Devil Soul
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The havelis of Potohar: Pakistan's opportunity to promote heritage tourism
ZULFIQAR ALI KALHORO
In the year 2000, I was invited by a fellow anthropologist to see the Katas Raj. The visit left me so mesmerised that I decided to explore the entire Potohar region. So over the past decade-and-a-half, I have kept travelling back to the region, documenting historic buildings and indigenous tribes, and returning from every visit even more amazed at the specimens of the architectural beauty in this region.
Every time I had a break from studies or official work, I rushed to Gujar Khan, Kallar Syedan, Sagri, Daultala, Sukho, Dora Badhal, Beval, Doberan Kallan, Hazro, Kot Fateh Khan, Qutbal, Harnal or Haryal to visit the wondrous temples, gurdwaras and havelis.
Haveli of Bakhshi Ram Singh at Kontrilla.
Havelis in Narali village.
A View of Atam Singh haveli at Daultala.
The distinctive features of Potohar's havelis have always attracted me.
These havelis belonged to Muslim, Hindu and Sikh notables. The word 'haveli' is of Persian origin, meaning a great mansion associated with wealth, status and size. In architectural terms, the haveli was merely a very grand version of the modern urban house.
A small list of the havelis in the small and big towns of Potohar include the Khem Singh Bedi haveli in Kallar Syedan, Atam Singh Gujral and Jeevan Singh havelis in Daultana town, Sikh and Hindu havelis in Narali, a haveli of Bakhshi Ram in Kontrilla, a haveli of Ratan Singh in Sagri, and several others in Gulyana and Dora Badhal villages.
Inscription in haveli of Bakhshi Ram Singh, Kontrilla.
Front facade of Jeevan Singh haveli in Daultala.
Children looking out from a window in Jeevan Singh haveli.
Haveli of Bakhshi Ram singh at Kontrilla.
Some of the common elements which stood out in all havelis were the 'jharokas', carved wooden doors and wall paintings, reflecting the taste and aesthetics of the builder. One such ornately carved door can be seen in the haveli of Dr Zaman in Basali village, Rawalpindi district.
An old man of Kontrilla who narrated the story of the Bakhshi Ram Singh family.
The jharoka held an important place with both the artist and the owner. These small, enclosed balconies were generally built on the upper floors, and used by both males and females.
ZULFIQAR ALI KALHORO
In the year 2000, I was invited by a fellow anthropologist to see the Katas Raj. The visit left me so mesmerised that I decided to explore the entire Potohar region. So over the past decade-and-a-half, I have kept travelling back to the region, documenting historic buildings and indigenous tribes, and returning from every visit even more amazed at the specimens of the architectural beauty in this region.
Every time I had a break from studies or official work, I rushed to Gujar Khan, Kallar Syedan, Sagri, Daultala, Sukho, Dora Badhal, Beval, Doberan Kallan, Hazro, Kot Fateh Khan, Qutbal, Harnal or Haryal to visit the wondrous temples, gurdwaras and havelis.
Haveli of Bakhshi Ram Singh at Kontrilla.
Havelis in Narali village.
A View of Atam Singh haveli at Daultala.
The distinctive features of Potohar's havelis have always attracted me.
These havelis belonged to Muslim, Hindu and Sikh notables. The word 'haveli' is of Persian origin, meaning a great mansion associated with wealth, status and size. In architectural terms, the haveli was merely a very grand version of the modern urban house.
A small list of the havelis in the small and big towns of Potohar include the Khem Singh Bedi haveli in Kallar Syedan, Atam Singh Gujral and Jeevan Singh havelis in Daultana town, Sikh and Hindu havelis in Narali, a haveli of Bakhshi Ram in Kontrilla, a haveli of Ratan Singh in Sagri, and several others in Gulyana and Dora Badhal villages.
Inscription in haveli of Bakhshi Ram Singh, Kontrilla.
Front facade of Jeevan Singh haveli in Daultala.
Children looking out from a window in Jeevan Singh haveli.
Haveli of Bakhshi Ram singh at Kontrilla.
Some of the common elements which stood out in all havelis were the 'jharokas', carved wooden doors and wall paintings, reflecting the taste and aesthetics of the builder. One such ornately carved door can be seen in the haveli of Dr Zaman in Basali village, Rawalpindi district.
An old man of Kontrilla who narrated the story of the Bakhshi Ram Singh family.
The jharoka held an important place with both the artist and the owner. These small, enclosed balconies were generally built on the upper floors, and used by both males and females.