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Making the most of India's soft power
By Shashi Tharoor
Weekly Column "Shashi on Sunday" in "The Times of India"
January 28, 2007
This newspaper's 'India Poised' campaign has touched a chord. Observers speak of India's geo-strategic advantages, its economic dynamism and record growth, political stability, proven military capabilities, its nuclear, space and missile programmes, the entrepreneurial energy of our people and the country's growing pool of young and skilled manpower as assuring India's future.
But the greatest asset of all may be something less tangibly measurable our soft power. The term 'soft power' is all the rage today. It was coined by Harvard's Joseph Nye to describe a country's ability to alter the behaviour of others through attraction rather than sticks or carrots.
Hard power is necessary but has its limitations: Afghanistan and Vietnam have taught us that the side with the larger army doesn't always win. But the side with the better story, the more attractive culture, and more numerous channels of communication, always does better than the one which only has guns.
This is hardly news. When France lost the war of 1870 to Prussia, one of its most important steps to rebuild the nation's shattered morale and enhance its prestige was to create the Alliance Francaise to promote French language and literature throughout the world. French culture has remained a major selling-point for French diplomacy ever since.
The UK has the British Council, the Swiss have Pro Helvetia, and Germany, Spain, Italy and Portugal have, respectively, institutes named for Goethe, Cervantes, Dante Alighieri and Gulbenkian. Today, China has started establishing 'Confucius Institutes' to promote Chinese culture internationally.
But soft power does not rely merely on governmental action: for the US, Hollywood and MTV have done more to promote the idea of America as a desirable and admirable society than the Voice of America or the Fulbright scholarships. "Soft power," Nye says, "is created partly by governments and partly in spite of them."
What does this mean for India? It means giving attention, encouragement and active support to the aspects and products of our society that the world would find attractive not in order directly to persuade others to support India, but rather to enhance our country's intangible standing in their eyes.
Bollywood is already doing this by bringing its brand of glitzy entertainment not just to the Indian diaspora in the US or UK but to the screens of Syrians and Senegalese who may not understand the Hindi dialogue but catch the spirit of the films, and look at India with stars in their eyes as a result.
(An Indian diplomat friend in Damascus a few years ago told me that the only publicly-displayed portraits that were as big as those of then-President Hafez al-Assad were those of Amitabh Bachchan.) Indian art, classical music and dance, Indian fashions, have the same effect.
Indian cuisine, spreading around the world, raises our culture higher in people's reckoning; the way to foreigners' hearts is through their palates. In England today, Indian curry houses employ more people than the iron and steel, coal and shipbuilding industries combined.
When Indian filmmakers or sportspeople succeed internationally or when Indian writers win the Booker or Pulitzer Prizes, our country's soft power is enhanced. (Ask yourself how many Chinese novelists the typical literate American reader can name. Indeed, how many non-Western countries can claim a presence in the Occidental mind comparable to India's?)
And when Americans speak of the IITs with the same reverence they used to accord to MIT or Caltech, and the Indianness of engineers and software developers is taken as synonymous with mathematical and scientific excellence, it is India that gains in respect. The stereotyped image of the Indian is no longer the 'half-naked fakir' but the computer geek.
In the information age, as a society with a free press and a thriving mass media, with a people whose creative energies are daily encouraged to express themselves in a variety of appealing ways, India has an extraordinary ability to tell stories that are more persuasive and attractive than those of its rivals.
This is not about propaganda; indeed, it will not work if it is directed from above, least of all by government. But its impact, though intangible, can be huge.
To take one example: Afghanistan is clearly a crucial country for our national security. But the most interesting asset for India in Afghanistan doesn't come out of our diplomacy, but from one simple fact: Don't try to telephone an Afghan at 8:30 in the evening.
That's when the Indian TV soap opera Kyunki Saas Bhi Kabhi Bahu Thi, dubbed into Dari, is telecast on Tolo TV, and no one wishes to miss it. It's the most popular television show in Afghan history, considered directly responsible for a spike in the sale of generator sets and even for absences from religious functions which clash with its broadcast times.
Saas has so thoroughly captured the public imagination in Afghanistan that, in this deeply conservative Islamic country where family problems are usually hidden behind the veil, it's an Indian TV show that has come to dominate society's discussion of family issues.
I have read reports of wedding banquets being interrupted so that the guests could huddle around the television for half-an-hour, and even of an increase in crime at 8:30 pm because watchmen are sneaking a look at the TV rather than minding the store.
One Reuters dispatch recounted how robbers in Mazar-i-Sharif stripped a vehicle of its wheels and mirrors recently during the telecast time and wrote on the car, in an allusion to the show's heroine, Tulsi Zindabad. That's soft power, and India does not have to thank the government or charge the taxpayer for its exercise. Instead, Indians too can simply say, Tulsi Zindabad.
