dated between 1127 and 1175, and a 14th century banknote that threatens forgers with decapitation. (via Hyperallergic)

cambridgecalligraphy11.jpg


cambridgecalligraphy7.jpg


page-extra-1.jpg


cambridgecalligraphy4.jpg


cambridgecalligraphy5.jpg


The World’s Oldest Multicolored Printed Book Has Been Opened and Digitized for the First Time | Colossal

It's really beautiful. But can anybody tell me on what grounds does Britain still keep those artifacts? Those thieves robbed anything that they can get their hands on in Colonial Era of China. It's really a shame that they don't return those artifacts to China.
 
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It's really beautiful. But can anybody tell me on what grounds does Britain still keep those artifacts? Those thieves robbed anything that they can get their hands on in Colonial Era of China. It's really a shame that they don't return those artifacts to China.

Probably stolen.

Fcukers would steal and then flaunt their ill gotten gains shamelessly.

Eight nation alliance.

Japan
Russia
Britain
U.S.A
France
Italy
Austria Hungary
Germany

All thieves and looters and currently the biggest preachers of democracy, human rights and justice.

Cant take them seriously at all.
 
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I am not sure how the British get it but this work is not the official artifact of Chinese Government. It might be from a private collection bought through legal means.
 
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I am not sure how the British get it but this work is not the official artifact of Chinese Government. It might be from a private collection bought through legal means.

Well I've made a search on Cambridge Digital Library. According to their records :

Hu Zhengyan is the person who printed the book. I've made a research on the first owner, George Evans Moule. According to Wikipedia he is missionary who came to China in 1858. He returns to England with the book in 1911. It's not clear how he obtained the book, but as far as I can guess it's clear that he didn't actually buy it. Even in the time when he lived that book was 200 years old. A priest can't afford a 200 years old book.

I've found an interesting article in the economist about the issue. Chinese government is demanding such artifacts from Europeans.

http://www.economist.com/news/china...her-up-its-scattered-treasures-relics-plunder

Also there are other news :
China to study British Museum for looted artefacts - Telegraph
China demand David Cameron return Boxer Rebellion artefacts | Daily Mail Online
 
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