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Chinese animated film triumphs in Japan

TaiShang

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The Legend of Hei" has become the highest-grossing Chinese animated feature in Japan.

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A Japanese poster of "The Legend of Hei." [Image courtesy of Joy Pictures]

The 2019 film had attracted more than 360,000 admissions and raked in 560 million Japanese yen (US$5.32 million) by Jan. 25, setting a box office record for a Chinese animated film and marking the biggest success for Chinese overseas distribution.

The heart-warming story takes place in a world where people, goblins, and gods coexist. Xiao Hei is a cat demon who transforms into an adult to live a free life in the mountains. However, the forests in which Xiao Hei lives are being slowly destroyed by human beings and so the former demon embarks on an adventure to live among humans in cities and try to find a new home. The film grossed 320 million yuan (US$49.47 million) in China upon its release in 2019.

Initially "The Legend of Hei" hardly found any cinemas willing to screen it in Japan. It first had limited release on Sept. 20, 2019, in a single theater at Ikebukuro Humax Cinemas as an exhibition screening, targeting only at Chinese in Japan. The agreement was that the distributors would shoulder the costs as the screening may lose the theater money.

But after a warm response and sold-out showings, the distributors decided to extend the film’s run. Aniplex, under Sony Music Entertainment Japan, later joined in promoting the film via local TV networks and employed one of Japan's best native voice teams to dub it. Eventually, the film opened to wide release on Nov. 7, 2020.

Directed by the Chinese animator who goes by the pseudonym MTJJ, "The Legend of Hei" enjoyed extended screenings in Japan and witnessed a growing number of native Japanese audiences who fell in love with the animation, thanks in part to the efforts of a five-person distribution team, Team Joy, under the Chinese company Joy Pictures.

It is notoriously difficult for foreign animated films to find an audience in Japan, given that the country is already saturated with animations and is considered the anime powerhouse of the world. But as more and more Japanese anime professionals watched the film, word of mouth spread, with some even saying that the quality of the film left them feeling pressure from their Chinese animation peers to improve their own craft.

According to Team Joy, the film has had a positive cultural influence. As its popularity grew, more and more Japanese fans promoted the film on social media, bought related merchandise, and even began learning Chinese.

China Film News said that the Japanese release of "The Legend of Hei" marks a new step forward in attracting more Japanese to watch Chinese animations and Chinese films. Its unprecedented success in Japan also provided "a great example" for the overseas marketing and distribution of Chinese films.

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A Japanese poster for "New Gods: Nezha Reborn." [Image courtesy of Joy Pictures]

Following the success of "The Legend of Hei" in Japan, a Joy Pictures spokesperson told China.org.cn that they are working on a subtitled version of "New Gods: Nezha Reborn," the upcoming animated film from Light Chaser Animation that will hit Japanese theaters on Feb. 26, Lantern Festival in China.

Light Chaser's successful 2019 animated feature "White Snake" will also have a Japanese-dubbed version hit the Japanese market this summer.

 
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More like Japanese are accepting the rising China.
 
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Animation is an important part of culture industry.

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Beijing-based Joy Pictures, a producer-distributor with a fast-growing presence in animation, is at the Cannes market this year with ten Chinese titles to sell — including two of its own animated features.

Here are the details:

  • The first animated film is The King of Fighters: Awaken, a 3d adaptation of Japanese fighting-game franchise The King of Fighters. Joy is partnering with Jiangsu-based Original Force (whose first feature Duck Duck Goose is on Netflix) and Idragon Creative Studio.
  • The second film is Candy, a stop-motion family fantasy film about a girl who enjoys making sweets, and befriends a goblin sent to collect her soul after she falls gravely ill. The film is being made with Hangzhou’s Steamworks, an outfit specialized in stop motion. Both features are due for release in summer 2022.
  • Joy’s biggest animation hit to date is The Legend of Hei, which is featured in competition at Annecy Online. The company co-financed the film, a spin-off from a popular web series. It grossed $45 million in China last year. A sequel is in development.
  • Meanwhile, Joy is producing three animated features with Beijing’s Magic Hill Animation, as well as a title based on the mythological character Ne Zha, who inspired a hugely popular film last year. This Variety article from last year has more. These four titles were initially due for release between late 2020 and 2022, but the coronavirus has caused production delays.
  • Founded in 2014, Joy started life as a marketing firm before expanding into distribution. It made a name for itself by successfully releasing foreign titles like La La Land in China. It has also distributed overseas: for instance, it released The Legend of Hei in Japan.
  • In recent years, it has pivoted toward the financing and sale of animation — a fast-growing sector in China, and one with great potential for IP development. Last year, Joy CEO Jia Zhang told Variety, “Animated characters will never grow old or ask for a raise. They’re the real assets.”
  • While the Cannes festival isn’t happening in any physical form this year, its official business counterpart, the Marché du Film, is taking place online. It is running June 22–26, and has 12,500 participants, according to official data.
 
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Ah another thread that provides an example of how assuming the opposite of what Pro-CCP posters say is likely to be true.

That doesn't mean being against PRC movies being in Japan. A little change is nice once in a while.

But its a junk article by troll posting style.

The Legend of Hei at rank 46 for 2020:
https://www.boxofficemojo.com/year/2020/?area=JP&ref_=bo_yl_table_2

I wouldn't mind if PRC made film made it within top 20 or even top 10 once in a while. But Pro-CCP trolls go making troll poop on that.

Better luck next year...

Here's a hint... stop being a troll culture.
 
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A gibli-esq feature , Japan has been lately falling into a trap with predictable storylines with its anime.
So much potential with this medium , only to be wasted.

Might bring in some much needed competition.(Although i detest the low budget 3d animation china passes off as anime)

I am hoping a reemergence of the deeper and complex amines like in the 70s and 80s.
 
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