By Shashi Tharoor
Weekly Column "Shashi on Sunday" in "The Times of India"
January 28, 2007
This newspaper's 'India Poised' campaign has touched a chord. Observers speak of India's geo-strategic advantages, its economic dynamism and record growth, political stability, proven military capabilities, its nuclear, space and missile programmes, the entrepreneurial energy of our people and the country's growing pool of young and skilled manpower as assuring India's future.
But the greatest asset of all may be something less tangibly measurable our soft power. The term 'soft power' is all the rage today. It was coined by Harvard's Joseph Nye to describe a country's ability to alter the behaviour of others through attraction rather than sticks or carrots.
Hard power is necessary but has its limitations: Afghanistan and Vietnam have taught us that the side with the larger army doesn't always win. But the side with the better story, the more attractive culture, and more numerous channels of communication, always does better than the one which only has guns.
This is hardly news. When France lost the war of 1870 to Prussia, one of its most important steps to rebuild the nation's shattered morale and enhance its prestige was to create the Alliance Francaise to promote French language and literature throughout the world. French culture has remained a major selling-point for French diplomacy ever since.
The UK has the British Council, the Swiss have Pro Helvetia, and Germany, Spain, Italy and Portugal have, respectively, institutes named for Goethe, Cervantes, Dante Alighieri and Gulbenkian. Today, China has started establishing 'Confucius Institutes' to promote Chinese culture internationally.
But soft power does not rely merely on governmental action: for the US, Hollywood and MTV have done more to promote the idea of America as a desirable and admirable society than the Voice of America or the Fulbright scholarships. "Soft power," Nye says, "is created partly by governments and partly in spite of them."
What does this mean for India? It means giving attention, encouragement and active support to the aspects and products of our society that the world would find attractive not in order directly to persuade others to support India, but rather to enhance our country's intangible standing in their eyes.
Bollywood is already doing this by bringing its brand of glitzy entertainment not just to the Indian diaspora in the US or UK but to the screens of Syrians and Senegalese who may not understand the Hindi dialogue but catch the spirit of the films, and look at India with stars in their eyes as a result.
(An Indian diplomat friend in Damascus a few years ago told me that the only publicly-displayed portraits that were as big as those of then-President Hafez al-Assad were those of Amitabh Bachchan.) Indian art, classical music and dance, Indian fashions, have the same effect.
Indian cuisine, spreading around the world, raises our culture higher in people's reckoning; the way to foreigners' hearts is through their palates. In England today, Indian curry houses employ more people than the iron and steel, coal and shipbuilding industries combined.
When Indian filmmakers or sportspeople succeed internationally or when Indian writers win the Booker or Pulitzer Prizes, our country's soft power is enhanced. (Ask yourself how many Chinese novelists the typical literate American reader can name. Indeed, how many non-Western countries can claim a presence in the Occidental mind comparable to India's?)
And when Americans speak of the IITs with the same reverence they used to accord to MIT or Caltech, and the Indianness of engineers and software developers is taken as synonymous with mathematical and scientific excellence, it is India that gains in respect. The stereotyped image of the Indian is no longer the 'half-naked fakir' but the computer geek.
In the information age, as a society with a free press and a thriving mass media, with a people whose creative energies are daily encouraged to express themselves in a variety of appealing ways, India has an extraordinary ability to tell stories that are more persuasive and attractive than those of its rivals.
This is not about propaganda; indeed, it will not work if it is directed from above, least of all by government. But its impact, though intangible, can be huge.
To take one example: Afghanistan is clearly a crucial country for our national security. But the most interesting asset for India in Afghanistan doesn't come out of our diplomacy, but from one simple fact: Don't try to telephone an Afghan at 8:30 in the evening.
That's when the Indian TV soap opera Kyunki Saas Bhi Kabhi Bahu Thi, dubbed into Dari, is telecast on Tolo TV, and no one wishes to miss it. It's the most popular television show in Afghan history, considered directly responsible for a spike in the sale of generator sets and even for absences from religious functions which clash with its broadcast times.
Saas has so thoroughly captured the public imagination in Afghanistan that, in this deeply conservative Islamic country where family problems are usually hidden behind the veil, it's an Indian TV show that has come to dominate society's discussion of family issues.
I have read reports of wedding banquets being interrupted so that the guests could huddle around the television for half-an-hour, and even of an increase in crime at 8:30 pm because watchmen are sneaking a look at the TV rather than minding the store.
One Reuters dispatch recounted how robbers in Mazar-i-Sharif stripped a vehicle of its wheels and mirrors recently during the telecast time and wrote on the car, in an allusion to the show's heroine, Tulsi Zindabad. That's soft power, and India does not have to thank the government or charge the taxpayer for its exercise. Instead, Indians too can simply say, Tulsi Zindabad.